While the ancient dialects and weighty quotations suggest an arthouse epic, Apocalypto is basically a really good period popcorn flick.
Apocalypto (2006)
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Reviews Counted:182
Fresh:117
Rotten:65
Average Rating:6.3/10
Consensus: Apocalypto is a brilliantly filmed, if mercilessly bloody, examination of a once great civilization.
Rated: 18 [See Full Rating] for sequences of graphic violence and disturbing images
Runtime: 2 hrs 18 mins
Genre: Action/Adventure
Theatrical Release:05-01-2007
Synopsis: Mel Gibson (BRAVEHEART, THE PASSION OF THE CHRIST) tackles the downfall of Mayan civilization in his latest turn as writer/director. Jaguar Paw (Rudy Youngblood) and his fellow villagers lead a... Mel Gibson (BRAVEHEART, THE PASSION OF THE CHRIST) tackles the downfall of Mayan civilization in his latest turn as writer/director. Jaguar Paw (Rudy Youngblood) and his fellow villagers lead a peaceful life in the forest until a savage, unprovoked attack turns their world upside down. After hiding his pregnant wife and young son from the invaders, Jaguar Paw joins in the fight, only to be taken prisoner with the rest of the survivors. Uncertain of what the future holds and taken from his home to a thriving metropolis that might as well be a foreign country, Jaguar Paw has just one goal--to return to his wife and child. Jaguar Paw's journey is a coming-of-age saga running the gamut of love, loss, courage, and redemption. Filmed in Mexico with a cast of indigenous Americans speaking in the Yucatec dialect, this is a tale filled with contrasts. Muted greens and browns define the forest village while the city is awash in bright colors. The wealthy live in opulence, sporting elaborate jewelry, clothing, and hairdos while the villagers wear twig and bone ornaments. The villagers respect both life and nature, but the rulers of the great stone city condone violence in an effort to appease their gods. Gibson's point is clear: the more "advanced" society is corrupt and unrepentant, while the more primitive Mayans have far greater faith and humanity. Gibson also drives home the recurring theme of rebirth with symbolism, including rain, pregnancy, and the arrival of Christianity. Beautifully filmed by Dean Semler and scored by James Horner, APOCALYPTO could benefit from some framing at its beginning to give the viewer a sense of time and place, but otherwise offers a rare glimpse into a lost world. [More]
Starring: Dalia Hernandez, Mayra Serbulo, Gerardo Taracena, Raoul Trujillo
Starring: Dalia Hernandez, Mayra Serbulo, Gerardo Taracena, Raoul Trujillo
Director: Mel Gibson
Director: Mel Gibson
Producer: Mel Gibson, Bruce Davey
Screenwriter: Farhad Safinia
Studio: Walt Disney Pictures
Reviews for Apocalypto
Any Gibson-haters hoping to see the heart ripped out of his success may well find themselves disappointed by Apocalypto's relative merits.
With a plot that could be set almost anywhere, Gibson recreates the ancient Mayan civilisation on screen for this deeply entertaining action thriller.
With impressive direction and strong performances this is a hugely enjoyable action thriller, even if the violence may be a little on the extreme side.
This is by no means a boring film, then, but it is a grotesque one, and that brings it pretty close to camp.
Pathologically brilliant. It is bizarre, stomach-turningly violent and frequently inspired.
Brilliant. A masterpiece. The best film of the year and I should know. I’ve seen them all.
That I consider Apocalypto to be Gibson's best film as a director really isn't such high praise when you consider the fact that I hated his last two movies and have only dim memories of his first.
The buzz is wrong. Apocalypto is unquestionably the most reprehensible, brain-dead and offensive movie I've seen all year, and this year has been a doozy.
The harder Apocalypto works to shock and excite you, the less shocked and excited you become, until you may find yourself beset by the urge to giggle.
The movie's world is so extreme that it's almost ludicrous. And yet, through Gibson's bravura feat of epic filmmaking, it's also so bizarrely alien, so visually stunning, so interesting in every frame that it's totally hypnotic.
Think and say what you will about the beliefs and actions of Mel Gibson. One conclusion, however, is undeniable: He's a powerfully effective filmmaker.
The premise of Cornel Wilde's 'The Naked Prey,' the jungle savagery of a 1980s Italian cannibal film and the sadomasochistic martyr-complex obsessions that apparently churn like a ball of snakes inside Mel Gibson's head are all here...
If any other director had made the spellbinding, visceral Mayan epic 'Apocalypto,' the film would be championed and unquestionably be discussed in Oscar worthy terms.
It's unlike any other movie to reach theaters this year and, because it is as visual an experience as it is visceral, it is best seen on a large screen.
It is Mel Gibson's latest proof that as a director, his ambition is boundless and his energy nearly so, but his judgment is sorely lacking.
Apocalypto wants us to believe there is an overpowering darkness in the land, while I can't quite get past a suspicion of overpowering darkness in the filmmaker.
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