Writers Hood and Williams conjure up a plot worthy of Ms. Austen herself, using Austen's real-life brothers and sisters for scandalous and tragic romantic subplots.
Becoming Jane (2007)
Tomatometer
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Reviews Counted:133
Fresh:77
Rotten:56
Average Rating:6/10
Consensus: Although Becoming Jane is a well-crafted period piece, it lacks fresh insight into the life and works of Jane Austen. The film focuses too much on wardrobe and not enough on Austen's achievements.
Rated: PG [See Full Rating] for brief nudity and mild language.
Runtime: 2 hrs
Genre: Romance, Historical, Theatrical Release, Romantic Comedy, Writers, Romances, Authors
Theatrical Release:09-03-2007
Synopsis: BECOMING JANE is based on an incident in the life of the beloved writer Jane Austen, and follows the real-life romance that inspired her classic novels. Like many of her heroines, Jane (Anne... BECOMING JANE is based on an incident in the life of the beloved writer Jane Austen, and follows the real-life romance that inspired her classic novels. Like many of her heroines, Jane (Anne Hathaway, THE DEVIL WEARS PRADA) is bright, strong-willed, and unwilling to marry merely for money, even though her family is struggling financially. Though many of her friends wish her to pair up with the nephew of a rich woman (Maggie Smith, HARRY POTTER AND THE ORDER OF THE PHOENIX), Jane wants something more. When she meets the Irish rogue Tom Lefroy (James McAvoy, THE LAST KING OF SCOTLAND), she initially can't stand him, but their romance blooms, serving as the inspiration for PRIDE AND PREJUDICE. Director Julian Jarrold (KINKY BOOTS) is no stranger to literary fare. Though BECOMING JANE is only his second feature film, he directed several productions for British television, including GREAT EXPECTATIONS, CRIME AND PUNISHMENT, and WHITE TEETH. At times, BECOMING JANE feels exactly as it should: a long-lost Austen novel that's just been rediscovered. The themes and characters here seem familiar, as they've appeared in Austen's work many times. There's the devoted father, difficult mother, loving sister, and, of course, the charming young man with whom the protagonist initially clashes but later falls for. As Tom, McAvoy proves he deserves the attention he received for roles in THE LAST KING OF SCOTLAND and STARTER FOR TEN. He's the perfect choice for a romantic lead in an Austen film, taking his place next to Matthew McFadyen in PRIDE AND PREJUDICE and Hugh Grant in SENSE AND SENSIBILITY. As Austen, Hathaway exudes intelligence and energy, playing exactly the sort of woman who appeared in the writer's work. For those who can't wait for the next adaptation of Austen's work to arrive, BECOMING JANE is an engaging look at the writer's life and love. [More]
Starring: Anne Hathaway, James McAvoy, Julie Walters, James Cromwell
Starring: Anne Hathaway, James McAvoy, Julie Walters, James Cromwell, Helen McCrory, Maggie Smith
Director: Julian Jarrold
Director: Julian Jarrold
Screenwriter: Sarah Williams, Kevin Hood
Producer: Graham Broadbent, Robert Bernstein, Douglas Rae
Composer: Adrian Johnston
Studio: Miramax Films
Reviews for Becoming Jane
A painful experience for anyone who gets easily annoyed by the formulaic nature of Austen's writing.
One can appreciate 'Becoming Jane' without knowing anything about the writings of Jane Austen or the speculation about her hidden life.
The mixing of vague historical anecdote and pure Hollywood fantasy don't quite mix.
Dilutes one of the loveliest voices in English literature into chick lit.
The movie is eminently watchable: The production values are blue-chip, the script is often funny and cute, Hathaway is reasonably charming.
Was Austen really a smarter, feistier Carrie Bradshaw in more sensible shoes, longing for love even as she failed to hang onto it? Becoming Jane would have been more honest if it had been called No Sex in the Country.
Becoming Jane has its felicities...McAvoy and Hathaway work well together despite being saddled with dialogue that is not remotely in Austen's league. But then again, what is?
After the invigorating cinematic brio of 2005's Pride And Prejudice, it's disheartening to see the Austen brand retreat back into Costume Drama 101...
The script's lively, modern points of departure give it a few surprises.
...a beautifully directed film from Julian Jarrold that draws as much strength from the depiction of the 18th-century English countryside (Ireland, actually) as from the performances of Anne Hathaway as Austen and James McAvoy as Tom Lefroy.
. McAvoy shines in the role of a good-hearted rogue, and director Julian Jarrold ("Kinky Boots") depicts 18th-century England with a convincing less-is-more approach.
Has a burnished feminine sadness, and the director, Julian Jarrold, gives it a creamy-dark visual flow.
For realism's sake, Jarrold checks in with the usual muddy hems, misty green fields and chickens clucking underfoot. And if you’re an Austen reader you can have an okay time just playing I-Spy Pride and Prejudice...
Inevitably exudes a kind of hand-me-down quality, the feeling of being a second-rate copy instead of a true original, at once too clever and not clever enough.
For people who don't know the rules of cricket or concern themselves with the romantic problems of the upper class, Becoming Jane is far from a classic.
If Becoming Jane is a little light in the head, it gives Anne Hathaway a chance to show herself off more delightfully than she did in The Devil Wears Prada.
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