There's more to this controversial and aesthetically cold film than just its explicit sex scenes. Honest.
Battle in Heaven (2006)
Rated: 18
Runtime: 1 hr 38 mins
Theatrical Release: 28-10-2005
Synopsis: Cast entirely with non-professionals, Battle in Heaven tells the story of Marcos (Marcos Hernandez), the middle-aged chauffeur of Ana (Anapola Mushkadiz), daughter of a Mexican general. Marcos is the only member of Ana's household who knows she leads a double life. Although a child of... Cast entirely with non-professionals, Battle in Heaven tells the story of Marcos (Marcos Hernandez), the middle-aged chauffeur of Ana (Anapola Mushkadiz), daughter of a Mexican general. Marcos is the only member of Ana's household who knows she leads a double life. Although a child of Mexico's political elite, Ana amuses herself by working as a prostitute in a high-end brothel. But, Marcos also has a secret. He and his wife (Berta Ruiz) kidnapped a baby for ransom and the infant died in their custody. When he confesses to Ana, a bond of secrecy consecrated by the flesh unites them. As the police draw closer, Ana urges Marcos to turn himself in, but he seeks redemption from a higher power… --© Tartan Films [More]
Genre: Foreign Films
Starring: Marcos Hernandez, Anapola Mushkadiz, Bertha Ruiz
Screenwriter: Carlos Reygadas
Producer: Philippe Bober, Susanne Marian, Carlos Reygadas, Jaime Romandia
DVD Info
Release:
Sep 5, 2006
DVD Features:
- Keep Case
- Anamorphic Widescreen - 1.78
Audio:
- Dolby Digital 5.1 Surround - Spanish
- Dolby Digial DTS Surround - Spanish
- Subtitles - English
Additional Release Material:
- Interview - 1. Carlos Reygadas - Director; Anapola Muchkadiz - Actor
- Bonus Feature - Selected Scenes from JAPON
Reviews
Inventive throughout, Reygadas' imagery becomes breathtaking in the closing scenes of religious pilgrimage, where Marco's existential crisis is brought to a harrowing head.
Battle In Heaven suffers from an infuriatingly slow pace and a certain air of impenetrable arthouse movie but it's worth persevering with for some striking imagery and some genuinely shocking scenes.
To follow up Japón, Reygadas goes even further into Mexican metaphysics ... but he loses us in the process.
No amount of thoughtful dissection can make up for the unpleasant, uncomfortable and unnecessary experience of actually sitting through the thing.
rich in allegorical theme and symbolic imagery, transforming the most banal of materials into miraculous epiphanies... but all too aimlessly hypnotic to get a firm grip on the viewer's attention.
The outcome often amounts to an impressive slideshow instead of a fluid, substantial piece of work that involves and challenges us.
Reygadas proves that rare filmmaker interested in tackling both the personal and the political through expressly confrontational means.
Reygadas' direction seems to wander from time to time, as when Marcos walks around in the hills for long minutes without a purpose, but he always brings it back home. He's a perplexing, but voraciously talented filmmaker to watch.
Reygadas' artful but ponderous camerawork succeeds only in turning the intimately exploitative ... into something emotionally distant and stupefyingly dull.
he film’s pallid emotional tone, which is in sync with the constancy of the dull gray sky overhead, can make it a hard story to embrace.
There is a stillness to the film that is initially fascinating, but it wears thin quickly.
The only battle I had was deciding whether to watch the whole movie or get out while the getting was good. Unfortunately, I opted to stay to see if it got better... it didn't.
A spectacular failure, despite further evidence of the director's keen eye and bold cinematic ideas.
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