There is a lot that is contrived and does not work. The little things wrong with the film add up to too much.
Atonement (2007)
Tomatometer
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Reviews Counted:199
Fresh:164
Rotten:35
Average Rating:7.3/10
Consensus: Atonement features strong performances, brilliant cinematography, and a unique score. Featuring deft performances from James MacAvoy and Keira Knightley, it's a successful adaptation of Ian McEwan's novel.
Rated: 15
Runtime: 2 hrs 3 mins
Genre: British, , Romance, Young Love, Period Piece, Theatrical Release, Crime, Family Crises, Based On A Novel
Theatrical Release:07-09-2007
Synopsis: On a sultry summer day in 1935, an upper-class British family prepares for a dinner party at their country estate. The players: Briony Tallis (newcomer Saoirse Ronan), a precocious preteen writer;... On a sultry summer day in 1935, an upper-class British family prepares for a dinner party at their country estate. The players: Briony Tallis (newcomer Saoirse Ronan), a precocious preteen writer; her older sister Cecilia (Keira Knightley), Cambridge graduate and femme fatale; Robbie Turner (James McEvoy), the housekeeper's mensch-y son, who carries a torch for Cecilia; and various visitors and family members. A series of misperceptions, fueled by the summer heat and Briony's childish hurts and fevered imagination, lead to a dramatic false accusation that lands Robbie in jail. We meet all three characters five years later in the thick of World War II, as foot soldier Robbie prepares for the Dunkirk evacuation and the two estranged sisters train as nurses in London. Director Joe Wright (PRIDE AND PREJUDICE) deserves high praise for translating Ian McEwan's highly internalized, multilayered tale of guilt, redemption, and the power and limits of the artistic imagination, into a sumptuous visual feast that not only conveys the intricate plot points of the novel, but dives headfirst into the emotional subtleties that make the story so wrenching. Whether any of the characters' actions are ultimately atoned for by the end of the film is a matter of perception, but Wright's sympathetic eye ensures that every player gets a fair trial. The young director favors long, lingering close-ups that trace every flicker of feeling--Ronan's luminous blue eyes clouding over with righteous gravity; the tremors of hurt and anger and love in McEvoy's sensitive face; the defiant jut of Knightley's jaw as it melts into tender affection. The honey-drizzled look of the first two thirds of the film contrasts achingly with the tension and seriousness of the action unfolding (and the grim intensity of the wartime sections), and the scenes on the beach at Dunkirk include some of the most masterly camera work of any recent film. ATONEMENT is a powerful story, retold in a way that even diehard fans of the book will appreciate. [More]
Starring: Keira Knightley, James McAvoy, Romola Garai, Saoirse Ronan
Starring: Keira Knightley, James McAvoy, Romola Garai, Saoirse Ronan, Vanessa Redgrave, Brenda Blethyn
Director: Joe Wright
Director: Joe Wright
Screenwriter: Christopher Hampton
Producer: Tim Bevan, Eric Fellner, Paul Webster
Composer: Dario Marianelli
Studio: Focus Features
Reviews for Atonement
The film wholly transports you into the lives of fictional characters, making their pain, passion, and regret more real than anything else. All of the elements come together to create a near perfect film.
Fairly well-directed, well-written and well-acted, and it never quite gets around to answering the fundamental question...why does this thing exist?
[T]his is a must to avoid, particularly because it appears to be selling the message that writing is, by nature, dishonest.
Keira's tragic hottie pays for the guilty pleasure of an innocent stolen kiss from a servant's son (James McAvoy), with a lifetime of suffering and personal pain.
I don't ever recall seeing a movie that did to me what Atonement did. It started off strong, then completely stopped working for me around the halfway point. Then, at the last possible second, the film somehow managed to turn itself back around.
Atonement has hints of greatness but I think it falls just short of Oscar contention.
Some of the most creative and beautiful cinematography of the year combined with the best performances to date by Knightly and McAvoy and earthshaking work by relative newcomer Romola Garai make this one of the best films out there
An intellectual understanding of the story is clarified at the expense of any emotional connection to the characters on screen.
Although this film doesn't hinge on any great mystery or twist, it is a film that reveals itself slowly and in subtle satisfying ways.
Like Wright's previous award contender, "Atonement" is just a good enough drama with many flaws, but excels with strong performances from McAvoy and newcomer Ronan...
A lushly shot, proficiently performed, and largely stultifying period piece that invites only mild, detached admiration.
A cinematic fellatio for anyone easily impressed by set and costume design.
As good a film as one could imagine having been made from a great work of contemporary fiction.
Atonement is not only too polite but maddeningly orderly, resulting in a prettily cast, professionally performed, impeccably mounted bore.
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