For all the slash and burn of the action sequences and the 3-D technology with which it is being shown in many theaters, this Beowulf from director Robert Zemeckis feels more like a chore than a pleasure.
Beowulf (2007)
Tomatometer
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Reviews Counted:186
Fresh:132
Rotten:54
Average Rating:6.5/10
Consensus: Featuring groundbreaking animation, stunning visuals, and a talented cast, Beowulf has in spades what more faithful book adaptations forget to bring: pure cinematic entertainment.
Rated: 12A [See Full Rating] for intense sequences of violence including disturbing images, some sexual material and nudity.
Runtime: 1 hr 54 mins
Genre: Science-Fiction/Fantasy
Theatrical Release:16-11-2007
Synopsis: Director Robert Zemeckis mines the epic Old English poem for his latest action adventure to feature performance capture animation. The medieval tale was adapted for the screen by Neil Gaiman and... Director Robert Zemeckis mines the epic Old English poem for his latest action adventure to feature performance capture animation. The medieval tale was adapted for the screen by Neil Gaiman and Roger Avery, and no doubt it bears little resemblance to the text you studied in high school. So the story goes, King Hrothgar (Anthony Hopkins) and his people are being terrorized by the horrific monster Grendel (Crispin Glover). Hrothgar puts out a call to any brave man who can come and slay the monster. Enter Beowulf (Ray Winstone) and his brave band of soldiers. Beowulf is a mighty warrior, and he quickly dispatches Grendel, but in doing so he enrages Grendel's mother--played here by an extremely sexy and serpentine Angelina Jolie. Beowulf journeys out to lay waste to Grendel's mother as well, but soon finds his resolve tested by great temptation. His choice ultimately brings about a new curse--one far worse than Grendel--and he must live with regret, until the day finally comes when he is given a chance for redemption. Zemeckis first utilized performance capture in the magical Christmas story POLAR EXPRESS, but one certainly shouldn't expect any dancing elves in BEOWULF. The film features enough gore and bloodshed to rival a teen slasher film, and in the 3D versions, the viewer is sometimes given the perspective of blood actually raining down upon them. However, if one can stomach the ooze and innards, the 3D effects are truly something to behold, as spears and dragons seem to soar mere inches from your face. No doubt poetry purists will have much to haggle with in this violent, sexed-up version of the tale, but teenage boys everywhere are likely to queue up multiple times--if not to see Grendel, then to eyeball his mother. [More]
Starring: Ray Winstone, Anthony Hopkins, John Malkovich, Robin Wright Penn
Starring: Ray Winstone, Anthony Hopkins, John Malkovich, Robin Wright Penn, Brendan Gleeson, Crispin Glover, Alison Lohman, Angelina Jolie
Director: Robert Zemeckis
Director: Robert Zemeckis
Screenwriter: Neil Gaiman, Roger Avary
Producer: Steve Starkey, Robert Zemeckis, Jack Rapke
Composer: Alan Silvestri
Studio: Paramount Pictures
Reviews for Beowulf
Beowulf is a spellbinder for the senses -- immersive, electrifying, a landmark for techno-fetishist Robert Zemeckis and his throngs of giga-nerd worker drones.
As it stands, Zemeckis's movie is only the beta version of the blockbuster of the future, ridden with imperfections that will presumably be corrected in later upgrades.
Until now, the story of Beowulf has been the most excruciatingly dull part of English Lit 101. But plenty of swordplay, monster-slaying and a naked Angelina Jolie turn the centuries-old poem into a bitching action movie.
It's more dazzle than disaster, but the technical ambitions of Beowulf work too sporadically to be completely effective, while the screenplay adaptation of the classic story suffers from serious bouts of corn poison.
A bloody, silly-sexy action spectacle that shamelessly attempts to justify its excess by basing its violent bombast on the epic poem.
I can't speak for the standard-issue version, but the souped-up extravaganza is one of those experiences that remind you of the magic that movies are capable of conjuring.
It's a full-fledged cinematic assault, as if a black velvet painting of Norse gods had sprung to life and begun heaving spears, arrows and geysers of blood directly at your forehead.
If you're going to Beowulf to experience the sweeping passions that only real eyes can convey, you're missing the point.
When Beowulf is in fighting mode, the film rivals 300 as the coolest videogame-like movie experience ever.
Not all of it works -- and not all of it works the way the target audience of jacked-up young males might want it to -- but the movie is hugely provocative fun, and I'm pretty sure that's on purpose.
Despite the wealth of expertise on display, there's scarcely any imagination.
Comic-Con geeks and cinephiles alike will gape at the resplendent imagery (but don ye specs, and see it in 3-D).
IMAX 3D may be a gimmick, but it's a good one, perfectly suited to a film like Beowulf.
The 3-D film isn't just a movie, it's a movie experience that makes you a part of its noble, frightening and fantasy-infused world.
The dots of Beowulf's epic exploits are connected in a way that could have, and should have, matched a tone of grand lust on display in John Boorman's "Excalibur." Instead, the movie's schoolboy snickers about sexuality torpedo the script's inventiveness.
Beowulf may contain all the modern movie magic at Zemeckis’ disposal, but it plays like something Cecil B. DeMille could have churned out in his sleep ... .
Beowulf is like nothing you've ever seen, but not for the reasons you think.
if it's worth seeing in the theaters, it's worth finding one that's screening it in 3D
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