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Assisted Living (2005)
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Reviews Counted:44
Fresh:34
Rotten:10
Average Rating:6.6/10
Consensus: An unconventional, heartfelt blend of fact and fiction.
Runtime: 78 mins
Genre: Comedies
Synopsis: In this surprisingly moving film, the growing trend of assisted living facilities for the elderly is examined through a lighthearted drama. The main character is a young man named Todd (Michael... In this surprisingly moving film, the growing trend of assisted living facilities for the elderly is examined through a lighthearted drama. The main character is a young man named Todd (Michael Bonsignore) who works as an aide in such a facility. For the most part, he struggles to cope with the day-to-day challenges of the job including Alzheimer's-afflicted patients, demanding nurses, his nagging supervisor, and the sadness that is an inherent part of working with very old people nearing death. Amazingly, he finds a way to keep everybody laughing with a combination of his slackerish pot-smoking attitude, his penchant for playing practical jokes on the residents, and his generally carefree outlook on life. The friendship he forms with one resident, Mrs. Pearlman (Maggie Riley), leads him to eventually move on, however. Writer-director Elliot Greenebaum finds a truly artistic way to communicate the difficulties that face seniors in 21st century America. Repeating imagery of hands, touching conversations about the afterlife, and general empathy for each person's unique situation add valor to this sensitive film. Most of all, ASSISTED LIVING is about helping people, and trying to make the best of aging, which is rarely an easy process. [More]
Starring: Michael Bonsignore, Maggie Riley, Nancy Jo
Starring: Michael Bonsignore, Maggie Riley, Nancy Jo
Director: Elliot Greenebaum
Director: Elliot Greenebaum
Producer: Archie Borders
Screenwriter: Elliot Greenebaum
Producer: Alex Laskey, Elliot Greenebaum, Alan Oxman
Reviews for Assisted Living
Much more drama than fact, but it is the addition of real-life elements that give it such an unusual sense of authenticity and truth.
Assisted Living is a remarkably moving look at the prisons in our midst that most of us manage to ignore until we need them.
Despite the often depressing nature of this film, it's absolutely pretty to look at throughout -- magnificently shot!
Has a few moments that charm and a scene or two that even transcend the discomfort of its premise and presentation, but not enough stamina in the end to justify its smoke and mirrors.
Writer/director Elliot Greenebaum perfectly captures the claustrophobic setting of these homes, so that when we finally get out for our catharsis, we want to call our grandparents or parents.
Maggie Riley, a former circus performer who suffered two strokes and a heart attack during the filming of this movie, is a revelation in this role [Mrs. Pearlman].
There is a certain meditative grace to the cinematography here, but after a while, well, I was just plain bored.
Authentically unconventional -- opening in the form of an almost convincing mock documentary -- but it gradually evolves into something more deeply affecting.
Works more than it doesn't, though it's easy to conclude that the film exploits some of the elderly in the movie.
Todd and Mrs. Pearlman are interesting characters you want to spend time with and get to know thanks to the fine performances by Michael Bonsignore and Maggie Riley.
What gives Assisted Living its power is that the film was shot in a real home for the aged, and the patients -- with the exception of Riley's Mrs. Pearlman -- are genuine.
[A] good first effort, a lyrical little movie that is filled with a relaxed Southern charm and a beautiful regard for the people – real and fictional – who inhabit it.
What gives Assisted Living its unexpected weight is the spectacular turn by Riley, a former circus performer.
While never shying away from the unavoidable facts aging, particularly the devastating effects of diseases like Alzheimer's, Greenebaum manages to portray old-age as a condition with its own peculiar beauty and considerable grace.
The easy moral to draw is that everyone needs assistance in living, but the more difficult truth is that living is illusory always.
Parts of the film play like the world's slowest and most insensitive reality show.
generously appreciates the very human conditions of its characters and culminates in a unique story worthy of attention
Elliot Greenebaum's hardheaded comedy has the guardedly facetious tone of a fake documentary.
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