Gibson is still seeking life amid death, but the balance is off.
Apocalypto (2006)
Tomatometer
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Reviews Counted:182
Fresh:117
Rotten:65
Average Rating:6.3/10
Consensus: Apocalypto is a brilliantly filmed, if mercilessly bloody, examination of a once great civilization.
Rated: 18 [See Full Rating] for sequences of graphic violence and disturbing images
Runtime: 2 hrs 18 mins
Genre: Action/Adventure
Theatrical Release:05-01-2007
Synopsis: Mel Gibson (BRAVEHEART, THE PASSION OF THE CHRIST) tackles the downfall of Mayan civilization in his latest turn as writer/director. Jaguar Paw (Rudy Youngblood) and his fellow villagers lead a... Mel Gibson (BRAVEHEART, THE PASSION OF THE CHRIST) tackles the downfall of Mayan civilization in his latest turn as writer/director. Jaguar Paw (Rudy Youngblood) and his fellow villagers lead a peaceful life in the forest until a savage, unprovoked attack turns their world upside down. After hiding his pregnant wife and young son from the invaders, Jaguar Paw joins in the fight, only to be taken prisoner with the rest of the survivors. Uncertain of what the future holds and taken from his home to a thriving metropolis that might as well be a foreign country, Jaguar Paw has just one goal--to return to his wife and child. Jaguar Paw's journey is a coming-of-age saga running the gamut of love, loss, courage, and redemption. Filmed in Mexico with a cast of indigenous Americans speaking in the Yucatec dialect, this is a tale filled with contrasts. Muted greens and browns define the forest village while the city is awash in bright colors. The wealthy live in opulence, sporting elaborate jewelry, clothing, and hairdos while the villagers wear twig and bone ornaments. The villagers respect both life and nature, but the rulers of the great stone city condone violence in an effort to appease their gods. Gibson's point is clear: the more "advanced" society is corrupt and unrepentant, while the more primitive Mayans have far greater faith and humanity. Gibson also drives home the recurring theme of rebirth with symbolism, including rain, pregnancy, and the arrival of Christianity. Beautifully filmed by Dean Semler and scored by James Horner, APOCALYPTO could benefit from some framing at its beginning to give the viewer a sense of time and place, but otherwise offers a rare glimpse into a lost world. [More]
Starring: Dalia Hernandez, Mayra Serbulo, Gerardo Taracena, Raoul Trujillo
Starring: Dalia Hernandez, Mayra Serbulo, Gerardo Taracena, Raoul Trujillo
Director: Mel Gibson
Director: Mel Gibson
Producer: Mel Gibson, Bruce Davey
Screenwriter: Farhad Safinia
Studio: Walt Disney Pictures
Reviews for Apocalypto
Bizarre, almost unique in its mixture of over-the-top bloodletting, ambitious storytelling, and lowbrow slapstick humor.
This is Gibson's bloodlust pure and unfiltered, and it's depressing to sit and watch him make the same film for the third time in a row.
Gibson's film entertains without leaving the stronger impression of scope it had the intention and potential to do.
The whole thing is absorbing, first as a glimpse into a lost culture, then as a traditional Good Guy Hunted by Bad Guys film.
What's truly challenging about it is the ironic displacement of anyone's God as the all-knowing presence in the face of our fellow man constantly preaching the myths as the key to survival.
Had Gibson followed the cue of other less self-important variations of The Most Dangerous Game, and cut to the chase more quickly, Apocalypto would have been a far more satisfying experience.
...feels like a phenomenal step backwards for the thoroughly talented filmmaker.
a borderline movie stuck with a remarkably difficult marketing problem and lots of bloody violence.
The buzz is wrong. Apocalypto is unquestionably the most reprehensible, brain-dead and offensive movie I've seen all year, and this year has been a doozy.
You're not likely to forget the experience, but one can't help but wonder who would want to go through it in the first place.
[A] thrilling tale of survival and love and dedication in a world we've never seen on film, produced with a lavish respect for and attention to honoring that world...
suffers the carte blanche excesses of a successful director who believes he's earned the right not to be told "no."
The simplistic premise serves the film fine in terms of action and awe-inspiring moments, but it does next to nothing when it comes to historical value -- something I was hoping for, even in the slightest.
...director Mel Gibson puts all his psychoses on screen and comes out an auteur, a director of distinctive vision if troubled mind.
Perhaps Gibson is trying to shock us into absorbing the torment and severity of man's inhumanity to man. The tragedy is that the film has the opposite effect: As we are bombarded by savagery, we become inured to it.
As in The Passion of the Christ, Gibson's empathy extends only as far as feeling his characters' pain...It is, however, a rip-roaring, ultraviolent action picture.
For all the film's beauty and mythic grandeur, it's the fetishistic fascination with gore that stays in your head and distracts from almost everything else the movie tries to do.
Apocalypto isn't forgotten quite so easily as your average nightmare, but there isn't much in it worth remembering, either.
Praising the movie's craftsmanship seems less urgent than communicating the overwhelming experience of watching it: the clammy, claustrophobic dread of being trapped in a torture chamber.
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