This sophisticated picture about a desperate situation expresses its optimism through its style and its respect for the people who appear in it.
Bamako (2006)
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Reviews Counted:53
Fresh:45
Rotten:8
Average Rating:7.1/10
Consensus: A courtroom drama and a portrait of everyday Mali life, Bamako approaches both subjects with equal skill and success.
Theatrical Release:23-02-2007
Synopsis: The life of a troubled couple from a town in Mali is the focus of director Abderrahmnane Sissako’s BAMAKO. While the husband, Chaka, is out of work, Mele is barely scraping by as a singer in a... The life of a troubled couple from a town in Mali is the focus of director Abderrahmnane Sissako’s BAMAKO. While the husband, Chaka, is out of work, Mele is barely scraping by as a singer in a local bar. As the couple’s problems come to a head, a larger socioeconomic issue runs parallel to and becomes enmeshed with their lives as the community courtyard outside their home serves as the makeshift courtroom for a trial between a civil spokesperson and a large international corporation that may be partially responsible for Africa’s woes. Aissa Maiga and Tiecoura Traore deliver captivating lead performances and Danny Glover co-stars in this observant yet intimate drama. [More]
Starring: Danny Glover, Aissa Maiga, Tiecoura Traore, Maimouna Helene Diarra
Starring: Danny Glover, Aissa Maiga, Tiecoura Traore, Maimouna Helene Diarra, Habib Dembele, Djeneba Kone, William Bourdon, Roland Rappaport, Mamadou Savadogo, Mamadou Konate
Director: Abderrahmnane Sissako
Director: Abderrahmnane Sissako
Studio: New Yorker Films
Reviews for Bamako
That the G8's policies have been disastrous for Africa won't come as news to anyone who goes to see African art-house films.
while the film may be impaired as an oral treatise, Sissako’s use of the trial is still vindicated. It provides rich symbolism in what is, on the whole, a stimulating work.
A thought-provoking film, told in a traditional African form and unique in the often fraught annals of African film-making.
You can’t help thinking that the only people who’d sit through this movie are those already aware of the issues involved.
In the week of The Good Shepherd this stinging indictment of Western involvement in the Third World is timely - or would be, if anyone bothered to see it.
There are countless moments that are subtly transfixing. Even seemingly casual shots - of vendors peddling knock-off Gucci glasses, policemen flirting with local women, a man attached to a drip lying alone in a room - linger in the imagination.
Born of indignation, Bamako bears devastating witness to the iniquities of free trade and globalisation from a Malian perspective.
Yes, this is strong stuff, but spoken in an articulate, measured, passionate West African voice, it's impossible to ignore.
Lensed in warm tones, with impassioned contributions from the non-professional witnesses.
Abderrahmane Sissako makes no pretence at neutrality with this indictment of globalised capitalism.
Ironically, in an attempt to give Africans a voice, Sissako drowns them out.
Issue-driven drama has rarely been so polemic as it is in this fierce attack on the World Bank and International Monetary Fund's role in African poverty.
Sissako's bolt of lightning is how he once again merges spaces: he sets the trial out-of-doors... editing the village's daily events as if they are all a part of the trial's fabric.
A clumsy, talk-heavy and crushingly heavy-handed hybrid. While it may have the best of intentions, Bamako is sometimes hard to watch.
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February 15, 2007:
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