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Movies / On DVD / Au Hasard Balthazar
Au Hasard Balthazar

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Au Hasard Balthazar (1966)

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Reviews Counted:28

Fresh:28

Rotten:0

Average Rating:9.1/10

Runtime: 1 hr 35 mins

Genre: Dramas

Synopsis: Often praised as one of the greatest films ever made, but long unavailable in the United States, AU HASARD BALTHAZAR is suffused with the same religious imagery and themes that mark much of... Often praised as one of the greatest films ever made, but long unavailable in the United States, AU HASARD BALTHAZAR is suffused with the same religious imagery and themes that mark much of director Robert Bresson's films. Like his masterpiece DIARY OF A COUNTRY PRIEST, Bresson's AU HASARD BALTHAZAR combines religious allegory with a naturalistic, austere, and minimalist aesthetic style that matches his ascetic themes. The film tells the story of Marie, an unlucky farm girl, and her beloved donkey Balthazar. As Marie grows up, the pair become separated, but the film traces both their fates as they continue to live a parallel existence. Marie and Balthazar become martyrs, eventually taking the sins of others upon their own heads and finding transcendence in the process. AU HASARD BALTHAZAR is like Bresson's other works in that it seamlessly combines the naturalistic and the spiritual. [More]

Starring: Anne Wiazemsky, Philippe Asselin

Starring: Anne Wiazemsky, Philippe Asselin

Director: Robert Bresson

Director: Robert Bresson

[See More Credits]

Reviews for Au Hasard Balthazar

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1 - 20 (sorted by source; UK critics are listed first)
Text View | 1 2 >> >|
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A strange and bittersweet triumph.

Full Review Source: Channel 4 Film | comment Comment
05/24/03
Sam Jordison
Sam Jordison
Channel 4 Film
Top Critic Icon Top Critic

If you can see past the heavy-handed religious overtones you will encounter an inspired and deeply intelligent Bresson classic.

Full Review Source: Empire Magazine | comment Comment
04/27/09
David Parkinson
David Parkinson
Empire Magazine
Top Critic Icon Top Critic

The film is perhaps the director's most perfectly realised, and certainly his most moving.

Full Review Source: Time Out | comment Comment
06/24/06
Geoff Andrew
Geoff Andrew
Time Out
Top Critic Icon Top Critic

A sublime cinematic experience.

Full Review Source: About.com | comment Comment
10/15/03
Jurgen Fauth
Jurgen Fauth
About.com

This is an amazing allegorical study of the life and death of a donkey named Balthazar.

Full Review Source: Austin Chronicle | comment Comment
04/25/03
Marjorie Baumgarten
Marjorie Baumgarten
Austin Chronicle

Quietly devastating, nearly perfect allegory.

Full Review Source: Boston Globe | comment Comment
04/09/04
Ty Burr
Ty Burr
Boston Globe
N/R

Click to read the article

Full Review Source: Boston Phoenix | comment Comment
04/17/04
Boston Phoenix

Perhaps the greatest and most revolutionary of Bresson's films, Balthazar is a difficult but transcendently rewarding experience, never to be missed.

Full Review Source: Chicago Reader | comment Comment
04/27/09
Dave Kehr
Dave Kehr
Chicago Reader

Bresson is one of the saints of the cinema, and Au Hasard Balthazar is his most heartbreaking prayer.

Full Review Source: Chicago Sun-Times | comment Comment
03/19/04
Roger Ebert
Roger Ebert
Chicago Sun-Times
Top Critic Icon Top Critic

It is a devastating picture, scored to a Schubert piano sonata and done with a purity and austerity that transfixes us.

Full Review Source: Chicago Tribune | comment Comment
03/18/04
Michael Wilmington
Michael Wilmington
Chicago Tribune

It's a study of human weakness and cruelty, it's a portrait of Christ the suffering servant, it's the heartbreaking story of a young girl's descent from innocence to despair. But above all, it's a movie about a donkey.

Full Review Source: Christianity Today | comment Comment
09/01/06
Ron Reed
Ron Reed
Christianity Today

Each scene emerges as a minor miracle. Which makes the sum total an object of extraordinary glory.

Full Review Source: Combustible Celluloid | comment Comment
06/24/05
Jeffrey M. Anderson
Jeffrey M. Anderson
Combustible Celluloid

Bresson’s most poetic, haunting, personal work.

Full Review Source: Decent Films Guide | comment Comment
06/20/05
Steven D. Greydanus
Steven D. Greydanus
Decent Films Guide

This is what makes Au Hasard Balthazar so powerful, and yet so distant. It asks as much of its audience as it does of its characters...

Full Review Source: DVDTalk.com | comment Comment
06/14/05
Bill Gibron
Bill Gibron
DVDTalk.com

One of cinema's greatest achievements.

Full Review Source: Film and Felt | comment Comment
10/02/03
Gabe Leibowitz
Gabe Leibowitz
Film and Felt

likely as lost on today's audience as the saintly donkey that bears man's burdens on his back only to be beaten, neglected and, finally, rejected.

Full Review Source: Filmcritic.com | comment Comment
07/22/08
Jason Morgan
Jason Morgan
Filmcritic.com

Robert Bresson's aesthetic of realist, material sounds and images assembled in paradoxical ways virtually defines the cinematic parable...

Full Review Source: Filmjourney | comment Comment
06/14/05
Doug Cummings
Doug Cummings
Filmjourney

Bresson is one of the few directors for whom cinema was both an aesthetic and spiritual pursuit, a search that was reflected in films for which the words 'sublime,' 'transcendent' and 'masterpiece' can seem somehow lacking.

Full Review Source: Los Angeles Times | comment Comment
12/11/03
Manohla Dargis
Manohla Dargis
Los Angeles Times
Top Critic Icon Top Critic

This is neither an easy film, nor, in the show biz sense, an entertaining one. It makes large demands upon its audience, and in return confers exceptional rewards.

Full Review Source: New York Times | comment Comment
05/09/05
Roger Greenspun
Roger Greenspun
New York Times
Top Critic Icon Top Critic

A deft, impassioned, and wrenching film, but also — emphatically, absurdly — a film about a donkey. Indeed, it hardly pretends to be much more.

Full Review Source: Not Coming to a Theater Near You | comment Comment
07/26/05
Leo Goldsmith
Leo Goldsmith
Not Coming to a Theater Near You
 
 
1 - 20 (sorted by source; UK critics are listed first)
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