All the digital bells and whistles in the world can't conceal how hollow the movie is at its core or make us forget about its storytelling and dialogue deficiencies.
Beowulf (2007)
Tomatometer
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Reviews Counted:186
Fresh:132
Rotten:54
Average Rating:6.5/10
Consensus: Featuring groundbreaking animation, stunning visuals, and a talented cast, Beowulf has in spades what more faithful book adaptations forget to bring: pure cinematic entertainment.
Rated: 12A [See Full Rating] for intense sequences of violence including disturbing images, some sexual material and nudity.
Runtime: 1 hr 54 mins
Genre: Action/Adventure
Theatrical Release:16-11-2007
Synopsis: Director Robert Zemeckis mines the epic Old English poem for his latest action adventure to feature performance capture animation. The medieval tale was adapted for the screen by Neil Gaiman and... Director Robert Zemeckis mines the epic Old English poem for his latest action adventure to feature performance capture animation. The medieval tale was adapted for the screen by Neil Gaiman and Roger Avery, and no doubt it bears little resemblance to the text you studied in high school. So the story goes, King Hrothgar (Anthony Hopkins) and his people are being terrorized by the horrific monster Grendel (Crispin Glover). Hrothgar puts out a call to any brave man who can come and slay the monster. Enter Beowulf (Ray Winstone) and his brave band of soldiers. Beowulf is a mighty warrior, and he quickly dispatches Grendel, but in doing so he enrages Grendel's mother--played here by an extremely sexy and serpentine Angelina Jolie. Beowulf journeys out to lay waste to Grendel's mother as well, but soon finds his resolve tested by great temptation. His choice ultimately brings about a new curse--one far worse than Grendel--and he must live with regret, until the day finally comes when he is given a chance for redemption. Zemeckis first utilized performance capture in the magical Christmas story POLAR EXPRESS, but one certainly shouldn't expect any dancing elves in BEOWULF. The film features enough gore and bloodshed to rival a teen slasher film, and in the 3D versions, the viewer is sometimes given the perspective of blood actually raining down upon them. However, if one can stomach the ooze and innards, the 3D effects are truly something to behold, as spears and dragons seem to soar mere inches from your face. No doubt poetry purists will have much to haggle with in this violent, sexed-up version of the tale, but teenage boys everywhere are likely to queue up multiple times--if not to see Grendel, then to eyeball his mother. [More]
Starring: Ray Winstone, Anthony Hopkins, John Malkovich, Robin Wright Penn
Starring: Ray Winstone, Anthony Hopkins, John Malkovich, Robin Wright Penn, Brendan Gleeson, Crispin Glover, Alison Lohman, Angelina Jolie
Director: Robert Zemeckis
Director: Robert Zemeckis
Screenwriter: Neil Gaiman, Roger Avary
Producer: Steve Starkey, Robert Zemeckis, Jack Rapke
Composer: Alan Silvestri
Studio: Paramount Pictures
Reviews for Beowulf
The adaptation replaces the two-dimensional characters of the epic poem with more human, nuanced individuals.
You don’t need to wait for Angelina Jolie to rise from the vaporous depths naked to know that this Beowulf isn’t your high school teacher’s Old English epic poem.
Beowulf is being released in standard 2-D and a non-Imax 3-D version, neither of which I've seen, and neither of which I would recommend as long as there is an opportunity for the sensory overload of Imax 3-D.
A thrilling visit to an alien time and place, devoid of a single dull moment and spiked with something interesting, unexpected or viscerally gripping in virtually every frame.
Regardless of the medium, this is an effectively brutal story of swords, sorcery, demons, and heroes, with an Oedipal hint or two thrown in for flavor.
A bulked-up and dumbed-down 3-D screen version of the Old English epic that is aimed at the shiver-me and scare-me crowd.
Am I the only one who suspects that the intention of director Robert Zemeckis and writers Neil Gaiman and Roger Avary was satirical?
Don't let Paramount's atrocious marketing fool you, Beowulf is a film of great surprise and heart-stopping visual gusto. It also reaffirms Robert Zemeckis's place as a brilliant cinematic architect, still capable of eliciting eye-watering awe.
Beowulf aspires to epic realm of 300 and the fantasy of Lord of the Rings but falls short of both. But it's an intriguing novelty act with a few stirring scenes.
To the shock of cynics in the audience waiting for this film fantasy to be lame, Beowulf turns out to be exciting, fun and occasionally breathtaking. No question it's a popcorn flick, but it's cheesy only when it chooses to be.
Zemeckis, who blazed trails mixing live-action with animation in Who Framed Roger Rabbit, blazes not even a footpath here.
A visually rousing epic and a surprisingly effective reworking of a classic.
Some are calling Beowulf the future of movies, but it would be a lot easier to swallow that hype if ... anything in the movie suggested the people who made Beowulf were invested in making something good instead of just interested in making something new.
Zemeckis employs the same motion-capture technology that he first used in The Polar Express, to slightly better effect.
Because the picture's technical side is so extraordinary, it is truly saddening to have to write that Beowulf isn't a very good movie. Take away the visuals, and what is left is a talky, subdued, lifeless affair.
As far as cinematic mythology goes, this film flies only so high. And call me anti-Geat, but I was rooting for Crispin Glover's Grendel all along.
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January 13, 2008:
Beowulf (2007): Exclusive interstitials ![]()
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