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Movies / On DVD / The Birth of a Nation
The Birth of a Nation

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The Birth of a Nation (1915)

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Reviews Counted:31

Fresh:31

Rotten:0

Average Rating:8/10

Runtime: 3 hrs 20 mins

Genre: Dramas

Synopsis: This landmark film from silent director D.W. Griffith was the first movie blockbuster. However, it also reveals a horribly racist version of American history. The first part of the film chronicles... This landmark film from silent director D.W. Griffith was the first movie blockbuster. However, it also reveals a horribly racist version of American history. The first part of the film chronicles the Civil War as experienced through the eyes of two families; the Stonemans from the North, and the Camerons of the South. Lifelong friends, they become divided by the Mason-Dixon line, with tragic results. Large-scale battle sequences and meticulous historical details culminate with a staged re-creation of Lincoln's assassination. The second half of the film chronicles the Reconstruction, as Congressman Austin Stoneman (Ralph Lewis) puts evil Silas Lynch (George Siegmann) in charge of the liberated slaves at the Cameron hometown of Piedmont. Armed with the right to vote, the freed slaves cause all sorts of trouble until Ben Cameron (Henry B. Walthall) founds the Ku Klux Klan and restores order and "decency" to the troubled land. While THE BIRTH OF A NATION was a major step forward in the history of filmmaking, it must be noted that the film supports a racist worldview. But there is no denying that it remains a groundbreaking achievement, setting a high watermark for film as an art form. [More]

Starring: Lillian Gish, Mae Marsh, Miriam Cooper, Wallace Reid

Starring: Lillian Gish, Mae Marsh, Miriam Cooper, Wallace Reid, Henry B. Walthall, Erich Von Stroheim, Ralph Lewis, George Siegmann, Walter Long, Aitken Spottiswoode

Director: D.W. Griffith

Director: D.W. Griffith
Screenwriter: Frank Woods, D.W. Griffith
Producer: D.W. Griffith

[See More Credits]

Reviews for The Birth of a Nation

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1 - 20 (sorted by date; UK critics are listed first)
Text View | 1 2 >> >|
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The biggest challenge the film provided for its audiences is perhaps to decide when 'ground-breaking, dedicated, serious cinematic art' must be reviled as politically reprehensible.

Full Review Source: Time Out | comment Comment
02/09/06
Time Out
Top Critic Icon Top Critic

No review available.

comment Comment
11/15/03
Rich Cline
Rich Cline
Shadows on the Wall

Birth of a Nation is a great epoch in picture making; it's great for pictures and it's great for the name and fame of David Wark Griffith. When a man like Griffith in a new field can do what he has done, he may as well be hailed while he is living.

Full Review Source: Variety | comment Comment
02/06/08
Variety Staff
Variety Staff
Variety
Top Critic Icon Top Critic

Griffith's later films are unquestionably superior. But here, in a very real sense, is where the movies began, both as an art and as a business.

Full Review Source: Chicago Reader | comment Comment
02/06/08
Dave Kehr
Dave Kehr
Chicago Reader

Links the divide between American past and American present.

Full Review Source: Projection Booth | comment Comment
07/03/07
Rob Humanick
Rob Humanick
Projection Booth

a masterpiece that still packs a punch and whose standard-bearing genius remains untarnished.

Full Review Source: Cinema Writer | comment Comment
08/20/06
Jay Antani
Jay Antani
Cinema Writer

What does it say about a country that one of its greatest films is also one of the most bigoted movies ever made? ... If you can ignore the actors in blackface and the vicious stereotypes, Griffith's folly is also a triumph of silent film technique.

Full Review Source: Boulder Weekly | comment 2 Comments
07/12/06
Thomas Delapa
Thomas Delapa
Boulder Weekly

Like it or not, its tremendous influence can't be denied.

Full Review Source: Ozus' World Movie Reviews | comment Comment
05/02/06
Dennis Schwartz
Dennis Schwartz
Ozus' World Movie Reviews

The civil war battle pictures, taken in panorama, represent enormous effort and achieve a striking degree of success.

Full Review Source: New York Times | comment Comment
03/25/06
New York Times
Top Critic Icon Top Critic

Racist yet an incredibly important landmark film.

comment Comment
10/21/05
Daniel M. Kimmel
Daniel M. Kimmel
Worcester Telegram & Gazette

shocks audiences with its blatant racism yet remains one of the defining films of the silent era.

Full Review Source: Cinematic Reflections | comment Comment
09/24/05
Derek Smith
Derek Smith
Cinematic Reflections

No review available.

comment Comment
06/13/05
Emanuel Levy
Emanuel Levy
EmanuelLevy.Com

No review available.

comment Comment
03/08/05
Susan Granger
Susan Granger
www.susangranger.com

No review available.

comment Comment
11/19/04
Robin Clifford
Robin Clifford
Reeling Reviews

No review available.

comment Comment
11/18/04
Mark R. Leeper
Mark R. Leeper
rec.arts.movies.reviews

Groundbreaking, but too racist to enjoy.

comment Comment
11/06/04
Alex Sandell
Alex Sandell
Juicy Cerebellum

Artistically, technically, and culturally, the importance of Griffith's celebrated, villified, deeply troubling Civil War masterpiece cannot be overstated.

Full Review Source: Decent Films Guide | comment Comment
08/22/04
Steven D. Greydanus
Steven D. Greydanus
Decent Films Guide

No review available.

comment Comment
03/28/04
Ryan Cracknell
Ryan Cracknell
Movie Views

No review available.

comment Comment
08/22/03
Carol Cling
Carol Cling
Las Vegas Review-Journal

This notoriously problematic melodrama is the first true screen epic and arguably the most important motion picture ever made.

Full Review Source: TV Guide's Movie Guide | comment Comment
07/30/03
TV Guide's Movie Guide
Top Critic Icon Top Critic
 
 
1 - 20 (sorted by date; UK critics are listed first)
Text View | 1 2 >> >|
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