A sumptuous film with beautiful cinematography and a lush soundtrack, but they're wasted on a film that boasts neither great scares or shocking plot twists.
Birth (2004)
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Reviews Counted:136
Fresh:53
Rotten:83
Average Rating:5.2/10
Consensus: A well-mounted production is undermined by a muddled, absurd storyline of questionable taste.
Runtime: 1 hr 40 mins
Genre: Dramas
Synopsis: Maverick young filmmaker Jonathan Glazer affirms the promise of his brilliant debut, Sexy Beast, with his new film Birth, teaming with Academy Award® winner Nicole Kidman for a metaphysical love... Maverick young filmmaker Jonathan Glazer affirms the promise of his brilliant debut, Sexy Beast, with his new film Birth, teaming with Academy Award® winner Nicole Kidman for a metaphysical love story that explores the space between what we know and what we feel. Kidman stars as Anna, a delicate young widow who is on the verge of a new life when a solemn little boy appears, claiming to be the reincarnation of her dead husband. As Anna, Kidman achieves a breathtaking emotional transparency to portray an intelligent woman who discovers another side of herself in the face of a bizarre, yet tantalizing possibility. The actress is beautifully paired with Canadian child actor Cameron Bright, who portrays the boy interloper with a haunting stillness and conviction. Bringing an assured sense of style and form to a decidedly unconventional narrative, Glazer creates a world that is at once strange and familiar, like a fairy tale. Like many fairy tales, Birth is part romance, part mystery, and part family drama - woven into a magical whole about love, mortality and the unknown. Birth is scheduled for a Nov. 5 release. [More]
Starring: Nicole Kidman, Danny Huston, Cameron Bright, Lauren Bacall
Starring: Nicole Kidman, Danny Huston, Cameron Bright, Lauren Bacall, Alison Elliot, Arliss Howard, Anne Heche, Peter Stormare, Zoe Caldwell, Milo Addica, Ted Levine, Cara Seymour
Director: Jonathan Glazer
Director: Jonathan Glazer
Screenwriter: Jean-Claude Carriere, Milo Addica
Producer: Nick Morris, Lizie Gower
Composer: Alexandre Desplat
Studio: New Line Cinema
Reviews for Birth
Turns into an unintentional creepshow because it sets up a 'love' affair between the 37-year-old Kidman and a 10-year-old boy.
In the context of the film, the scene where Anna and Sean make the rubber ducky blush is perfectly appropriate.
The movie doesn't have the courage to fully embrace the material -- neither the scandalousness of it, nor the psychological and metaphysical implications.
Despite its trappings, despite its style, Birth is just a tall tale with a short reach.
Birth is a haphazard discombobulated mess with a major talent drowning in the film's placenta-like goo.
Kidman takes care of the arty material like the great actress she is. And for what it's worth, Bright has an eerie look that you can't help but focus on.
Its odd allure comes from the sad reality of its story. The monsters here are memories that won't leave, that we cling to and fall prey to, illusions that will not fade.
Begins taking turns that simply make no sense, even in this quasi-mystical context.
The film doesn't go nearly as far in exploring its central concept as it could have, but much of this material is in extremely poor taste.
Ambiguity can be an effective dramatic tool, but it also can result in unsatisfying evasions, which I'm afraid is the case here.
An effective thriller precisely because it is true to the way sophisticated people might behave in this situation.
Such a meticulously wrought piece of hokum that it's both easy to admire and impossible to warm up to.
After building anticipation throughout most of the film, Glazer fizzles out near the end. ... Once again, a brilliant filmmaker falls victim to the sophomore slump.
“Birth” isn’t a horror film or even really a thriller, although it’s calm, deliberate pace does create a palpable and spellbinding tension.
It may compel at first, but Birth just doesn't deliver, especially for those looking for anything resembling a logical payoff.
This bizarre, surreal, even salacious drama, tackling one of society's ultimate taboos, is a creepy yet compelling metaphysical concept.
It might be an interesting premise, but it's a bit too pretentious to include the audience in the story.
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