Lay back and don't think of England -- or Austen -- is the best advice I can give for prospective viewers of Becoming Jane.
Becoming Jane (2007)
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Reviews Counted:133
Fresh:77
Rotten:56
Average Rating:6/10
Consensus: Although Becoming Jane is a well-crafted period piece, it lacks fresh insight into the life and works of Jane Austen. The film focuses too much on wardrobe and not enough on Austen's achievements.
Rated: PG [See Full Rating] for brief nudity and mild language.
Runtime: 2 hrs
Genre: Romance, Historical, Theatrical Release, Romantic Comedy, Writers, Romances, Authors
Theatrical Release:09-03-2007
Synopsis: BECOMING JANE is based on an incident in the life of the beloved writer Jane Austen, and follows the real-life romance that inspired her classic novels. Like many of her heroines, Jane (Anne... BECOMING JANE is based on an incident in the life of the beloved writer Jane Austen, and follows the real-life romance that inspired her classic novels. Like many of her heroines, Jane (Anne Hathaway, THE DEVIL WEARS PRADA) is bright, strong-willed, and unwilling to marry merely for money, even though her family is struggling financially. Though many of her friends wish her to pair up with the nephew of a rich woman (Maggie Smith, HARRY POTTER AND THE ORDER OF THE PHOENIX), Jane wants something more. When she meets the Irish rogue Tom Lefroy (James McAvoy, THE LAST KING OF SCOTLAND), she initially can't stand him, but their romance blooms, serving as the inspiration for PRIDE AND PREJUDICE. Director Julian Jarrold (KINKY BOOTS) is no stranger to literary fare. Though BECOMING JANE is only his second feature film, he directed several productions for British television, including GREAT EXPECTATIONS, CRIME AND PUNISHMENT, and WHITE TEETH. At times, BECOMING JANE feels exactly as it should: a long-lost Austen novel that's just been rediscovered. The themes and characters here seem familiar, as they've appeared in Austen's work many times. There's the devoted father, difficult mother, loving sister, and, of course, the charming young man with whom the protagonist initially clashes but later falls for. As Tom, McAvoy proves he deserves the attention he received for roles in THE LAST KING OF SCOTLAND and STARTER FOR TEN. He's the perfect choice for a romantic lead in an Austen film, taking his place next to Matthew McFadyen in PRIDE AND PREJUDICE and Hugh Grant in SENSE AND SENSIBILITY. As Austen, Hathaway exudes intelligence and energy, playing exactly the sort of woman who appeared in the writer's work. For those who can't wait for the next adaptation of Austen's work to arrive, BECOMING JANE is an engaging look at the writer's life and love. [More]
Starring: Anne Hathaway, James McAvoy, Julie Walters, James Cromwell
Starring: Anne Hathaway, James McAvoy, Julie Walters, James Cromwell, Helen McCrory, Maggie Smith
Director: Julian Jarrold
Director: Julian Jarrold
Screenwriter: Sarah Williams, Kevin Hood
Producer: Graham Broadbent, Robert Bernstein, Douglas Rae
Composer: Adrian Johnston
Studio: Miramax Films
Reviews for Becoming Jane
A charming period romance which casts Jane Austen as a budding young authoress stifled by the pride and prejudice of her time.
Unfortunately, lead actress Anne Hathaway is not suited to the role. Her Jane doesn't seem like the main character in her own story.
Becoming Jane is not as good as the best Austen films, but is much better than most mainstream movies on tap.
Unless you have something new to say don't say it all. Lesson learned from yet another Jane Austen re-tread that trots out its tired themes with 18th century goodness.
It's a bland, stilted, stuffy costume drama masquerading as a chick flick.
Not to put too fine a point on it, but this movie throws like a girl.
The tender emotion, delicacy of feeling and above all brilliant inspired flashes of brash female wit, render the truth or exaggeration of the tale simply secondary.
What I witnessed was corporate greed: a savvy team zeroing in on an audience that goes gaga for the English costume drama, hoping to cash in on the popularity of young Hathaway after the enormous success of The Devil Wears Prada.
Anne Hathaway has learned to ease up on the mugging and let us come to her. She’s no Jane Austen, but she’s got the gumption of an Austen heroine.
It's all very spirited without getting anywhere near the spirit of Austen herself -- at least as we know her from her work.
The paradigm of Masterpiece Thetaer is semi-successfully applied to this reimagining of the making of writer Jane Austen. In the lead, Anne Hathaway is delightful, but purists might be upset by text's liberties with Austen's real background and persona.
While there is little that is fresh in this costume drama, it is well done and Anne Hathaway makes a delightful Jane, who is unafraid to defy convention.
A finely tooled Brit-lit costumer that, like Anne Hathaway's flawless accent as the young Austen, lacks only that final convincing 5%.
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