Wong reconstructs his 1994 film, a story of honour and regret in a surreal ancient China that resembles. It's a metaphysical Western, evocative and also a bit cold. But it's so beautifully filmed that we don't mind.
Ashes of Time Redux (1994)
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Reviews Counted:69
Fresh:54
Rotten:15
Average Rating:6.6/10
Consensus: Wong Kar Wai’s redux, with a few slight changes from his 1994 classic, is a feast for the eyes, if a little difficult to follow.
Theatrical Release:12-09-2008
Synopsis: Two years after forming his own production company, Jet Tone, Hong Kong director Wong Kar Wai released ASHES OF TIME, a martial-arts epic based on THE EAGLE-SHOOTING HEROES, a series of novels by... Two years after forming his own production company, Jet Tone, Hong Kong director Wong Kar Wai released ASHES OF TIME, a martial-arts epic based on THE EAGLE-SHOOTING HEROES, a series of novels by Louis Cha writing under the pseudonym Jin Yong. The film was set in jianghu, an imaginary world with its own views of good and evil. In 2008, unhappy with the many alternate versions of ASHES OF TIME available, Wong reedited and restored the film, working with the original negative and soundtrack, which were in severe disrepair. The new version, called ASHES OF TIME REDUX, which screened at such prestigious international gatherings as the Cannes, Toronto, and New York Film Festivals, is a breathtaking example of Wong's masterly storytelling technique, combined with the stunning cinematography of Christopher Doyle and gorgeous new cello solos recorded by Yo-Yo Ma. Leslie Cheung stars as Ouyang Feng, a mysterious man living alone in the desert, where people come to him when they need someone eliminated. He is visited annually by Huang Yaoshi (Tony Leung Ka Fai), who brings him stories from the outside world--and especially his lost love (Maggie Cheung). Meanwhile, Murong Yang (Brigitte Lin) has contracted to have Huang killed, and Murong Yin (also Lin) wants her brother taken care of. For a film that examines the role of memory in people's lives, Wong assembled an all-star cast that also includes Tony Leung Chiu Wai as a blind swordsman, Carina Lau as his wife, Charlie Young as a young girl seeking vengeance, and Jacky Cheung as a poor swordsman looking for work. ASHES OF TIME REDUX is a visual treat, with Doyle (who has also teamed with Wong on such well-regarded films as DAYS OF BEING WILD and IN THE MOOD FOR LOVE) capturing swirling sands and beautiful, treacherous landscapes, resulting in a stirring sensory experience. [More]
Starring: Leslie Cheung, Tony Leung Ka Fai, Brigitte Lin, Tony Leung Chiu-Wai
Starring: Leslie Cheung, Tony Leung Ka Fai, Brigitte Lin, Tony Leung Chiu-Wai, Carina Lau, Charlie Young, Jacky Cheung, Maggie Cheung
Director: Kar Wai Wong
Director: Kar Wai Wong
Screenwriter: Kar-Wai Wong
Producer: Kar-Wai Wong, Jeff Lau
Composer: Tong Wu
Studio: Sony Pictures Classics
Reviews for Ashes of Time Redux
It is still a rather melancholy variant in which the swordplay scenes are of secondary importance to the triptych of tales with voiceover narration and copious flashbacks.
Wong Kar-Wai's 1994 epic, remodelled and reissued, looks spectacular, but trying to follow its storyline is a test.
It is magnificent eye candy. Forget the plot (which you will be hard-pressed to understand) and store in your memory for later use the dialogue’s Zen Buddhist proverbs.
Even sword-slashes “sigh like a breeze”. Martial arts fans might gag but Wong fans who were disappointed by My Blueberry Nights should see this. It’s the look of lush.
Despite the boom in Asian cinema since its first release Ashes of Time Redux is quite simply one of the best films of the year.
The changes - a reworked score, less murky colouring - serve to bring out more lustrously than ever the yearning wondrousness of this star-laden (Leslie Cheung, Tony Leung, Carina Lau, Maggie Cheung) treasure.
I found its flashbacks and general structure muddled and opaque, and I am unsure how rewarding the film's intricacies and indulgences look now.
Wong’s elliptical, enigmatic storytelling is lent a real lyricism by the stunning photography. It’s visually rich, drawn in a colour palette that includes searing acid yellows and scorched ambers and reliant on reflected light and layered images.
More melancholy reverie than heroic spectacle. It's mesmerising cinema but it stops just short of being so wonderful that you forgive or forget the sketchy storyline and thin characterisation.
Christopher Doyle’s mesmeric compositions remain unaltered, his experiments with colour, light and texture giving the imagery an artistry that majestically survive the moments of clumsy viscerality attempted during the fight sequences.
It's hard to recommend a film as frustratingly inaccessible as this one, but if you go into the theater expecting a trip to an art gallery, you might be pleasantly surprised.
Redux clocks in at a slightly shorter running time than any of the previous versions Wong has offered. The tighter edit is a better fit, but ultimately, it’s not enough.
The film's imagery is its most striking asset, creating an impressionistic sense of both vastness and intimacy that frequently overwhelms the characters and their problems.
It's like watching paint dry--which isn't very exciting, however pretty the colors.
Ashes of Time Redux, like that line from Hey Jude, takes a sad song and makes it better.
Wong Kar Wai could make even a compost heap look as gorgeous as a Vermeer.
I know Kar Wai's got a fanbase, but to me he's equivalent to a recent film school graduate using all of the post-production tricks that he's learned, either to show off what he's learned or to cover up his lack of talent.
Wong's film is to be appreciated as poetry on film, an aphorism-filled ode to lovestruck dreamers, and for its beautifully rendered images.
Latest News for Ashes of Time Redux
October 13, 2008:
Wong Kar-wai Talks Ashes of Time Redux ![]()
Wong Kar-wai has just debuted the "definitive" version of his 1994 film "Ashes of Time," and to celebrate the occasion, he took a few minutes to discuss the project with IGN... More...
October 09, 2008:
Critics Consensus: Express Scores, Body of Lies Falls Flat
This week at the movies, we've got suspicious spies (Body of Lies, starring Leonardo DiCaprio and Russell Crowe), gridiron greats (The Express, starring Rob Brown and Dennis... More...
October 06, 2008:
Wong Kar-wai Finishes Sifting through Ashes of Time ![]()
A troubling discovery at a film lab ten years ago spurred director Wong Kar-wai to begin a restoration of his 1994 release, "Ashes of Time" -- an effort that has reached its... More...
August 03, 2008:
Trailer & Poster review ![]()
More...
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