Scriptwriter Shane Salerno’s dialogue is unspeakable, the visceral horror all too familiar, and the ideas distinctly second-hand.
Aliens Vs. Predator: Requiem (2007)
Tomatometer
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Reviews Counted:67
Fresh:9
Rotten:58
Average Rating:3.2/10
Consensus: The increased gore and violence over the first Alien vs. Predator can't excuse Requiem's disorientating editing, excessively murky lighting, and lack of new ideas.
Rated: 15 [See Full Rating] for violence, gore and language.
Runtime: 1 hr 45 mins
Genre: Science-Fiction/Fantasy
Theatrical Release:18-01-2008
Synopsis: ALIEN VS. PREDATOR relegated its intergalactic grudge match to Antarctica, keeping most of humankind gleefully ignorant. This time around, though, the destruction takes place in suburban America,... ALIEN VS. PREDATOR relegated its intergalactic grudge match to Antarctica, keeping most of humankind gleefully ignorant. This time around, though, the destruction takes place in suburban America, and those who have been waiting for it finally get to witness facehuggers, alien hybrids, and the dreadlocked Predator wreak some homeland havoc. Directors Colin and Greg Strause (billed as "The Brothers Strause") don’t seem concerned with achieving the tension of the original ALIEN and PREDATOR films, instead using their visual effects backgrounds to create a steady stream of monsters, gore, and goo. Picking up where AVP ended, REQUIEM sees Predator on a homebound spacecraft when a baby alien/Predator hybrid bursts from his chest, causing the ship to crash in the Colorado woods. Several facehugger specimens escape, planting eggs down the throats of a hunter and his son. Soon, baby aliens emerge from their bodies and head for town, where ex-con Dallas (Steven Pasquale), Iraq War vet Kelly (Reiko Aylesworth), pizza delivery boy Ricky (Johnny Lewis), high school heartthrob Jesse (Kristen Hager), and sheriff Morales (John Ortiz) have their own separate encounters with the creatures. The dead Predator’s home planet receives a transmission of the alien outbreak, and a fellow denizen of his world is dispatched to clean up the multiplying aliens, eventually causing enough death and destruction for government intervention. This is essentially a slasher film (or FREDDY VS. JASON with aliens), and the characters in REQUIEM are secondary to the creature effects. Fans of the comic books and videogames will appreciate the Strauses‘ adherence to the lore of the series, but others will probably just find thrills in the copious special effects, which are frequent and well-done (if often occurring in darkness). There is also a significant amount of indiscriminant gore in this rightfully R-rated film. A government conspiracy plot thread and an ambiguous ending ensure that this battle isn’t over yet. [More]
Starring: Steven Pasquale, Reiko Aylesworth, John Ortiz, Ariel Gade
Starring: Steven Pasquale, Reiko Aylesworth, John Ortiz, Ariel Gade, Johnny Lewis
Director: Brothers Strause
Director: Brothers Strause
Screenwriter: Shane Salerno
Producer: John Davis, David Giler, Walter Hill
Composer: Brian Tyler
Studio: 20th Century Fox
Reviews for Aliens Vs. Predator: Requiem
This feature directing debut from former visual effects men Colin and Greg is enjoyable enough in rudimentary tension/splatter/scrap terms, but it still doesn't live up to its heritage.
The world's most illogical and boring action-horror grudge-match between two dull trademarked franchise monsters is back on.
At best the movie's an unpretentious pile-up of B-movie clichés, but why "Requiem"? Time to give it a rest now.
With a spike in the gore quotient, hardcore fans left baying for Paul WS Anderson’s blood after the first AVP may be happy. Those interested in anything more than a barely comprehensible bitch-slap between two ill-treated icons should take a rain-check.
What better way to celebrate Christ's birth than watching two warring alien races kicking the holy hell out of each other?
A perfect example of how studio stupidity and fanboy obsession can ruin cinema.
A vile, joyless, murky, moronic, amateurish, contemptuous, numbing, unintentionally hilarious, and thoroughly diseased motion picture...a middle-finger to the paying crowd.
Despite all its holes in plot and its drive-in theatre shooting style, AVP:R works far better than the first. If you look closely on the end credits, you'll know why. Gone is Paul S.W. X.Y.Z. Anderson.
Despite what the harsher R-rating recommends, it's not really advisable that anyone over the age of 17 see this movie.
It makes Alien Vs. Predator look like Alien or Predator by comparison.
It's a Wonderful Life is no longer the most depressing Christmas movie ever made.
That the first of many rote 'chest-burster' shots occurs 15 seconds into the movie is but one indication of the latest instalment's poverty of fresh shocks and rank air of desperation.
It may not be classic sci-fi like the original Alien, which it has in its DNA, but it's a perfectly respectable next step in the series.
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