It's a stunner that does justice to a great book.
Atonement (2007)
Tomatometer
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Reviews Counted:199
Fresh:164
Rotten:35
Average Rating:7.3/10
Consensus: Atonement features strong performances, brilliant cinematography, and a unique score. Featuring deft performances from James MacAvoy and Keira Knightley, it's a successful adaptation of Ian McEwan's novel.
Rated: 15
Runtime: 2 hrs 3 mins
Genre: Romance, , British, Young Love, Period Piece, Family Crises, Based On A Novel, Theatrical Release, Crime
Theatrical Release:07-09-2007
Synopsis: On a sultry summer day in 1935, an upper-class British family prepares for a dinner party at their country estate. The players: Briony Tallis (newcomer Saoirse Ronan), a precocious preteen writer;... On a sultry summer day in 1935, an upper-class British family prepares for a dinner party at their country estate. The players: Briony Tallis (newcomer Saoirse Ronan), a precocious preteen writer; her older sister Cecilia (Keira Knightley), Cambridge graduate and femme fatale; Robbie Turner (James McEvoy), the housekeeper's mensch-y son, who carries a torch for Cecilia; and various visitors and family members. A series of misperceptions, fueled by the summer heat and Briony's childish hurts and fevered imagination, lead to a dramatic false accusation that lands Robbie in jail. We meet all three characters five years later in the thick of World War II, as foot soldier Robbie prepares for the Dunkirk evacuation and the two estranged sisters train as nurses in London. Director Joe Wright (PRIDE AND PREJUDICE) deserves high praise for translating Ian McEwan's highly internalized, multilayered tale of guilt, redemption, and the power and limits of the artistic imagination, into a sumptuous visual feast that not only conveys the intricate plot points of the novel, but dives headfirst into the emotional subtleties that make the story so wrenching. Whether any of the characters' actions are ultimately atoned for by the end of the film is a matter of perception, but Wright's sympathetic eye ensures that every player gets a fair trial. The young director favors long, lingering close-ups that trace every flicker of feeling--Ronan's luminous blue eyes clouding over with righteous gravity; the tremors of hurt and anger and love in McEvoy's sensitive face; the defiant jut of Knightley's jaw as it melts into tender affection. The honey-drizzled look of the first two thirds of the film contrasts achingly with the tension and seriousness of the action unfolding (and the grim intensity of the wartime sections), and the scenes on the beach at Dunkirk include some of the most masterly camera work of any recent film. ATONEMENT is a powerful story, retold in a way that even diehard fans of the book will appreciate. [More]
Starring: Keira Knightley, James McAvoy, Romola Garai, Saoirse Ronan
Starring: Keira Knightley, James McAvoy, Romola Garai, Saoirse Ronan, Vanessa Redgrave, Brenda Blethyn
Director: Joe Wright
Director: Joe Wright
Screenwriter: Christopher Hampton
Producer: Tim Bevan, Eric Fellner, Paul Webster
Composer: Dario Marianelli
Studio: Focus Features
Reviews for Atonement
On paper and on screen, Atonement is a story of rare beauty, both wrenching and wise.
Atonement takes a familiar movie environment, a setting that we think we know, and uses it for an examination of a host of dark impulses, such as jealousy, lust, cruelty and deceit.
An impressive expenditure of talent and craft on a complicated, stubbornly book-bound story that remains at a frustrating emotional distance.
Atonement is a handsome film, an earnest film, a film with taste in music and photography and a real sense of intelligence. But too often it feels like an exercise.
Director Joe Wright and screenwriter Christopher Hampton not only blow the Merchant-Ivory dust off the British period movie, they transform Ian McEwan's interior novel into a sweeping epic that speaks to the 21st-century soul.
It is an amazing story, filled with quiet moments of profundity and more surprises than you could imagine.
Christopher Hampton’s screenplay respects the literary focus of Ian McEwan’s novel without falling into the trap of becoming uncinematic.
These performers not only have the looks for a sweeping love story, they also have the skill to throw themselves into the proceedings like they really mean it.
If you appreciate rigorous cinematic artistry along with your transcendent romance, you may just find the whole package heartrending.
It is mindful art doubling as unapologetic entertainment, an ode to eros and errors assembled with vision and meticulous care.
Craft is everywhere in the film, in many touches that make it elegantly forceful.
Against those odds, screenwriter Christopher Hampton and director Joe Wright have turned McEwan's best novel into a fluid, sumptuous and thoroughly engaging drama.
Given the difficulties in transferring Ian McEwan's trickily structured 2001 novel Atonement to the screen, director Joe Wright and screenwriter Christopher Hampton have done a commendable job. Commendable but not electrifying.
The movie never goes as deep as the novel (no movie could), but it's a worthy approximation: a Merchant-Ivory movie that turns in on itself with a lucid and painful sigh.
Atonement is one of the best and most powerful films of 2007 and should be well rewarded come Oscar time.
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