Gibson's ancient Mayan version of The Most Dangerous Game played with clubs and spears ... While Gibson and Farhad Safinia's script begins as an anthropological saga, it brutally evolves into a Darwinian gospel according to Mel.
Apocalypto (2006)
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Reviews Counted:182
Fresh:117
Rotten:65
Average Rating:6.3/10
Consensus: Apocalypto is a brilliantly filmed, if mercilessly bloody, examination of a once great civilization.
Rated: 18 [See Full Rating] for sequences of graphic violence and disturbing images
Runtime: 2 hrs 18 mins
Genre: Action/Adventure
Theatrical Release:05-01-2007
Synopsis: Mel Gibson (BRAVEHEART, THE PASSION OF THE CHRIST) tackles the downfall of Mayan civilization in his latest turn as writer/director. Jaguar Paw (Rudy Youngblood) and his fellow villagers lead a... Mel Gibson (BRAVEHEART, THE PASSION OF THE CHRIST) tackles the downfall of Mayan civilization in his latest turn as writer/director. Jaguar Paw (Rudy Youngblood) and his fellow villagers lead a peaceful life in the forest until a savage, unprovoked attack turns their world upside down. After hiding his pregnant wife and young son from the invaders, Jaguar Paw joins in the fight, only to be taken prisoner with the rest of the survivors. Uncertain of what the future holds and taken from his home to a thriving metropolis that might as well be a foreign country, Jaguar Paw has just one goal--to return to his wife and child. Jaguar Paw's journey is a coming-of-age saga running the gamut of love, loss, courage, and redemption. Filmed in Mexico with a cast of indigenous Americans speaking in the Yucatec dialect, this is a tale filled with contrasts. Muted greens and browns define the forest village while the city is awash in bright colors. The wealthy live in opulence, sporting elaborate jewelry, clothing, and hairdos while the villagers wear twig and bone ornaments. The villagers respect both life and nature, but the rulers of the great stone city condone violence in an effort to appease their gods. Gibson's point is clear: the more "advanced" society is corrupt and unrepentant, while the more primitive Mayans have far greater faith and humanity. Gibson also drives home the recurring theme of rebirth with symbolism, including rain, pregnancy, and the arrival of Christianity. Beautifully filmed by Dean Semler and scored by James Horner, APOCALYPTO could benefit from some framing at its beginning to give the viewer a sense of time and place, but otherwise offers a rare glimpse into a lost world. [More]
Starring: Dalia Hernandez, Mayra Serbulo, Gerardo Taracena, Raoul Trujillo
Starring: Dalia Hernandez, Mayra Serbulo, Gerardo Taracena, Raoul Trujillo
Director: Mel Gibson
Director: Mel Gibson
Producer: Mel Gibson, Bruce Davey
Screenwriter: Farhad Safinia
Studio: Walt Disney Pictures
Reviews for Apocalypto
[Gibson] has learned how to tell a tale, and to raise a pulse in the telling. You have to admire that basic gift, uncommon as it is in Hollywood these days, though equally you have to ask what obsessions goad it on.
Say what you want about Mel Gibson, but that sadomasochistic anti-Semite knows how to shoot a movie.
Brutal, compelling and utterly convincing, "Apocalypto" is an adventure that stuns, overwhelms and, above all, entertains.
Think what you want of Gibson as a person, but when it comes to making action movies, he knows what he's doing.
The combination of story, action, excellent costume and makeup and solid performances by the hitherto unknown cast makes for a film that will have broad appeal.
By the end, there's nothing to grab onto except spare limbs and innards.
It's unlike any other movie to reach theaters this year and, because it is as visual an experience as it is visceral, it is best seen on a large screen.
As an action piece, Mel Gibson's violent, subtitled Mayan epic is engrossing, but it lacks a real emotional hook.
None of us can completely resist the spectacle of a disturbed guy -- who used to just be a movie star -- projecting his own violent fantasies in public and repeatedly enacting his own crucifixion. Let's not pretend there's anything healthy about it.
He can't keep his mouth shut when he has too much tequila, but dammit, this man can tell a story on film.
If, as a filmmaker, the obviously soul-stricken former movie star is an unabashed red-meat primitivist, he's also become an undeniably polished one.
By the end I felt sure it was the most obsessively, graphically violent film I'd ever seen, but equally sure that Apocalypto is a visionary work with its own wild integrity. And absolutely, positively convinced that seeing it once is enough.
It's a mesmerizing vision of the past refracted through the dark obsessions of the present.
Gibson has delivered an impeccably crafted action-adventure that starts fast and never lets up.
Whatever you may think about Gibson the man, Apocalypto shows he's determined to lay all his art and sweat and blood up there on the screen.
By now, it's fair to say that Mel Gibson does not make boring movies. He does, however, make movies that make you a little worried about him.
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