There may be very little that is nice about the people in this ferocious family film from Lumet but it’s awfully nice to see him pull it off this late in the game.
Before the Devil Knows You're Dead (2007)
Tomatometer
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Reviews Counted:156
Fresh:137
Rotten:19
Average Rating:7.7/10
Consensus: A tense and effective thriller, Before the Devil Knows You're Dead marks a triumphant return to form for director Sidney Lumet.
Rated: 15 [See Full Rating] for a scene of strong graphic sexuality, nudity, violence, drug use and language.
Runtime: 2 hrs 3 mins
Genre: Family Interaction, Thriller, Infidelity, Theatrical Release, Brothers, Affairs
Theatrical Release:11-01-2008
Synopsis: From the unexpectedly graphic opening shot, director Sidney Lumet proves he hasn't lost any of his bite with age. BEFORE THE DEVIL KNOWS YOU'RE DEAD is a riveting suspense thriller that retains the... From the unexpectedly graphic opening shot, director Sidney Lumet proves he hasn't lost any of his bite with age. BEFORE THE DEVIL KNOWS YOU'RE DEAD is a riveting suspense thriller that retains the director's classic approach to storytelling while updating it at the same time. Working from an intense, expertly woven script by playwright-turned-screenwriter Kelly Masterson, Lumet establishes his tragic tone immediately. The story concerns a New York family with a roiling undercurrent of dysfunction. The eldest son, Andy (Philip Seymour Hoffman), is a frustrated, drug-abusing stockbroker who is unable to satisfy his gorgeous wife (Marisa Tomei). The youngest son, Hank (Ethan Hawke), is passive and struggles to make alimony payments. Their parents (Albert Finney and Rosemary Harris) live in Westchester and operate a small jewelry store. Their lives begin to unravel when Andy approaches Hank about pulling off a heist that will seemingly solve all of their monetary problems. Everything about this idea is risky, yet Andy convinces his timid younger brother that this is his only way out of his current situation. Naturally, their plan falls apart, resulting in a series of tragedies that they never could have predicted. BEFORE THE DEVIL KNOWS YOU'RE DEAD belongs beside such Lumet classics as DOG DAY AFTERNOON, NETWORK, and SERPICO. The cinematography and editing and score are all excellent, but the performances are what launch the film into the stratosphere. Oscar-winner Hoffman (CAPOTE) and Finney have never been better, and the rest of the cast--Hawke, Tomei, Michael Shannon--rise to the occasion with unforgettable results. [More]
Starring: Philip Seymour Hoffman, Ethan Hawke, Marisa Tomei, Albert Finney
Starring: Philip Seymour Hoffman, Ethan Hawke, Marisa Tomei, Albert Finney, Rosemary Harris, Michael Shannon
Director: Sidney Lumet
Director: Sidney Lumet
Screenwriter: Kelly Masterson
Producer: Michael Cerenzie, Brian Linse, Paul Parmar, William S. Gilmore
Composer: Carter Burwell
Studio: ThinkFilm
Reviews for Before the Devil Knows You're Dead
Before the Devil Knows Your Dead is an insightful, incisive lesson in potential. Every frame oozes desperation and there is always a plan being concocted.
Lumet's "Network" earned an incredible five acting nominations come Oscar time (three wins) and I wouldn't be surprised to see "Before the Devil Knows You're Dead" earn a solid four.
It's powerfully crafted, intensely paced and brilliantly acted from all involved players, and a film that's easily [Lumet's] best since Network.
Before the Devil Knows You're Dead is kinetic. It's dynamite laced with electricity. It's a perfectly played puzzle that's final images make for an astoundingly satisfying statement.
[T]he bleak movie remains tense, interesting and unpredictable throughout.
The real kudos should go to screenwriter Kelly Masterson, who provocatively mixed a crime drama premise into a film exploring the legacy of damage family members impose upon one another.
Lumet moves Devil with a purpose, all the while maintaining a firm grip on his live-wire cocktail of guilt and paranoia.
As the Shadow used to say, the weed of crime bears bitter fruit, and Lumet has made a delicious pie out of it.
One of the pleasures of "Devil" is watching what a classic, old-school director Lumet is, focusing intensely on character and staging rather than relying on fast edits or visual trickery.
While Masterson's script might come up a hair short, Lumet remains firmly in control: Even at 83, there's nothing arthritic about his ability to engage our emotions or our intellect.
Lumet navigates the shifting narrative nimbly, and effortlessly handles the plot twists and emotional beats with equal precision.
The film has some powerful drama with Philip Seymour Hoffman turning in a superb performance. But the tone is relentlessly downbeat.
[A] sly, nasty casualness... takes [it] into a realm of mopey genius...
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