Fans of the original source material will definitely know what to expect here. The rest of us, who can't seem to connect to any of these characters (let alone care about them), can only marvel at the technical aspects of the film.
Atonement (2007)
Tomatometer
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Reviews Counted:199
Fresh:164
Rotten:35
Average Rating:7.3/10
Consensus: Atonement features strong performances, brilliant cinematography, and a unique score. Featuring deft performances from James MacAvoy and Keira Knightley, it's a successful adaptation of Ian McEwan's novel.
Rated: 15
Runtime: 2 hrs 3 mins
Genre: British, , Romance, Young Love, Period Piece, Theatrical Release, Crime, Family Crises, Based On A Novel
Theatrical Release:07-09-2007
Synopsis: On a sultry summer day in 1935, an upper-class British family prepares for a dinner party at their country estate. The players: Briony Tallis (newcomer Saoirse Ronan), a precocious preteen writer;... On a sultry summer day in 1935, an upper-class British family prepares for a dinner party at their country estate. The players: Briony Tallis (newcomer Saoirse Ronan), a precocious preteen writer; her older sister Cecilia (Keira Knightley), Cambridge graduate and femme fatale; Robbie Turner (James McEvoy), the housekeeper's mensch-y son, who carries a torch for Cecilia; and various visitors and family members. A series of misperceptions, fueled by the summer heat and Briony's childish hurts and fevered imagination, lead to a dramatic false accusation that lands Robbie in jail. We meet all three characters five years later in the thick of World War II, as foot soldier Robbie prepares for the Dunkirk evacuation and the two estranged sisters train as nurses in London. Director Joe Wright (PRIDE AND PREJUDICE) deserves high praise for translating Ian McEwan's highly internalized, multilayered tale of guilt, redemption, and the power and limits of the artistic imagination, into a sumptuous visual feast that not only conveys the intricate plot points of the novel, but dives headfirst into the emotional subtleties that make the story so wrenching. Whether any of the characters' actions are ultimately atoned for by the end of the film is a matter of perception, but Wright's sympathetic eye ensures that every player gets a fair trial. The young director favors long, lingering close-ups that trace every flicker of feeling--Ronan's luminous blue eyes clouding over with righteous gravity; the tremors of hurt and anger and love in McEvoy's sensitive face; the defiant jut of Knightley's jaw as it melts into tender affection. The honey-drizzled look of the first two thirds of the film contrasts achingly with the tension and seriousness of the action unfolding (and the grim intensity of the wartime sections), and the scenes on the beach at Dunkirk include some of the most masterly camera work of any recent film. ATONEMENT is a powerful story, retold in a way that even diehard fans of the book will appreciate. [More]
Starring: Keira Knightley, James McAvoy, Romola Garai, Saoirse Ronan
Starring: Keira Knightley, James McAvoy, Romola Garai, Saoirse Ronan, Vanessa Redgrave, Brenda Blethyn
Director: Joe Wright
Director: Joe Wright
Screenwriter: Christopher Hampton
Producer: Tim Bevan, Eric Fellner, Paul Webster
Composer: Dario Marianelli
Studio: Focus Features
Reviews for Atonement
It taises important questions about the relationship between honesty and kindness, and ends on a powerful note that asks whether there can ever be true mercy without, well, truth.
In the story's nooks and crannies are ideas to savor...the human-condition horrors of unpassable distances of space, time, and reconciliation.
Wright didn't just take a great book and turn it into a movie. He created visual poetry from beautiful prose.
There is a lot of yearning going on in Atonement, and not all of it is confined to the actors on the screen.
This is one of the year's best films, a certain best picture nominee.
The trailer for Atonement had me giddy with excitement I thought I was going to be in for a truly epic love story that spanned time, distance, war, betrayal, but what I got was this anemic, pretentious, non-epic turd.
Atonement's main strength is its flow, and its cinematic techniques are able to both bolster the flow and occasionally distract from it.
It is one of the rare British period literary adaptations that feels like a fresh and vital story instead of a museum piece
A handsome and good, but not great adaptation of Ian McEwan's best-selling, 2002 novel of the same name.
I'm sure it works on the page, but on screen, it gets clunky, especially in the epilogue, which hardly packs the intended emotional punch as a result.
Wright's direction and the highly literary adaption of Ian McEwan's award-winning novel by Christopher Hampton give this story an epic sweep.
Champions of the novel who oppose the imbalanced adaptation will find no wrongdoing with the look of the film.
Wright has made a film that honors the imaginative responsibility of an adapter.
For the most part, the result is a smashing success, filled with great performances and exquisite production design.
The arc and resolution don't feel nearly as absorbing and devastating as McEwan's masterful novel.
Atonement is an almost classical example of how pointless, how diminishing, the transmutation of literature into film can be.
Now and then you find a period picture that affords this sort of rightness of scale and satisfaction.
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