It is a odd-sounding, odd-looking piece of work, not uninteresting by any means, but there is something a little forced in both lead performances.
Ask the Dust (2005)
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Reviews Counted:101
Fresh:37
Rotten:64
Average Rating:5.1/10
Consensus: Though Hayek is luminous, Farrell seems miscast, and the film fails to capture the gritty, lively edginess of the book upon which it's based.
Runtime: 1 hr 56 mins
Genre: Dramas
Synopsis: From the director of CHINATOWN comes a tale of small-town dreams and big-city challenges. Colin Farrell plays a down-and-out writer in 1930s L.A. who dreams of making it big, and Salma Hayek plays... From the director of CHINATOWN comes a tale of small-town dreams and big-city challenges. Colin Farrell plays a down-and-out writer in 1930s L.A. who dreams of making it big, and Salma Hayek plays his lover, a waitress who also wants to rise above her station. [More]
Starring: Colin Farrell, Salma Hayek, Donald Sutherland, Eileen Atkins
Starring: Colin Farrell, Salma Hayek, Donald Sutherland, Eileen Atkins, Charlie Hunnam, William R. Mapother, Justin Kirk, Idina Menzel, Dion Basco, Tamara Craig Thomas
Director: Robert Towne
Director: Robert Towne
Studio: Paramount Pictures
Reviews for Ask the Dust
Although Chinatown writer Towne lovingly depicts the Depression-era LA setting (actually shot in South Africa), the film misfires.
A curiously resistable drama, despite several strong elements -- the most notable being newcomer Idina Menzel.
The film outstays its welcome and winds up with an unsatisfying thunk.
gravely calls into question Towne's current abilities as both a screenwriter and director.
Towne's script somehow can never put us in his hero's mind, his actions are always incomprehensible and we never get close enough to the man to give a hoot what happens to him.
A minimalist melodrama that's badly frayed at the seams and threatening to unravel.
In "Ask the Dust" you get to see Farrell and Hayek cavorting naked in the waves of the Pacific.
Fante's novel comes to the screen as if dipped in butterscotch: Its abrasive surface has been coated with a golden, sticky glow.
Towne has not given us the great American love story, but he has presented us with a captivating view of 1933 Los Angeles and a tale of romance that involves us in the plight of the characters.
Difficult to swallow are the heavy-handed narrative developments that dominate the film's second half.
Eventually, I was on the edge of my seat... wondering what kind of wrong choice Towne could possibly make next.
Despite its flaws, this story of love and self-discovery is still more smart, stylish, and sexy than the usual fare.
As stale, deluded, and sad as the cot in an old man's flophouse cubicle.
[Director Robert Towne] may have been passionate about the project but that passion does not materialize on the screen.
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