Utilizing a lovely British accent and a graceful way with words, Hathaway communicates Austen's predicament beautifully. When she was creating her immortal heroines... the real Jane Austen must have pictured someone like Hathaway.
Becoming Jane (2007)
Tomatometer
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Reviews Counted:133
Fresh:77
Rotten:56
Average Rating:6/10
Consensus: Although Becoming Jane is a well-crafted period piece, it lacks fresh insight into the life and works of Jane Austen. The film focuses too much on wardrobe and not enough on Austen's achievements.
Rated: PG [See Full Rating] for brief nudity and mild language.
Runtime: 2 hrs
Genre: Romance, Historical, Theatrical Release, Romantic Comedy, Writers, Romances, Authors
Theatrical Release:09-03-2007
Synopsis: BECOMING JANE is based on an incident in the life of the beloved writer Jane Austen, and follows the real-life romance that inspired her classic novels. Like many of her heroines, Jane (Anne... BECOMING JANE is based on an incident in the life of the beloved writer Jane Austen, and follows the real-life romance that inspired her classic novels. Like many of her heroines, Jane (Anne Hathaway, THE DEVIL WEARS PRADA) is bright, strong-willed, and unwilling to marry merely for money, even though her family is struggling financially. Though many of her friends wish her to pair up with the nephew of a rich woman (Maggie Smith, HARRY POTTER AND THE ORDER OF THE PHOENIX), Jane wants something more. When she meets the Irish rogue Tom Lefroy (James McAvoy, THE LAST KING OF SCOTLAND), she initially can't stand him, but their romance blooms, serving as the inspiration for PRIDE AND PREJUDICE. Director Julian Jarrold (KINKY BOOTS) is no stranger to literary fare. Though BECOMING JANE is only his second feature film, he directed several productions for British television, including GREAT EXPECTATIONS, CRIME AND PUNISHMENT, and WHITE TEETH. At times, BECOMING JANE feels exactly as it should: a long-lost Austen novel that's just been rediscovered. The themes and characters here seem familiar, as they've appeared in Austen's work many times. There's the devoted father, difficult mother, loving sister, and, of course, the charming young man with whom the protagonist initially clashes but later falls for. As Tom, McAvoy proves he deserves the attention he received for roles in THE LAST KING OF SCOTLAND and STARTER FOR TEN. He's the perfect choice for a romantic lead in an Austen film, taking his place next to Matthew McFadyen in PRIDE AND PREJUDICE and Hugh Grant in SENSE AND SENSIBILITY. As Austen, Hathaway exudes intelligence and energy, playing exactly the sort of woman who appeared in the writer's work. For those who can't wait for the next adaptation of Austen's work to arrive, BECOMING JANE is an engaging look at the writer's life and love. [More]
Starring: Anne Hathaway, James McAvoy, Julie Walters, James Cromwell
Starring: Anne Hathaway, James McAvoy, Julie Walters, James Cromwell, Helen McCrory, Maggie Smith
Director: Julian Jarrold
Director: Julian Jarrold
Screenwriter: Sarah Williams, Kevin Hood
Producer: Graham Broadbent, Robert Bernstein, Douglas Rae
Composer: Adrian Johnston
Studio: Miramax Films
Reviews for Becoming Jane
Empty, empty-headed, anf full of cliches. Don't expect Austen brilliance from this pedestrian film.
Anne Hathaway concludes the thorough evolution from Disney princess to serious actress. With commanding wit and a deft British accent, she's more than convincing as a wickedly intelligent woman restricted by proper society.
The film’s notion of Austen’s great works being nothing loftier than the result of failed puppy love suggests the filmmakers perversely believe that gross oversimplification is a virtue.
An agreeable period romp, missing the spark of the high-end Austen adaptations but firmly in command of its own romantic devices.
The movie goes down easy, but there's a thin line here: is this an homage or a parasite?
After approximately fifteen minutes into the film, however, I forgot about the accent and realized that Anne’s exuberance and dramatic range are fitting for this portrayal of the celebrated literary figure.
...more 'chick flick' than recent Oscar-nom'ed Austen adaptations, but it's cut from more or less the same cloth, albeit less durable.
Once you admit that the Jane Austen depicted onscreen bears scant relation to any person named Jane Austen, living or dead, the film fulfills its purpose.
Becoming Jane isn't purposefully cynical but if you stop to consider it, it rather undermines Austen's great talent.
[C]aptures both the aching romanticism and the cold, hard practicalities of Austen's fiction...
Neither the best nor the worst of the Jane Austen adaptations. However, nor is it likely to be remembered for very long after it passes across your eyes.
One can only hope that Becoming Jane will inspire moviegoers to find out more about this beloved literary great. Or hopefully revisit one of her classic novels.
...drops the ball almost immediately by emphasizing some seriously hackneyed plot twists and an overall atmosphere of predictability...
Hathaway and McAvoy bring some genuine, if discreet, sparks to their secret romance, but there's something fundamentally lifeless about director Julian Jarrold's shallow gloss on Pride and Prejudice.
[McAvoy] and Hathaway simply aren't given much to do together, and they have two long hours to do it in. Screenwriters Kevin Hood and Sarah Williams seem reluctant to risk the ire of Austenites.
The movie has an immense charm that sneaks up on you. Ultimately, it's a delicate ode to love and honor -- and to writing and reading.
There's a lot to recommend Becoming Jane, particularly the performances. Hathaway does more than survive. If she doesn't seem like a literary genius, she at least seems like a worthy Austen heroine -- intelligent, independent and brave.
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