Often beautiful but wildly inconsistent, Australia is none more Baz Luhrmann, which perhaps says it all. Worth a look on the big screen, though.
Australia (2008)
Tomatometer
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Reviews Counted:191
Fresh:104
Rotten:87
Average Rating:5.8/10
Consensus: Built on lavish vistas and impeccable production, Australia is unfortunately burdened with thinly drawn characters and a lack of originality.
Rated: 12A [See Full Rating] for some violence, a scene of sensuality, and brief strong language.
Runtime: 2 hrs 45 mins
Genre: Action/Adventure
Theatrical Release:26-12-2008
Synopsis: MOULIN ROUGE's Baz Luhrman and Nicole Kidman reteam for this epic that pays homage to their homeland. In AUSTRALIA, Lady Sarah Ashley (Kidman) is a prim and proper Englishwoman who journeys to... MOULIN ROUGE's Baz Luhrman and Nicole Kidman reteam for this epic that pays homage to their homeland. In AUSTRALIA, Lady Sarah Ashley (Kidman) is a prim and proper Englishwoman who journeys to Australia in the years before World War II reached the country's shores. She is determined to have her estranged husband sell his cattle ranch to a monopoly-craving businessman named King Carney (Bryan Brown), but when she arrives, Lord Ashley is dead, and her plan to sell the ranch changes when she sees an employee named Fletcher (David Wenham) cheating her husband's business and mistreating a young boy named Nullah (Brandon Walters) because he is of mixed race. Urged on by both pride and a sense of justice, Lady Ashley wants to drive her herd of cattle to Darwin so she can sell them to the troops, but she'll require the help of an independent cowboy (fellow Aussie Hugh Jackman) to get them there. AUSTRALIA changes genres almost as much as Kidman's character changes from fantastic costume to fantastic costume (courtesy of Luhrman's wife and collaborator, Catherine Martin). The film begins as a fish-out-of-water comedy, then changes into a Western, then morphs into a romance, and it finishes as a World War II drama. But in this genre-bending epic, there's something for everyone, especially for fans of Jackman. The actor has rarely looked better, and there's plenty of opportunity for him to show that he can be an action star as well as a romantic lead in the mold of the Golden Age stars. The film itself harks back to classic Hollywood, at times resembling essentials such as GONE WITH THE WIND and THE AFRICAN QUEEN. And fans of THE WIZARD OF OZ will enjoy seeing how the beloved film works its way into AUSTRALIA's plot and score. [More]
Starring: Nicole Kidman, Hugh Jackman, Bryan Brown, David Wenham
Starring: Nicole Kidman, Hugh Jackman, Bryan Brown, David Wenham, Jack Thompson, David Gulpilil, Brandon Walters
Director: Baz Luhrmann
Director: Baz Luhrmann
Screenwriter: Baz Luhrmann, Stuart Beattie
Story: Baz Luhrmann
Producer: Baz Luhrmann, G. Mac Brown, Catherine Knapman
Studio: 20th Century Fox
Reviews for Australia
It’s a fine romp, epic in both ambition and visuals if not narrative – and if director Baz Luhrmann had stopped at the end of the love story’s trajectory, the audience would have left entirely happy.
Australia is an epic love story, and a quite extraordinary piece of kitsch. Everything about the film is wildly over the top.
We are left with slow-moving insincerity and conceit, summoned up in the flatulence of that title: Australia, a country reborn in terms of facetious Hollywood cliches.
Luhrmann's imagination too, demented and over reaching though it might be, is a glorious and vagrant thing to behold. His passion and romanticism, precisely because it's not trimmed and edited, exhilarates.
Australia would love to be The African Queen, but is more The Australian Prince Charles: silly, longwinded, heart in the right place.
It's anything but cool. It's warm, it has a big heart, and if you look at it in the right light, it's really rather beautiful.
Some of it doesn't work, but it remains a gloriously ambitious romantic epic and a truly memorable big-screen movie experience.
The photography is a knockout. All Australia needed was a script with a sustained story and a stronger sense of where, and how, tragic drama should take over from camp seriocomedy.
Nothing wrong with a film's reach exceeding its grasp, but Luhrmann's ambition has left this one looking forlorn and exposed: Australia clears a huge space for itself and then hasn't the wit or the wherewithal to fill it.
Australia is a film for which you have constantly to suspend your disbelief. I did for some of the way, but in the end began to think it was a cross between the plonking Pearl Harbor and an expensive but routine sort of Oz western.
Part western, part war movie and part epic romance, Baz Luhrmann's latest extravaganza is cheesy and ridiculous on several levels but it's also surprisingly enjoyable and never boring, despite its lengthy running time.
Jackman persuades as an Outback cowboy, Kidman's cut glass accent doesn't. Walters as Nullah is a great discovery. Australia is a soap opera of moods but eye candy Kidman is too fey a character to hold this diva show together.
an endurance test of good intentions and tangled ideas, exploited facts and fuzzy fictions, where the performances, like the plot, are slapped onto the beautiful backgrounds with the broadest - and clumsiest - of strokes.
Luhrmann shamelessly indulges in the most sweeping style of filmmaking imaginable, filling the screen with expansive images, action and emotion, plus plenty of cheesy camp
If it sounds shallow and predictable, Australia is, in fact, anything but.
Nicole Kidman and Hugh Jackman effortlessly don the mantles of Vivien Leigh and Clark Gable here; the screen is crammed with ravishing images.
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