The worst kind of movie -- one with no direction, no identity, and above all no heart.
Bicentennial Man (1999)
Tomatometer
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Reviews Counted:93
Fresh:35
Rotten:58
Average Rating:4.8/10
Consensus: Bicentennial Man is ruined by a bad script and ends up being dull and mawkish.
Runtime: 2 hrs 11 mins
Genre: Dramas
Synopsis: Bicentennial Man follows the life and times of the title character, an android (Robin Williams) who is purchased as a household robot programmed to perform menial tasks. The Martin family quickly... Bicentennial Man follows the life and times of the title character, an android (Robin Williams) who is purchased as a household robot programmed to perform menial tasks. The Martin family quickly learn that they don't have an ordinary robot when Andrew begins to experience emotions and creative thought. In a story that spans two centuries, Andrew learns the intricacies of humanity, life, and love. -- © 1999 Touchstone Pictures [More]
Starring: Robin Williams, Embeth Davidtz, Sam Neill, Wendy Crewson
Starring: Robin Williams, Embeth Davidtz, Sam Neill, Wendy Crewson, Oliver Platt, Hallie Kate Eisenberg, Stephen Root, Lynne Thigpen, Bradley Whitford, Kiersten Warren, John Michael Higgins
Director: Chris Columbus
Director: Chris Columbus
Screenwriter: Nicholas Kazan
Story: Isaac Asimov, Robert Silverberg
Producer: Chris Columbus, Wolfgang Petersen, Michael Barnathan, Gail Katz, Neal Miller, Laurence Mark, Mark Radcliffe
Composer: James Horner
Reviews for Bicentennial Man
The film swiftly settles into an unevenly paced, episodic structure, unsure whether it's a family saga, a sci-fi drama or a children's comedy.
Tries to win our hearts without doing much for our brains or our funny bones, and it just doesn't work.
More a meditation on the nature of life itself than anything else, and a welcome respite from Robin Williams, the emotion sponge.
You long for [Williams] to break the metal mold, if only for a minute, to remind you that you are watching the best improvisational comedian of this millennium.
But I'll be darned if, by the end, my heart didn't reach out a bit to Andrew as he tried to understand the workings of his own.
Virtually every emotion, motivation, idea, character and plot point in the movie is flat and perfunctory -- except for those that carry the invisible subtitle, 'Cry, dammit!'
...nothing but a sappy, shameless, and morbid production that wastes talent and time in a script designed to line the bottom of a bird cage.
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