Fortunately there's more to the film than epic romance. This really is Briony's tale and -- as embodied by [Saoirse] Ronan, [Romola] Garai and Vanessa Redgrave -- she becomes a captivating screen character.
Atonement (2007)
Tomatometer
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Reviews Counted:199
Fresh:164
Rotten:35
Average Rating:7.3/10
Consensus: Atonement features strong performances, brilliant cinematography, and a unique score. Featuring deft performances from James MacAvoy and Keira Knightley, it's a successful adaptation of Ian McEwan's novel.
Rated: 15
Runtime: 2 hrs 3 mins
Genre: Romance, , British, Young Love, Period Piece, Family Crises, Based On A Novel, Theatrical Release, Crime
Theatrical Release:07-09-2007
Synopsis: On a sultry summer day in 1935, an upper-class British family prepares for a dinner party at their country estate. The players: Briony Tallis (newcomer Saoirse Ronan), a precocious preteen writer;... On a sultry summer day in 1935, an upper-class British family prepares for a dinner party at their country estate. The players: Briony Tallis (newcomer Saoirse Ronan), a precocious preteen writer; her older sister Cecilia (Keira Knightley), Cambridge graduate and femme fatale; Robbie Turner (James McEvoy), the housekeeper's mensch-y son, who carries a torch for Cecilia; and various visitors and family members. A series of misperceptions, fueled by the summer heat and Briony's childish hurts and fevered imagination, lead to a dramatic false accusation that lands Robbie in jail. We meet all three characters five years later in the thick of World War II, as foot soldier Robbie prepares for the Dunkirk evacuation and the two estranged sisters train as nurses in London. Director Joe Wright (PRIDE AND PREJUDICE) deserves high praise for translating Ian McEwan's highly internalized, multilayered tale of guilt, redemption, and the power and limits of the artistic imagination, into a sumptuous visual feast that not only conveys the intricate plot points of the novel, but dives headfirst into the emotional subtleties that make the story so wrenching. Whether any of the characters' actions are ultimately atoned for by the end of the film is a matter of perception, but Wright's sympathetic eye ensures that every player gets a fair trial. The young director favors long, lingering close-ups that trace every flicker of feeling--Ronan's luminous blue eyes clouding over with righteous gravity; the tremors of hurt and anger and love in McEvoy's sensitive face; the defiant jut of Knightley's jaw as it melts into tender affection. The honey-drizzled look of the first two thirds of the film contrasts achingly with the tension and seriousness of the action unfolding (and the grim intensity of the wartime sections), and the scenes on the beach at Dunkirk include some of the most masterly camera work of any recent film. ATONEMENT is a powerful story, retold in a way that even diehard fans of the book will appreciate. [More]
Starring: Keira Knightley, James McAvoy, Romola Garai, Saoirse Ronan
Starring: Keira Knightley, James McAvoy, Romola Garai, Saoirse Ronan, Vanessa Redgrave, Brenda Blethyn
Director: Joe Wright
Director: Joe Wright
Screenwriter: Christopher Hampton
Producer: Tim Bevan, Eric Fellner, Paul Webster
Composer: Dario Marianelli
Studio: Focus Features
Reviews for Atonement
No sophomore slump for British punk wunderkind director Joe Wright...If anything, Atonement is even better, the tragedy of the story intensifying the romance, the novel's unique structure providing an uncommon literary twist
The film digs deeper and becomes more complex as it goes along, with a coda that delivers a powerful message: Art has the potential to heal and redeem. It'd be hard not to find Atonement pretty damn therapeutic.
Wright brings off enough scenes to leave us with moderately good feelings about the time spent, but he lacks the David Lean-like vision and flair that might have turned this 75-year epic of love, war and family betrayal into an unforgettable movie.
Screenwriter Christopher Hampton and director Joe Wright have smartly dramatized the book's wartime romance and tragedy.
Atonement is a sophisticated, gorgeous screen tragedy...a luxurious cinematic cake, furthering Wright's position as one of the more exciting young filmmakers out there today.
In the almost spookily capable hands of 34-year-old director Joe Wright, the film version of Atonement has achieved that to which every literary adaptation should aspire.
A mixed bag, but far better than Wright's muddled Pride & Prejudice and ultimately worth seeing.
With the Ian McEwan novel adaptation Atonement, it's obvious that Joe Wright -- who made his big-screen debut with 2005's deft, affecting version of Pride & Prejudice -- knows how to shepherd a novel to the screen.
Profundity is never achieved because the would-be encompassing love story at its center isn't given enough time to build and breathe.
Part highbrow British drawing-room drama, part gritty war film, all entertainment almost all the time, Atonement is a masterful study of both the hurtful and redemptive effects of imagination.
An impeccable craftsman in the tradition of David Lean, Wright possesses the late director's considerable gifts for drawing out his actors.
Done-in by his own self-importance, Wright overwhelms the story’s personal tragedy with extravagant depictions of his love triangle’s different fates.
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