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Andrei Rublev (1969)
Genre: Foreign Films
Starring: Anatoli Solonitsyn, Ivan Lapikov, Nikolai Grinko, Irma Raush
DVD Info
Release:
Feb 1, 2001
DVD Features:
- Region 1 Encoding
- Keep Case
- The Definitive 205-Minute Director's Cut
- Screen-Specific Audio Essay by Harvard Film Professor Vlada Petric
- Rare Film Interviews with Andrei Tarkovsky, With a Video Essay on the Filmmaker's Work by Professor Petric
- A Timeline Featuring Key Events in Russian History, Plus the Lives And Works of Andrei Rublev and Tarkovsky.
Reviews
It's Tarkovsky's lighter touches, coupled with his majestic vision, that makes Andrei Rublev such compulsive viewing some 25 years after its original release.
Perfection lingers in each frame as Tarkovsky crafts one of the finest films ever made, an ecstatic story about art that has little interest in the artist himself, but in the power of art to transcend the age that produces it.
While the pacing of the film is deliberate and the presentation frequently abtruse, the stunning compositions, elaborate camera movements, compelling performances -- provide ample reward, if you are willing to make the effort.
Restored to its original cut (180 minutes), Tarkovsky's glorious masterpiec, an epic yet personal tale about the conflict between artists and society, is justly considered as one of the most important Russian films ever made; on par with Eisenstien's best
Since there always seems to be more going on in the head of the film's director than in the head of the man playing Andrei, the system did not work for me.
Stuns with the sort of unexpected poetic explosions we've come to expect from Tarkovsky.
A virulent assault on all that is wrong with Mother Russia, both past and present. One of the most significant movies of its (and all) time.
The notion of art as a 'religious experience' is sometimes bandied about too freely. Tarkovsky is one of a handful of filmmakers for whom this ideal was no cheap metaphor.
One of cinema's stunning achievements. If God ever watched a movie, he might well pick this one.
Tarkovsky's keen sense of spatial dynamics make Andrei Rublev a film of unerring beauty, one that would be remembered as some kind of masterwork on the strength of its photography alone.


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