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Ararat

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Ararat (2002)

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Reviews Counted:74

Fresh:42

Rotten:32

Average Rating:6.4/10

Consensus: Though Ararat radiates intelligence, its impact is diminished by an overly intricate plot and cerebral style.

Runtime: 1 hr 55 mins

Genre: Dramas

Synopsis: ARARAT, Atom Egoyan's mysterious drama about the horrors of the largely unknown Armenian genocide in Turkey, unrolls through a film within the film (also titled ARARAT). Jumping back and forth in... ARARAT, Atom Egoyan's mysterious drama about the horrors of the largely unknown Armenian genocide in Turkey, unrolls through a film within the film (also titled ARARAT). Jumping back and forth in time, Egoyan weaves together the lives of several people. Ari (Arsinee Khanjian), an art historian, is an advisor on the film. Her son Raffi (David Alplay) is part of the film crew. When Raffi travels to Armenia to gather some additional footage, he is detained by a customs agent (Christopher Plummer) and remains in custody for most of the film. Meanwhile, Raffi's stepsister and girlfriend Celia (Marie-Josee Croze) is haunted by her father's suicide. These and other stories within ARARAT are ostensibly linked through the film within a film. Yet, it is each character's quest for truth which binds them thematically and drives the plot. The film is populated with thematic twins, as each character's individual struggle is mirrored in the plight of the other characters. Egoyan works from his own script relying heavily on references to Arshile Gorky's painting "The Artist and his Mother" and Clarence Ussher's historical document, AN AMERICAN PHYSICIAN IN TURKEY. [More]

Starring: David Alpay, Charles Aznavour, Eric Bogosian, Brent Carver

Starring: David Alpay, Charles Aznavour, Eric Bogosian, Brent Carver, Marie-Josee Croze, Bruce Greenwood, Arsinee Khanjian, Christopher Plummer

Director: Atom Egoyan

Director: Atom Egoyan
Screenwriter: Atom Egoyan
Producer: Robert Lantos, Atom Egoyan
Studio: Miramax Films

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Reviews for Ararat

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1 - 20 (sorted by critic A-Z; UK critics are listed first)
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There's no doubting that this is a highly ambitious and personal project for Egoyan, but it's also one that, next to his best work, feels clumsy and convoluted.

Full Review Source: BBC | comment Comment
03/19/03
Tom Dawson
Tom Dawson
BBC
Top Critic Icon Top Critic

The movie's flaws ring of underconfidence, as if Egoyan intellectualised its parts until he ended up draining them of power.

Full Review Source: UK Critic | comment Comment
07/06/03
Ian Waldron-Mantgani
Ian Waldron-Mantgani
UK Critic

Click to read the article

Full Review Source: Empire Magazine | comment Comment
09/27/03
Empire Magazine
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N/R

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Full Review Source: Time Out | comment Comment
06/24/06
Geoff Andrew
Geoff Andrew
Time Out
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N/R

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Full Review Source: Shadows on the Wall | comment Comment
10/24/02
Rich Cline
Rich Cline
Shadows on the Wall
N/R

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Full Review Source: Guardian [UK] | comment Comment
04/20/03
Guardian [UK]
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N/R

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Full Review Source: Sight and Sound | comment Comment
05/04/03
Sight and Sound
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N/R

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Full Review Source: FilmFour.com | comment Comment
04/21/03
FilmFour.com
Top Critic Icon Top Critic

It's the type of stunt the Academy loves: a powerful political message stuffed into an otherwise mediocre film.

Full Review Source: Combustible Celluloid | comment Comment
12/02/02
Jeffrey M. Anderson
Jeffrey M. Anderson
Combustible Celluloid

Hardly makes the kind of points Egoyan wanted to make, nor does it exist as the kind of monument he wanted to build, to victims whose voices have never gained the ears of the world.

Full Review Source: Newsday | comment Comment
11/15/02
John Anderson
John Anderson
Newsday

... ambition is in short supply in the cinema, and Egoyan tackles his themes and explores his characters' crises with seriousness and compassion.

Full Review Source: Seattle Post-Intelligencer | comment Comment
11/27/02
Sean Axmaker
Sean Axmaker
Seattle Post-Intelligencer

The work of an artist tormented by his heritage, using his storytelling ability to honor the many faceless victims.

Full Review Source: Sacramento Bee | comment Comment
02/28/03
Joe Baltake
Joe Baltake
Sacramento Bee

[Egoyan is] so careful telling the story of the genocide that much of the film feels cold and didactic, like watching a slide show in a lecture hall.

Full Review Source: Las Vegas Weekly | comment Comment
09/07/03
Josh Bell
Josh Bell
Las Vegas Weekly

Did the film inform and educate me? Yes. Did it move me to care about what happened in 1915 Armenia? No. And that is where Ararat went astray.

Full Review Source: ReelViews | comment Comment
11/12/02
James Berardinelli
James Berardinelli
ReelViews

The impact of the Armenian genocide is diluted by too much stage business in the modern day.

Full Review Source: SPLICEDWire | comment Comment
11/15/02
Rob Blackwelder
Rob Blackwelder
SPLICEDWire

A compelling and thought-provoking drama on the Armenian genocide after World War I and its toxic impact on the spirits and lives of some contemporary Canadians.

Full Review Source: Spirituality and Practice | comment Comment
11/15/02
Frederic and Mary Ann Brussat
Frederic and Mary Ann Brussat
Spirituality and Practice

Too timid to bring a sense of closure to an ugly chapter of the twentieth century.

Full Review Source: Film Freak Central | comment Comment
09/06/02
Bill Chambers
Bill Chambers
Film Freak Central

Has its moments -- and almost as many subplots.

Full Review Source: USA Today | comment Comment
11/15/02
Mike Clark
Mike Clark
USA Today

Like all of Egoyan's work, Ararat is fiercely intelligent and uncommonly ambitious.

Full Review Source: Time Out New York | comment Comment
06/29/02
Mike D'Angelo
Mike D'Angelo
Time Out New York

You have to pay attention to follow all the stories, but they're each interesting. The movie is well shot and very tragic, and one to ponder after the credits roll.

Full Review Source: TheMovieChicks.com | comment Comment
11/27/02
Cherryl Dawson and Leigh Ann Palone
Cherryl Dawson and Leigh Ann Palone
TheMovieChicks.com
 
 
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Text View | 1 2 3 4 5 >> >|
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Latest News for Ararat

September 07, 2005: Trailer Bulletin: Where the Truth Lies
From Atom Egoyan, director of "Exotica," "The Sweet Hereafter," and "Ararat," comes Kevin Bacon, Colin Firth, and Alison Lohman in the already... More...

August 22, 2005: Egoyan's "Truth" May Lie with an NC-17
ThinkFilm, distributor of the new Atom Egoyan film "Where the Truth Lies," plans to appeal what they believe will be an NC-17 rating from the MPAA, says The Hollywood... More...

See All

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