Yes, August Rush is cheesy, almost embarrassingly so, but it's also irrepressibly sweet.
August Rush (2007)
Tomatometer
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Reviews Counted:116
Fresh:44
Rotten:72
Average Rating:4.8/10
Consensus: Though featuring a talented cast, August Rush cannot overcome the flimsy direction and schmaltzy plot.
Rated: PG [See Full Rating] for some thematic elements, mild violence and language.
Runtime: 1 hr 53 mins
Genre: Dramas
Theatrical Release:23-11-2007
Synopsis: AUGUST RUSH is part romance, part gentle fantasy, but this sweet drama is all heart. When young cellist Lyla (Keri Russell) and rock musician Louis (Jonathan Rhys Meyers) meet at a party in the mid... AUGUST RUSH is part romance, part gentle fantasy, but this sweet drama is all heart. When young cellist Lyla (Keri Russell) and rock musician Louis (Jonathan Rhys Meyers) meet at a party in the mid 1990s, it's love at first sight, and they spend the night in each other's arms. But Lyla's father forces them apart, even though she later learns she's pregnant. Later, an accident lands Lyla in the hospital, and though her father tells her that her baby died, the child survives and is given up for adoption. AUGUST RUSH jumps to the present and begins to follow Evan (Freddie Highmore), an 11 year old who has grown up in a boys' home. As Evan embarks on a crusade to find his parents, he imagines he can communicate with them through his gift for music. His journey to New York City brings him into contact with Wizard (Robin Williams), a man eager to capitalize on the child prodigy's talent. Wizard gives Evan the name August Rush as he begins performing all over the city, but the boy's ultimate goal is to find the parents he has never met. From FINDING NEVERLAND to CHARLIE AND THE CHOCOLATE FACTORY, Highmore has displayed an almost prodigious talent himself. He's a gifted young actor, and this emotional story is the perfect venue for his acting. AUGUST RUSH isn't a film for the cynics, but even the hard-hearted in the audience will have difficulty not being touched by this sentimental film. As in Evan's life, music plays a central role in AUGUST RUSH, and it's tough not to let your heart soar along with the melodies. Though it could draw comparisons to OLIVER! and ANNIE, this is a unique and heartwarming film. [More]
Starring: Freddie Highmore, Robin Williams, Keri Russell, Jonathan Rhys Meyers
Starring: Freddie Highmore, Robin Williams, Keri Russell, Jonathan Rhys Meyers, Terrence Howard, William Sadler, Mykelti Williamson, Ronald Guttman
Director: Kirsten Sheridan
Director: Kirsten Sheridan
Screenwriter: Nick Castle, James V. Hart
Story: Paul Castro, Nick Castle
Producer: Richard Barton Lewis
Composer: Mark Mancina
Studio: Warner Bros.
Reviews for August Rush
Passionate about the importance of music, August Rush is an ambitious family film that just about keeps its head above the rising waters of gushing sentimentality.
Unapologetically preposterous, but it is a (very sweet) fairy tale and Highmore is captivating.
Watching this yucky emotional drama is like being sprayed with treacle from a high-pressure hose.
Those who are prepared to forgive the film its stock characters and lack of emotional subtlety may allow themselves to be ravished -- by the sumptuous soundtrack, if nothing else.
Fans of soppy movies will probably love it, but everyone else should steer clear.
If you can stomach an ultra- contrived plot with a ridiculously schmaltzy finale, August Rush will be music to your ears.
A show-stopping compendium of clichés, bogus emotions, duff dialogue and cringeworthy performances. Yet it’s so naively idiotic that it’s hard to hate. Better just to ignore it.
Packing every cliché, coincidence and contrivance known to man (well, Hollywood screenwriters) into one glossy, saccharine, syrupy package takes some doing; but Highmore’s open-faced charm makes Evan’s sappy story tolerable.
Nauseating drama with poor direction, dodgy performances and a sappy, cliche-laden script.
August Rush kind of feels like a 2-hour coming attractions preview. Lots of fragmented stuff happens, without ever connecting the dots in between.
All this could totally happen, just like an oak tree might spurt out of the ground to start singing and dancing, the Arizona Cardinals could win the next 50 Super Bowls.
Director Kirsten Sheridan's new film is August Rush. But she might as well have named it Oliver! 2: Electric Boogaloo.
We need to break out a whole new definition of cheesiness for a film like this, augmented by fake tears and vomit gestures.
However predictable, a good ol' fashioned happy ending is always welcome. But bring a box of tissues: A good cry is to be expected as well.
Will his parents, through a magical, utterly unlikely yet strangely compelling of fate, come running once they hear the longing in their little maestro's edgily hip, borderline Ani DiFrancoid slap-strumming? Far be it from me to state the obvious.
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