Directed by Luc Besson, this inventive family movie sets up the most delightful premise, then squanders it on the kind of yawn-inducing CG adventure you might expect from one of those long, plot-heavy cut scenes that slow down video games.
Arthur and the Invisibles (2007)
Tomatometer
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Reviews Counted:86
Fresh:18
Rotten:68
Average Rating:4.5/10
Consensus: Arthur wastes its big-name voice talent on a predictable script and substandard CG animation.
Rated: U [See Full Rating] for fantasy action and brief suggestive material.
Runtime: 1 hr 43 mins
Genre: Childrens
Theatrical Release:02-02-2007
Synopsis: Director Luc Besson (THE FIFTH ELEMENT) tries his hand at a children's film with ARTHUR AND THE INVISIBLES. Based on a book, this adventure follows Arthur (Freddie Highmore) as he journeys in his... Director Luc Besson (THE FIFTH ELEMENT) tries his hand at a children's film with ARTHUR AND THE INVISIBLES. Based on a book, this adventure follows Arthur (Freddie Highmore) as he journeys in his own backyard to save his home from greedy land developers. When his grandfather disappears, Freddie follows a series of clues that lead him to the land of the Minimoys (aka the Invisibles). Arthur's entrance into their realm takes the film from live-action to computer animation, changing Arthur from a 10-year-old boy into one of the Minimoys. The elf-like people he encounters are so tiny that insects dwarf them. Their warrior princess (voiced by Madonna) is ready to ascend the throne of the tiny kingdom. But first she and Arthur must join forces to outwit the evil Malthazar (voiced by David Bowie), who is intent on destroying the kindhearted race. ARTHUR AND THE INVISIBLES boasts a cast of talented actors. Mia Farrow plays Arthur's concerned grandmother, which is quite a change from her malevolent nanny in THE OMEN. The trio of musicians-turned-actors (Madonna, Snoop Dogg, and Bowie) are all fun in their vocal roles, and Bowie particularly shines as the villain. Other standouts include Robert De Niro, Jimmy Fallon, Harvey Keitel, and Jason Bateman, while Highmore brings the same wide-eyed wonder to the screen as he did in CHARLIE AND THE CHOCOLATE FACTORY. In fact, ARTHUR AND THE INVISIBLES shares a similar imaginative spirit with the works of Tim Burton and Roald Dahl. Though Besson's previous films have been adults-only fare like LA FEMME NIKITA, he brings a sense of childlike awe to this project. [More]
Starring: Robert De Niro, Snoop Dogg, Madonna, Freddie Highmore
Starring: Robert De Niro, Snoop Dogg, Madonna, Freddie Highmore, Mia Farrow, Jimmy Fallon, Jason Bateman, Harvey Keitel, Anthony Anderson, Chazz Palminteri
Director: Luc Besson
Director: Luc Besson
Screenwriter: Celine Garcia
Producer: Emmanuel Prevost
Composer: Eric Serra
Studio: Weinstein Company
Reviews for Arthur and the Invisibles
They look like a cross between anime and Jim Henson puppets. Fortunately, they look nothing like Pixar, PDI, Sony Animation or any of the other talking animal companies.
Apparently Besson became so enamored of CG animation’s possibilities that he forgot basic rules … such as the one about animation thriving on clear-cut, distinctive characters whose personalities are established in the first few seconds they’re on screen.
The movie is too long by half for its relatively simple plot. And letting kids get antsy, as any parent can tell you, is the biggest sin a filmmaker can commit.
Arthur and the Invisibles may be a tale for children, but it's got the bad habits of a profligate adult -- the thing borrows shamelessly from its betters and then pretends to be self-sustaining.
An odd imp of a movie, Arthur and the Invisibles may actually be filled with a bit too much invention for the average kid.
Too eccentric for kids, too silly for everyone else, it floats in a Neverland of breathtaking visuals in service of a story that pilfers everything (and I mean everything) from the Arthur legends to last summer's The Ant Bully.
This fantasy blend of live-action and digital animation is just never quite as wondrous as it really should be.
There are too many things out of whack here, and too many unanswered questions.
Oh, what a dreaded Pandora’s Box has been opened by the success of the Harry Potter and The Lord of the Rings franchises.
The movie bing-bing-bings all over the place, repurposing fantasy novels, video games, Arthurian legends. Besson's grocery bill for all I know. Even the musical score has multiple-personality disorder.
This is no committee-engineered product designed to boost first-quarter profits; Besson actually wants to be here.
I know this is supposed to be a children's fantasy and that the color of the Miminoys' skin should be less remarkable than their microscopic stature, but the message seems to be that an African tribe can't be cute unless it is also white.
Imagine the Smurfs meeting Troll dolls in the world of The Dark Crystal...
Youngsters should have a fine time. Adults not easily persuaded that any children's film is automatically charming might bring a book.
...there's exceedingly little here to hold the interest of even the most patient adult.
Starts off as an innocent, wholesome family adventure, but, when it becomes animated, Arthur is on the path to throwing back drinks in da club with Snoop Dogg and his posse.
The story isn't terribly original, but Besson gives it a fuel-injected energy...
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