Poor Sharon Stone. She's still big; it's the erotic thrillers that got small.
Basic Instinct 2 (2006)
Genre: Dramas
Starring: Sharon Stone, David Morrissey, Charlotte Rampling, David Thewlis, Hugh Dancy
Screenwriter: Henry Bean
Producer: Mario Kassar, Joel B. Michaels, Joe Eszterhas, Andrew G. Vagna, Mark Albela, Volker Shauz, Denise O'Dell
Composer: John Murphy
DVD Info
Release:
Nov 7, 2006
DVD Features:
- Keep Case
- Full Frame - 1.33
Audio:
- Dolby Digital Surround Sound 5.1 - English, French
- Subtitles - English, French - Optional
Additional Release Material:
- Commentaries - 1. Michael Caton-Jones
- Featurettes - 1. "Between the Sheets"
- 2. "A Look Inside BASIC INSTINCT 2"
Reviews
This is psychoanalytic fable rewritten as pulp fiction. Perhaps that's why it's so ludicrously entertaining.
As a stand-alone film, this doesn’t work; but viewed through the prism of the original, it offers some twisted, self-conscious pleasures.
With her raunchy innuendo and near-parodic sexuality, Stone seems to be coming on as the Mae West of film noir.
A veritable cold shower of a sequel to 1992's softcore spectacular.
Morrissey's performance is much better than the film really deserves - he pulls off a complex blend of pride and barely suppressed rage whilst still remaining sympathetic.
jedan od rijetkih primjera kada je publika pokazala kako, za razliku od Hollywooda, ipak ima pojma o nekim stvarima
Sadly, nothing following lives up to the prurient promise of this sequence, as the film becomes a monotonously talky, gloomy affair.
...a script that is so full of cliche's that I actually knew the end of the film 10 minutes before it ended.
I won't say I didn't enjoy it; this is the kind of film that begs to be talked back to, that satisfies our highly developed taste for schadenfreude.
Michael Caton-Jones directs with bland disinterest, but Stone hams it up with the campy relish of a drag queen doing Faye Dunaway in Mommie Dearest.
A pale shadow that is imminently unworthy of even a raised heartbeat.
It’s left to David Thewlis as a know-it-all cynical cop to walk away with the whole film. He brings a mischievousness and wit to a movie sorely lacking in both and offers a fine example of what this sequel should have been.
Ao tentar recriar a ambigüidade do original, revela só a fragilidade de seu roteiro, que, pela (falta de) qualidade, poderia ter sido escrito pela própria Catherine Tramell.
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