Despite the fact that this is a beautifully-shot, dryly funny period drama, some audiences might prefer to stick to the sheer escapism of Austen's fictional work, which follows a similar formula.
Becoming Jane (2007)
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Reviews Counted:133
Fresh:77
Rotten:56
Average Rating:6/10
Consensus: Although Becoming Jane is a well-crafted period piece, it lacks fresh insight into the life and works of Jane Austen. The film focuses too much on wardrobe and not enough on Austen's achievements.
Rated: PG [See Full Rating] for brief nudity and mild language.
Runtime: 2 hrs
Genre: Romance, Historical, Theatrical Release, Romantic Comedy, Writers, Romances, Authors
Theatrical Release:09-03-2007
Synopsis: BECOMING JANE is based on an incident in the life of the beloved writer Jane Austen, and follows the real-life romance that inspired her classic novels. Like many of her heroines, Jane (Anne... BECOMING JANE is based on an incident in the life of the beloved writer Jane Austen, and follows the real-life romance that inspired her classic novels. Like many of her heroines, Jane (Anne Hathaway, THE DEVIL WEARS PRADA) is bright, strong-willed, and unwilling to marry merely for money, even though her family is struggling financially. Though many of her friends wish her to pair up with the nephew of a rich woman (Maggie Smith, HARRY POTTER AND THE ORDER OF THE PHOENIX), Jane wants something more. When she meets the Irish rogue Tom Lefroy (James McAvoy, THE LAST KING OF SCOTLAND), she initially can't stand him, but their romance blooms, serving as the inspiration for PRIDE AND PREJUDICE. Director Julian Jarrold (KINKY BOOTS) is no stranger to literary fare. Though BECOMING JANE is only his second feature film, he directed several productions for British television, including GREAT EXPECTATIONS, CRIME AND PUNISHMENT, and WHITE TEETH. At times, BECOMING JANE feels exactly as it should: a long-lost Austen novel that's just been rediscovered. The themes and characters here seem familiar, as they've appeared in Austen's work many times. There's the devoted father, difficult mother, loving sister, and, of course, the charming young man with whom the protagonist initially clashes but later falls for. As Tom, McAvoy proves he deserves the attention he received for roles in THE LAST KING OF SCOTLAND and STARTER FOR TEN. He's the perfect choice for a romantic lead in an Austen film, taking his place next to Matthew McFadyen in PRIDE AND PREJUDICE and Hugh Grant in SENSE AND SENSIBILITY. As Austen, Hathaway exudes intelligence and energy, playing exactly the sort of woman who appeared in the writer's work. For those who can't wait for the next adaptation of Austen's work to arrive, BECOMING JANE is an engaging look at the writer's life and love. [More]
Starring: Anne Hathaway, James McAvoy, Julie Walters, James Cromwell
Starring: Anne Hathaway, James McAvoy, Julie Walters, James Cromwell, Helen McCrory, Maggie Smith
Director: Julian Jarrold
Director: Julian Jarrold
Screenwriter: Sarah Williams, Kevin Hood
Producer: Graham Broadbent, Robert Bernstein, Douglas Rae
Composer: Adrian Johnston
Studio: Miramax Films
Reviews for Becoming Jane
About 20 minutes in, you realise you're actually quite enjoying this; and, horror of horrors, Anne Hathaway's actually doing a rather good job at this Regency lark.
A charming, intriguing biopic, given extra depth and sparkle by attractive performances from its superior cast.
Think Austen In Amour, à la Shakespeare In Love. A warm, charming, bittersweet romance – destined to make a thousand dates.
Thanks to the combined charm of the leads, this remains a most agreeable cinematic portrait.
Austen’s fans will recognise something of the author’s playful wit in the film, and forgive the dramatic liberties.
Something of a disappointment, thanks to some dreary photography and a boring, unimaginative script that completely wastes a talented supporting cast.
The very idea of Jane Austen with a broken heart may be thought vulgar and pedantic by her modern readers, and the way the story pans out is not convincing.
Another British writer is given the worthy cinematic treatment, complete with an American actress in the title role and sentiment that overwhelms what should be a gritty story.
You'll enjoy it if you're the artistic, romantic type who can be seated for 120 minutes without CGI or anything getting blown up.
Becoming Jane is not as good as the best Austen films, but is much better than most mainstream movies on tap.
...a beautifully directed film from Julian Jarrold that draws as much strength from the depiction of the 18th-century English countryside (Ireland, actually) as from the performances of Anne Hathaway as Austen and James McAvoy as Tom Lefroy.
Once you admit that the Jane Austen depicted onscreen bears scant relation to any person named Jane Austen, living or dead, the film fulfills its purpose.
While Becoming Jane is too much of a prologue to the writing Austen, it is an impeccably crafted imagining of a young woman seeking love at a time when women were so often 'better than their circumstances.'
It's a charming, peaceful picture; a perfect diversion for those who like their corsets tight and confining and their romance kept behind a fence of social judgment and impossible odds.
The film seduces. Beautifully produced, from production design and costumes to music and performances, it's also faithful to the genteel spirit and repressed passions for which she's known.
One can only hope that Becoming Jane will inspire moviegoers to find out more about this beloved literary great. Or hopefully revisit one of her classic novels.
Latest News for Becoming Jane
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