A tremulous adaptation of acclaimed Canadian storyteller Alice Munro's much-tougher-minded short fiction about love and Alzheimer's, The Bear Came Over the Mountain.
Away From Her (2007)
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Reviews Counted:137
Fresh:129
Rotten:8
Average Rating:8/10
Consensus: An accomplished directorial debut by Sarah Polley, Away From Her is a touching exploration of the effects of Alzheimer's, in which the tender wisdom of Polley's script is beautifully complemented by a wonderful performance from Julie Christie.
Theatrical Release:27-04-2007
Synopsis: Canadian actress Sarah Polley makes an impressive directorial debut with AWAY FROM HER, a film adapted from the Alice Munro story "The Bear Came Over The Mountain." The plot concerns the way in... Canadian actress Sarah Polley makes an impressive directorial debut with AWAY FROM HER, a film adapted from the Alice Munro story "The Bear Came Over The Mountain." The plot concerns the way in which the 50-year marriage of Grant (Gordon Pinsent) and Fiona (Julie Christie) deteriorates with the progression of Fiona's Alzheimer's disease. Rich scenery, intimate cinematography, and familiar songs like Neil Young's "Helpless" create a private world of two people enviably in love. Fiona and Grant have carved out a piece of the world for themselves, and have lived together happily in their later years until Fiona's memory started to wane. The harmony in their lives is lost when Fiona decides she's reached the point of no return and enters a retirement home in order to take the burden off Grant, though he can think of nothing worse than being away from her. After dropping Fiona off, Grant is forced to not visit for 30 days, which, as he fears, ends up feeling much longer in the mind of a person who is losing her memory. AWAY FROM HER features stunning performances from its leads as well as from Michael Murphy as Aubrey (a patient Fiona forms a close bond with), Olympia Dukakis as Aubrey's wife, and Kristen Thomson as a nurse at the facility. Instead of treating old age as the winding down of life, this film portrays it as a potentially rich, enjoyable period. Grant and Fiona never yearn for the days of their youth, but rather for the later years when their intimacy had reached a higher peak. While so many films portray older characters in a one-dimensional way, Polley's film portrays its characters as multifaceted people filled with wisdom and true beauty, thanks to their age and not in spite of it. [More]
Starring: Julie Christie, Olympia Dukakis, Gordon Pinsent, Michael Murphy
Starring: Julie Christie, Olympia Dukakis, Gordon Pinsent, Michael Murphy, Wendy Crewson, Kristen Thomson, Alberta Watson
Director: Sarah Polley
Director: Sarah Polley
Screenwriter: Sarah Polley
Producer: Simone Urdl, Jennifer Weiss, Daniel Iron
Composer: Jonathan Goldsmith
Studio: Lions Gate Films
Reviews for Away From Her
A twilight-of-life love story, one that harshly demolishes our romantic notions of love and loyalty, then replaces them with something deeper and, finally, more consoling.
It'll make you cry a lot, for sure, but with much beauty and brightness through the sadness.
I'd just as soon seek such material out in TV land when I'm more in the mood and less inclined to be irreverent.
A straightforward but engrossing drama about what love is worth when memory is gone.
Actress Polley makes a remarkable feature debut with a subtle, complex, beautifully acted tale of the effects of Alzheimer's on one durable marriage; it's an honorable addition to classic anatomies of marriage by Bergman, Cassavetes, and others.
I have seen few films in recent years as emotionally engrossing and edifying. It is not to be missed by any moviegoer professing to be looking for something different.
A remarkable character study from actress-turned-director Sarah Polley, Away From Her is a triumph for Christie, who like Helen Mirren and Diane Keaton, grows lovelier and more compelling with every performance.
A subtle, poignant, and superbly acted drama about a long marriage that is tested externally by disease and internally by the chords of attachment.
Christie, a Sixties screen goddess in Darling and Doctor Zhivago, shows that her spirit and grace are eternal. She's a beauty. So is the movie.
With more than half a year to go, one can scarcely imagine a better set of awards-worthy performances than those of Gordon Pinsent and Julie Christie.
Polley creates a portrait that might be dubbed Scenes From a Marriage's End.
Polley captures the brisk, cheerful fascism of nursing-home existence with merciless clarity; if you've visited a parent or grandparent in one of those places, you may want to laugh and cry in the same moment.
Polley manages it all nicely in her feature debut, confidently relying on the strength of her actors, but with a strong visual sense.
Polley is starting from a very lofty place. We can only marvel at what she might do next.
One of those 'small' movies that, because it’s uncompromisingly honest, risks being inflated into something more than it is.
Sarah Polley is that rare flower, a genuine Canadian star. She's well-regarded everywhere yet chooses to live and work at home. Naturally her first feature as a writer-director has garnered scrutiny. The news is all good.
Sarah Polley does well just to not let Her devolve into a Canadian version of The Notebook.
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