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Movies / On DVD / Anatomy of a Murder
Anatomy of a Murder

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Anatomy of a Murder (1959)

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Reviews Counted:36

Fresh:36

Rotten:0

Average Rating:8.4/10

Consensus: One of cinema's greatest courtroom dramas, Anatomy of a Murder is tense, thought-provoking, and brilliantly acted, with great performances from James Stewart and George C. Scott.

Runtime: 2 hrs 41 mins

Genre: Dramas

Synopsis: Director Preminger thrives in tense legal showdowns and this is perhaps his best, mostly for Stewart's cagey performance as a deceptively wily small-town lawyer. An army lieutenant shoots a bar... Director Preminger thrives in tense legal showdowns and this is perhaps his best, mostly for Stewart's cagey performance as a deceptively wily small-town lawyer. An army lieutenant shoots a bar owner for allegedly raping his wife. A trial ensues, in which his attempts to convince the jury that the lieutenant is innocent of first degree murder because of he was the victim of an "irresistible impulse." The plot is complicated by the nature of the criminal and defendants, none of whom is purely good or evil, but who all have a complex relationship to the law and to society. [More]

Starring: James Stewart, George C. Scott, Murray Hamilton, Eve Arden

Starring: James Stewart, George C. Scott, Murray Hamilton, Eve Arden, Lee Remick, Ben Gazzara, Orson Bean, Arthur O'Connell

Director: Otto Preminger

Director: Otto Preminger
Producer: Otto Preminger
Composer: Duke Ellington

[See More Credits]

Reviews for Anatomy of a Murder

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1 - 20 (sorted by critic A-Z; UK critics are listed first)
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To me Remick's damaged, dysfunctional presence is the really subversive thing about the picture. And Stewart's grandstanding attorney propels this long film to its final verdict.

Full Review Source: Guardian [UK] | comment Comment
10/23/07
Peter Bradshaw
Peter Bradshaw
Guardian [UK]
Top Critic Icon Top Critic

Courtroom procedurals this nimble don't come along often, but with Anatomy of a Murder, Preminger showed how it could be done.

Full Review Source: FilmFocus | comment Comment
04/17/05
Shay Casey
Shay Casey
FilmFocus

Packed with astonishing dialog and bristly performances, this is essential cinema.

Full Review Source: Shadows on the Wall | comment Comment
04/18/05
Rich Cline
Rich Cline
Shadows on the Wall

From the stylised Saul Bass credit sequence to Preminger's assured direction, this is a thought provoking, superbly acted drama that simply oozes class.

Full Review Source: Channel 4 Film | comment Comment
10/23/07
Tom Dawson
Tom Dawson
Channel 4 Film
Top Critic Icon Top Critic

The picture is superbly photographed by Sam Leavitt in black and white, though there's nothing black and white about the movie's morality.

Full Review Source: Observer [UK] | comment Comment
10/23/07
Philip French
Philip French
Observer [UK]

It's simply the best trial movie ever made.

Full Review Source: Empire Magazine | comment Comment
04/01/06
Kim Newman
Kim Newman
Empire Magazine
Top Critic Icon Top Critic

Time has blunted much of the film's daringly ironic take on notions of guilt and innocence. Yet it still stands as a telling commentary on 50s America.

Full Review Source: BBC | comment 1 Comment
04/19/05
Jamie Russell
Jamie Russell
BBC
Top Critic Icon Top Critic

Coolly absorbing, nonchalantly cynical.

Full Review Source: Time Out | comment Comment
06/24/06
Jessica Winter
Jessica Winter
Time Out
Top Critic Icon Top Critic

Preminger takes a while to set up the story, but his pacing and style are perfection.

Full Review Source: Combustible Celluloid | comment Comment
01/01/00
Jeffrey M. Anderson
Jeffrey M. Anderson
Combustible Celluloid

Moviegoers never had it so good.

Full Review Source: Film Freak Central | comment Comment
01/01/00
Bill Chambers
Bill Chambers
Film Freak Central

It is the best courtroom melodrama this old judge has ever seen.

Full Review Source: New York Times | comment Comment
05/20/03
Bosley Crowther
Bosley Crowther
New York Times
Top Critic Icon Top Critic

Preminger's intense, controversial, intelligent, court room drama is completely engrossing

Full Review Source: All Movie Guide | comment Comment
09/24/01
Dan Jardine
Dan Jardine
All Movie Guide

Atypical of Hollywood court dramas of the era, Preminger's masterpiece is marked by moral ambiguity, dark visuals (b/w cinematography), great performance from Jimmy Stewart as a "loser" lawyer, one of the longest court trials, and objective camera.

Full Review Source: EmanuelLevy.Com | comment Comment
12/02/05
Emanuel Levy
Emanuel Levy
EmanuelLevy.Com

Credit Stewart again for doing the film's dirty work: holding our attention as a sweet-natured defense attorney and then shocking us with how hard-edged and aloof he can become.

Full Review Source: Nashville Scene | comment Comment
01/01/00
Noel Murray
Noel Murray
Nashville Scene

All the principals are fantastic, with the possible exception of Remick, who just doesn't fit the part nearly well enough. Duke Ellington's score is a classic.

Full Review Source: Filmcritic.com | comment Comment
06/05/04
Christopher Null
Christopher Null
Filmcritic.com

As an entertaining look at legal process, this is spellbinding all the way, infused by an ambiguity about human personality and motivation that is Preminger's trademark, and the location shooting is superb.

Full Review Source: Chicago Reader | comment Comment
10/23/07
Jonathan Rosenbaum
Jonathan Rosenbaum
Chicago Reader

Otto at the top of his game.

Full Review Source: Ozus' World Movie Reviews | comment Comment
02/22/06
Dennis Schwartz
Dennis Schwartz
Ozus' World Movie Reviews

Preminger purposely creates situations that flicker with uncertainty, that may be evaluated in different ways. Motives are mixed and dubious, and, therefore, sustain interest.

Full Review Source: Variety | comment Comment
10/23/07
Variety Staff
Variety Staff
Variety
Top Critic Icon Top Critic

The screenplay, from a novel by John D. Voelker, drips with the smoke-drenched taste of 1940s noir, stinging the eyes and lungs.

Full Review Source: Arizona Daily Star | comment Comment
07/31/05
Phil Villarreal
Phil Villarreal
Arizona Daily Star

The film breezily wears its two-hour-and-forty-minute running-time.

Full Review Source: culturevulture.net | comment Comment
03/21/01
Bob Wake
Bob Wake
culturevulture.net
 
 
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