Not only is that a huge stretch of the facts, it makes for a dull and overly familiar melodrama.
Becoming Jane (2007)
Tomatometer
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Reviews Counted:133
Fresh:77
Rotten:56
Average Rating:6/10
Consensus: Although Becoming Jane is a well-crafted period piece, it lacks fresh insight into the life and works of Jane Austen. The film focuses too much on wardrobe and not enough on Austen's achievements.
Rated: PG [See Full Rating] for brief nudity and mild language.
Runtime: 2 hrs
Genre: Romance, Historical, Theatrical Release, Romantic Comedy, Writers, Romances, Authors
Theatrical Release:09-03-2007
Synopsis: BECOMING JANE is based on an incident in the life of the beloved writer Jane Austen, and follows the real-life romance that inspired her classic novels. Like many of her heroines, Jane (Anne... BECOMING JANE is based on an incident in the life of the beloved writer Jane Austen, and follows the real-life romance that inspired her classic novels. Like many of her heroines, Jane (Anne Hathaway, THE DEVIL WEARS PRADA) is bright, strong-willed, and unwilling to marry merely for money, even though her family is struggling financially. Though many of her friends wish her to pair up with the nephew of a rich woman (Maggie Smith, HARRY POTTER AND THE ORDER OF THE PHOENIX), Jane wants something more. When she meets the Irish rogue Tom Lefroy (James McAvoy, THE LAST KING OF SCOTLAND), she initially can't stand him, but their romance blooms, serving as the inspiration for PRIDE AND PREJUDICE. Director Julian Jarrold (KINKY BOOTS) is no stranger to literary fare. Though BECOMING JANE is only his second feature film, he directed several productions for British television, including GREAT EXPECTATIONS, CRIME AND PUNISHMENT, and WHITE TEETH. At times, BECOMING JANE feels exactly as it should: a long-lost Austen novel that's just been rediscovered. The themes and characters here seem familiar, as they've appeared in Austen's work many times. There's the devoted father, difficult mother, loving sister, and, of course, the charming young man with whom the protagonist initially clashes but later falls for. As Tom, McAvoy proves he deserves the attention he received for roles in THE LAST KING OF SCOTLAND and STARTER FOR TEN. He's the perfect choice for a romantic lead in an Austen film, taking his place next to Matthew McFadyen in PRIDE AND PREJUDICE and Hugh Grant in SENSE AND SENSIBILITY. As Austen, Hathaway exudes intelligence and energy, playing exactly the sort of woman who appeared in the writer's work. For those who can't wait for the next adaptation of Austen's work to arrive, BECOMING JANE is an engaging look at the writer's life and love. [More]
Starring: Anne Hathaway, James McAvoy, Julie Walters, James Cromwell
Starring: Anne Hathaway, James McAvoy, Julie Walters, James Cromwell, Helen McCrory, Maggie Smith
Director: Julian Jarrold
Director: Julian Jarrold
Screenwriter: Sarah Williams, Kevin Hood
Producer: Graham Broadbent, Robert Bernstein, Douglas Rae
Composer: Adrian Johnston
Studio: Miramax Films
Reviews for Becoming Jane
Think of this scenario as a smart, witty, well-acted romance novel that has sprung to life on the big screen with some restraint and a decent amount of dignity.
The reality of love's disappointments enriches the film's heroine, who never married in real life, and brings a 200-year-old figure into living focus.
Hathaway never makes us think the woman could write anything more complex than a diet book.
Early on, a character remarks that "Wit is the most treacherous talent of all" and based on the evidence contained within, the minds behind "Becoming Jane" are among the least treacherous people that you are likely to meet.
This never rises above a date movie, but it's functionally literate (the lovers have some pleasant banter about the realistic merits of Tom Jones) and features a fine supporting turn from Ian Richardson.
Hathaway delivers a fine British accent and high spirits as Austen.
Although the film does eventually give up its referential conceits, it comes far too late in the game to salvage any real emotional investment in the characters or their plight.
Becoming Jane becomes a rather ordinary, though sporadically entertaining, game of dress-up.
Becoming Jane attempts to please the purists and the dreamers, but only results in disappointing both.
Thank goodness there was a man around to stimulate Jane's creativity! Such is this film's retrograde premise...
If only Jane's fictional life had half the wit as what she put on the page.
That the film overlooks Austen's imagination becomes understandable when "Becoming Jane" reveals itself to be a rather unimaginative second-rate copy of a Jane Austen novel.
A smart and well-acted drama that is a refreshing change of pace from this summer's overblown blockbusters.
The film's familiarity is pleasant enough, and screenwriters Sarah Williams and Kevin Hood flaunt a strong working knowledge of Austen's work, peppering the movie with what amounts to inside jokes for readers familiar with the writer's six novels.
An evocative portrait of an artistic temperament in defiance of propriety and of how, when such things are repressed, passion and personality are revealed in acts of private ritual and public performance.
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