There's no question that the source material and the screenwriter make for a natural fit.
Being Julia (2004)
Tomatometer
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Reviews Counted:120
Fresh:91
Rotten:29
Average Rating:6.7/10
Consensus: Annette Bening delivers a captivating performance in Being Julia, a sophisticated comedy that follows a 1930s stage diva who experiences an identity crisis at age 40.
Theatrical Release:19-11-2004
Synopsis: As she enters her early 40s, London theater actress Julia Lambert (Annette Bening) starts having a nervous breakdown. She still rules the West End, but is growing too old for ingenue parts. When... As she enters her early 40s, London theater actress Julia Lambert (Annette Bening) starts having a nervous breakdown. She still rules the West End, but is growing too old for ingenue parts. When Tom Fennell (Shaun Evans), an adoring lad half her age, comes into her life, a clandestine affair begins. Though she's happy for a while, Julia eventually winds up in a face-off with a Tom's other, much younger lover (Lucy Punch). Luckily, the spirit of Julia's cantankerous old acting coach (London theater legend Michael Gambon) follows Julia around offering some tough-love encouragement. Set in the late 1930s, this is a fine costume comedy-drama about the sorrows and joys of art. The eternal question of "when am I acting and when am I myself?" has seldom been addressed as intelligently as it is here; Bening seems to be not only tangling with her own status as an aging beauty, but also with the limits of her own acting abilities, and it's a pleasure to see her transcend both with such triumphant exuberance. Bravo, Miss Bening, and kudos to director Szabó (MEPHISTO) for rendering his obvious love of theater, cinema, and actors with such contagious warmth. Other fine performances include Jeremy Irons as Julia's manager/husband and Juliet Stevens as her jaded maid. [More]
Starring: Annette Bening, Jeremy Irons, Lucy Punch, Shaun Evans
Starring: Annette Bening, Jeremy Irons, Lucy Punch, Shaun Evans, Bruce Greenwood, Miriam Margolyes, Juliet Stevenson, Maury Chaykin, Michael Gambon
Director: István Szabó
Director: István Szabó
Screenwriter: Ronald Harwood
Producer: Robert Lantos
Composer: Mychael Danna
Studio: Sony Pictures Classics
Reviews for Being Julia
Everything is in place for a tour de force film. Yet the end result is so lackluster and pedestrian, a more fitting title is Being and Nothingness.
Even with the whimsically understated Irons as the oblivious husband and that lion Michael Gambon as the ghost of Julia's acting teacher, director István Szabó's movie leaves no impression.
[Bening] pulls out all the stops playing a limelight-loving stage diva in 1930s London, and her vivacious performance should guarantee her a spot on Oscar's list of Best Actress nominees.
Bening keeps you off-balance as you wait to see what Julia does next.
Annette Bening finally finds a role that will ease her into advancing age with style but grace.
Annette Bening gets the role of a lifetime in Being Julia, and she runs off with the movie.
Being Julia is buoyed by an ebullient performance by Annette Bening as a middle-aged actress and extrovert who finally discovers the pleasures of solitude.
Playing a star of the prewar London theater uneasily stepping into middle age, Annette Bening manages a hectic plot with glamour and aplomb.
For all Benings high emoting and her trademark giggle, here overused to the point of annoyance, for most of its length Being Julia offers little insight into a woman whose life is ruled by theatrics.
Being Julia is one of the most uneven affairs I have watched in a theater this year. It's like two movies that have been inelegantly grafted together.
There isn't much about István Szabó's direction that he can brag about, and Ronald Harwood's script retains too much of Maugham's plot and not enough of his coherence.
Annette Bening finally finds a role that will ease her into advancing age with style and grace. If only the rest of the movie could keep up with her.
It has enough surprises to keep you guessing, and for Annette Bening it's the liveliest of comebacks.
Annette Bening can act but she works too hard to prove it in Being Julia.
A well-produced look at the London stage in pre-war London, based on a novella by Somerset Maugham. The characters may not be as endearing as intended.
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