It can be admired for trying something a little different from the usual family film, but in the end, it just doesn't work. At all.
August Rush (2007)
Tomatometer
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Reviews Counted:116
Fresh:44
Rotten:72
Average Rating:4.8/10
Consensus: Though featuring a talented cast, August Rush cannot overcome the flimsy direction and schmaltzy plot.
Rated: PG [See Full Rating] for some thematic elements, mild violence and language.
Runtime: 1 hr 53 mins
Genre: Dramas
Theatrical Release:23-11-2007
Synopsis: AUGUST RUSH is part romance, part gentle fantasy, but this sweet drama is all heart. When young cellist Lyla (Keri Russell) and rock musician Louis (Jonathan Rhys Meyers) meet at a party in the mid... AUGUST RUSH is part romance, part gentle fantasy, but this sweet drama is all heart. When young cellist Lyla (Keri Russell) and rock musician Louis (Jonathan Rhys Meyers) meet at a party in the mid 1990s, it's love at first sight, and they spend the night in each other's arms. But Lyla's father forces them apart, even though she later learns she's pregnant. Later, an accident lands Lyla in the hospital, and though her father tells her that her baby died, the child survives and is given up for adoption. AUGUST RUSH jumps to the present and begins to follow Evan (Freddie Highmore), an 11 year old who has grown up in a boys' home. As Evan embarks on a crusade to find his parents, he imagines he can communicate with them through his gift for music. His journey to New York City brings him into contact with Wizard (Robin Williams), a man eager to capitalize on the child prodigy's talent. Wizard gives Evan the name August Rush as he begins performing all over the city, but the boy's ultimate goal is to find the parents he has never met. From FINDING NEVERLAND to CHARLIE AND THE CHOCOLATE FACTORY, Highmore has displayed an almost prodigious talent himself. He's a gifted young actor, and this emotional story is the perfect venue for his acting. AUGUST RUSH isn't a film for the cynics, but even the hard-hearted in the audience will have difficulty not being touched by this sentimental film. As in Evan's life, music plays a central role in AUGUST RUSH, and it's tough not to let your heart soar along with the melodies. Though it could draw comparisons to OLIVER! and ANNIE, this is a unique and heartwarming film. [More]
Starring: Freddie Highmore, Robin Williams, Keri Russell, Jonathan Rhys Meyers
Starring: Freddie Highmore, Robin Williams, Keri Russell, Jonathan Rhys Meyers, Terrence Howard, William Sadler, Mykelti Williamson, Ronald Guttman
Director: Kirsten Sheridan
Director: Kirsten Sheridan
Screenwriter: Nick Castle, James V. Hart
Story: Paul Castro, Nick Castle
Producer: Richard Barton Lewis
Composer: Mark Mancina
Studio: Warner Bros.
Reviews for August Rush
Heavy-handed, undeniably saccharine, and about as magical as a clown at a kid's party, August Rush is an implausible, pus-covered pixie stick.
I must also confess my absolute astonishment and delight to discover that it is much better than the treacly nightmare suggested by the ads.
The abruptness of the picture as it leaps from character to character is unsettling, revealing that either Rush had a 30-hour rough cut or Sheridan just didn't know where to take a stand with the film's focal point.
There is a lot of talent wasted in August Rush, a would-be weeper that comes across remarkably flat.
Those who are willing to open their hearts to this urban fairy tale will find its pleasures, as long as they they don't think about it too hard.
If you appreciate a well-crafted fantasy tale that is a showcase for its young star and its great music, then you might just like August Rush.
Yes, it's all pretty silly. But director Kirsten Sheridan weaves a certain spell with her lush poetic montages, heart-tugging close-ups of Highmore's angelic face and mostly appealing performances.
For all its patently absurd situations, its occasionally cloying characters and its naked tugs at the old heartstrings, August Rush still finds a way, every so often, of dropping a lump into your throat.
If Charles Dickens were alive today, he might be writing projects like August Rush, the unabashedly sentimental tale of a plucky orphan lad who falls in with streetwise urchins as he seeks the family he ought to have.
It's an unabashed feel-good weeper, and those eager for that type of fare might as well settle for this one. But an equal number will be put off by the bad dialogue, transparent manipulation and saccharine overkill.
Kirsten Sheridan, who helped write her father Jim Sheridan's overcooked In America (2003), directs this awful drama, so soggy that her previous work looks positively austere.
With its musical themes for individual characters that come together symphonically at the climax, the music is so persuasive that it carries the narrative rather than complementing it.
So ridiculous and sappy that it defies the best efforts of a pretty good cast.
Director Kirsten Sheridan's new film is August Rush. But she might as well have named it Oliver! 2: Electric Boogaloo.
The kind of fairy tale that makes Cinderella look like kitchen-sink realism.
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