It is Mel Gibson's latest proof that as a director, his ambition is boundless and his energy nearly so, but his judgment is sorely lacking.
Apocalypto (2006)
Tomatometer
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Reviews Counted:182
Fresh:117
Rotten:65
Average Rating:6.3/10
Consensus: Apocalypto is a brilliantly filmed, if mercilessly bloody, examination of a once great civilization.
Rated: 18 [See Full Rating] for sequences of graphic violence and disturbing images
Runtime: 2 hrs 18 mins
Genre: Action/Adventure
Theatrical Release:05-01-2007
Synopsis: Mel Gibson (BRAVEHEART, THE PASSION OF THE CHRIST) tackles the downfall of Mayan civilization in his latest turn as writer/director. Jaguar Paw (Rudy Youngblood) and his fellow villagers lead a... Mel Gibson (BRAVEHEART, THE PASSION OF THE CHRIST) tackles the downfall of Mayan civilization in his latest turn as writer/director. Jaguar Paw (Rudy Youngblood) and his fellow villagers lead a peaceful life in the forest until a savage, unprovoked attack turns their world upside down. After hiding his pregnant wife and young son from the invaders, Jaguar Paw joins in the fight, only to be taken prisoner with the rest of the survivors. Uncertain of what the future holds and taken from his home to a thriving metropolis that might as well be a foreign country, Jaguar Paw has just one goal--to return to his wife and child. Jaguar Paw's journey is a coming-of-age saga running the gamut of love, loss, courage, and redemption. Filmed in Mexico with a cast of indigenous Americans speaking in the Yucatec dialect, this is a tale filled with contrasts. Muted greens and browns define the forest village while the city is awash in bright colors. The wealthy live in opulence, sporting elaborate jewelry, clothing, and hairdos while the villagers wear twig and bone ornaments. The villagers respect both life and nature, but the rulers of the great stone city condone violence in an effort to appease their gods. Gibson's point is clear: the more "advanced" society is corrupt and unrepentant, while the more primitive Mayans have far greater faith and humanity. Gibson also drives home the recurring theme of rebirth with symbolism, including rain, pregnancy, and the arrival of Christianity. Beautifully filmed by Dean Semler and scored by James Horner, APOCALYPTO could benefit from some framing at its beginning to give the viewer a sense of time and place, but otherwise offers a rare glimpse into a lost world. [More]
Starring: Dalia Hernandez, Mayra Serbulo, Gerardo Taracena, Raoul Trujillo
Starring: Dalia Hernandez, Mayra Serbulo, Gerardo Taracena, Raoul Trujillo
Director: Mel Gibson
Director: Mel Gibson
Producer: Mel Gibson, Bruce Davey
Screenwriter: Farhad Safinia
Studio: Walt Disney Pictures
Reviews for Apocalypto
Say what you want about Mel Gibson -- and people are likely to be saying whatever forever -- he is one hell of a filmmaker.
Credit should also go to the fierce-eyed Youngblood and Hernandez for making their onscreen relationship so believable. And youngster Baez is completely natural, which is even more incredible when you consider that he's speaking an ancient language.
Apocalypto isn't for everyone, but one thing's clear: Gibson probably should spend more time behind the camera and less time making headlines.
Apocalypto wants us to believe there is an overpowering darkness in the land, while I can't quite get past a suspicion of overpowering darkness in the filmmaker.
It's striking, all right, but some of us don't care to be struck -- especially when we keep getting hit right between the eyes.
Filming in the state of Veracruz and on the Yucatan Peninsula, Gibson and his production team transport viewers six centuries back in time to create an amazing 'you are there' effect.
The production design is superb, and the actors deliver their dialogue in subtitled Yucatecan Maya, but despite all the anthropological drag, this is really just a crackerjack Saturday-afternoon serial.
It represents as brazen an act of career suicide as I can recall from a star director. If he were a first-timer, he'd never work again.
As a whole, it’s far from great and sometimes downright awful. Yet there’s too much to admire in its component parts to dismiss either the movie or the increasingly enigmatic man who made it.
Mel Gibson may be a lunatic, but he's our lunatic, and while I wouldn't wish him behind the wheel of a car after happy hour or at a B'nai Brith function anytime, behind a camera is another matter.
Passable but not really memorable, it's a movie that should have been released over the summer, which still reigns as the best time of year to see a guy get killed with frog-poisoned darts.
"Apocalypto" isn't a movie for everyone, Lord knows. Those who dislike even the thought of a big, black jungle cat chewing the face off a fallen warrior should probably see another movie.
A simple story told in the most feverish extremes. Apocalypto is nightmare, morality play, triumph of human will and, most of all, virtuosic cinema.
Gibson has made a bloody flick about death and social decay in a pagan culture, and he hints ever so obliquely that the world has not fared any better under we Christians.
Gibson may have a long way to go in dealing with his prejudices, but... we [can] marvel that someone can be a terrible person and yet still produce great art.
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