Any Gibson-haters hoping to see the heart ripped out of his success may well find themselves disappointed by Apocalypto's relative merits.
Apocalypto (2006)
Tomatometer
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Reviews Counted:182
Fresh:117
Rotten:65
Average Rating:6.3/10
Consensus: Apocalypto is a brilliantly filmed, if mercilessly bloody, examination of a once great civilization.
Rated: 18 [See Full Rating] for sequences of graphic violence and disturbing images
Runtime: 2 hrs 18 mins
Genre: Action/Adventure
Theatrical Release:05-01-2007
Synopsis: Mel Gibson (BRAVEHEART, THE PASSION OF THE CHRIST) tackles the downfall of Mayan civilization in his latest turn as writer/director. Jaguar Paw (Rudy Youngblood) and his fellow villagers lead a... Mel Gibson (BRAVEHEART, THE PASSION OF THE CHRIST) tackles the downfall of Mayan civilization in his latest turn as writer/director. Jaguar Paw (Rudy Youngblood) and his fellow villagers lead a peaceful life in the forest until a savage, unprovoked attack turns their world upside down. After hiding his pregnant wife and young son from the invaders, Jaguar Paw joins in the fight, only to be taken prisoner with the rest of the survivors. Uncertain of what the future holds and taken from his home to a thriving metropolis that might as well be a foreign country, Jaguar Paw has just one goal--to return to his wife and child. Jaguar Paw's journey is a coming-of-age saga running the gamut of love, loss, courage, and redemption. Filmed in Mexico with a cast of indigenous Americans speaking in the Yucatec dialect, this is a tale filled with contrasts. Muted greens and browns define the forest village while the city is awash in bright colors. The wealthy live in opulence, sporting elaborate jewelry, clothing, and hairdos while the villagers wear twig and bone ornaments. The villagers respect both life and nature, but the rulers of the great stone city condone violence in an effort to appease their gods. Gibson's point is clear: the more "advanced" society is corrupt and unrepentant, while the more primitive Mayans have far greater faith and humanity. Gibson also drives home the recurring theme of rebirth with symbolism, including rain, pregnancy, and the arrival of Christianity. Beautifully filmed by Dean Semler and scored by James Horner, APOCALYPTO could benefit from some framing at its beginning to give the viewer a sense of time and place, but otherwise offers a rare glimpse into a lost world. [More]
Starring: Dalia Hernandez, Mayra Serbulo, Gerardo Taracena, Raoul Trujillo
Starring: Dalia Hernandez, Mayra Serbulo, Gerardo Taracena, Raoul Trujillo
Director: Mel Gibson
Director: Mel Gibson
Producer: Mel Gibson, Bruce Davey
Screenwriter: Farhad Safinia
Studio: Walt Disney Pictures
Reviews for Apocalypto
With impressive direction and strong performances this is a hugely enjoyable action thriller, even if the violence may be a little on the extreme side.
While the ancient dialects and weighty quotations suggest an arthouse epic, Apocalypto is basically a really good period popcorn flick.
With a plot that could be set almost anywhere, Gibson recreates the ancient Mayan civilisation on screen for this deeply entertaining action thriller.
This is by no means a boring film, then, but it is a grotesque one, and that brings it pretty close to camp.
Pathologically brilliant. It is bizarre, stomach-turningly violent and frequently inspired.
Mel Gibson's Apocalypto is, above all, a muscular and kinetic action movie, a drama of rescue and revenge with very little organic relation to its historical setting.
It is Mel Gibson's latest proof that as a director, his ambition is boundless and his energy nearly so, but his judgment is sorely lacking.
The whole thing is absorbing, first as a glimpse into a lost culture, then as a traditional Good Guy Hunted by Bad Guys film.
[Gibson] has learned how to tell a tale, and to raise a pulse in the telling. You have to admire that basic gift, uncommon as it is in Hollywood these days, though equally you have to ask what obsessions goad it on.
As an action piece, Mel Gibson's violent, subtitled Mayan epic is engrossing, but it lacks a real emotional hook.
The simplistic premise serves the film fine in terms of action and awe-inspiring moments, but it does next to nothing when it comes to historical value -- something I was hoping for, even in the slightest.
Apocalypto may not be one of the best movies of the year, but it surely stands shoulder to shoulder with those exceptional efforts of 2006 -- at least from an artistic perspective.
Although it's a pretty good bet that much of the audience won't be beguiled by Gibson's end-of-the-world metaphors, no one can deny he made an entertaining movie.
On screen, Gibson was a Lethal purveyor of hot dogging lunacy. Behind the camera, he has now subverted that Riggs energy more masterfully than ever before.
It's escapism - the world would be a lot safer if good and evil were so clearly defined - and it's something that Mel Gibson proves (once again) that he does very, very well in Apocalypto.
If any other director had made the spellbinding, visceral Mayan epic 'Apocalypto,' the film would be championed and unquestionably be discussed in Oscar worthy terms.
So what exactly, or even vaguely, is Mel Gibson trying to say that is not obvious, primitive and ridiculous? Mad Mel kept the answers to himself. They are not in the film.
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