Wise and clever, a refreshingly different take on gender relations.
Beautiful Girls (1996)
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Reviews Counted:44
Fresh:35
Rotten:9
Average Rating:7/10
Runtime: 1 hr 53 mins
Genre: Comedies
Synopsis: "Beautiful Girls" takes place in a sleepy New England town, the bucolic home of a group of Generation X-ers involved in a number of romantic goings-on. The film takes a close look at the... "Beautiful Girls" takes place in a sleepy New England town, the bucolic home of a group of Generation X-ers involved in a number of romantic goings-on. The film takes a close look at the differences between men and women, particularly in matters of love, sex and relationships. Perhaps the most intriguing pair in the movie is Willie and his (female) neighbor Marty -- who's only 13. The streetwise, flirtatious Marty has a killer crush on Willie (who is intrigued by her), but both are well aware that she's "jail bait." The duo considers waiting five whole years for Marty to become of age... but can they really do that? [More]
Starring: Matt Dillon, Uma Thurman, Timothy Hutton, Mira Sorvino
Starring: Matt Dillon, Uma Thurman, Timothy Hutton, Mira Sorvino, Rosie O'Donnell, Natalie Portman, Noah Emmerich, Annabeth Gish, Lauren Holly, Max Perlich, Martha Plimpton, Michael Rapaport, Pruitt Taylor Vince
Director: Ted Demme
Director: Ted Demme
Screenwriter: Scott Rosenberg
Reviews for Beautiful Girls
With only a few lapses, Scott Rosenberg's script is so good it outshines his much-praised Things to Do in Denver When You're Dead.
In a relationship that skirts bad taste, Hutton and Portman make tender movie magic, giving this big-screen spin on Friends its only moments of true romantic yearning.
The dialogue isn't the only problem with Beautiful Girls. The characters are bad, too.
The truth is it's just not fun to watch people make excuses for themselves.
A routine entry in the genre, with nothing in particular to recommend it, aside from an attractive cast.
Watching these guys struggle with an idea is like watching a dog trying to get to that unattainable itchy spot. Funny, but pathetic too.
Borrowing heavily from other, better films, director Ted Demme and screenwriter Scott Rosenberg give each of their male protagonists a case of commitment angst.
Portman, a budding knockout, is scene-stealingly good even in an overly showy role.
Portman was memorable as the little girl in The Professional, but her work here throws off an eeriness in its revelation of such huge talent in one so young.
This film may have been a small movie set in a small town, but its characters are earnest, its dialogue is smart and witty, and most of all, its heart is anything but small.
The movie lacks the stature or consistency to be truly beautiful -- but you know, it is kind of cute.
I watched this film three times in two days and dug it more each time.
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