The film's military detail is in most respects quite ludicrous.
Bitter Victory (1957)
Runtime: 1 hr 42 mins
Synopsis: Nicholas Ray's (REBEL WITHOUT A CAUSE) masterpiece of anti-war sentiment is one of his lesser-known films, but it is nonetheless possessed of a subtle complexity and existential ambiguity that render it one of his most poignant. Set during WWII and unfolding mostly in the deserts of Libya,... Nicholas Ray's (REBEL WITHOUT A CAUSE) masterpiece of anti-war sentiment is one of his lesser-known films, but it is nonetheless possessed of a subtle complexity and existential ambiguity that render it one of his most poignant. Set during WWII and unfolding mostly in the deserts of Libya, the film establishes a rivalry between its two main characters from the very beginning. The charismatic Captain James Leith (Richard Burton, WHO'S AFRAID OF VIRGINIA WOOLF) and his cowardly superior, Major David Brand (Curt Jurgens, AND GOD CREATED WOMAN), both accept a dangerous assignment to be sent to Libya to recover top-secret documents. Before they depart, Brand sees his wife Jane (Ruth Roman, STRANGERS ON A TRAIN) dancing with the Captain, and becomes enflamed with jealousy; it turns out that Leith and Jane were lovers before the war. The rest of the exposition traces the two men's journey, made even more perilous by their intense enmity, and moves toward a climactic ending that plays up the absurdity of war. Refusing to draw a clear division between hero and villain, Ray highlights the way war ultimately reduces everyone to the same petty motivations and empty rhetoric. [More]
Genre: Dramas
Starring: Richard Burton, Curd Jürgens, Ruth Roman, Raymond Pellegrin, Anthony Bushell
DVD Info
Release:
Oct 2, 2006
DVD Features:
- Region (unknown)
- Keep Case
- Anamorphic Widescreen - 2.35
Audio:
- Mono - English
- Subtitles - Japanese - Optional
Reviews
A starkly shot and probing inquiry into notions of cowardice and heroism.
The whole picture, deeply pessimistic and subversive, exerts a fierce grip.
Nicholas Ray's direction of black-and-white CinemaScope, that freak child of the 50s, is consistently brilliant in this raw, confused masterpiece.
Contemplating the dangerous games men play with macho self-images, this survives as one of Ray's greatest works.
Odd amalgam of a French film, starring a British, German, and American trio, directed by an American and written by three men from different countries.
Fine thesping by Richard Burton leads a series of top performances by other members of large cast.
There is a sense that while the men here are well-versed in the theories of war, they are clueless about the realities of combat.
Nicholas Ray directs with an uncompromising austerity that puts the hypocrisy and the bitter inhumanity of war in focus...
Bitter Victory shows Ray at the height of his powers, making beautiful use of his black-and-white Cinemascope frame.
Has almost become eclipsed by the thunder of Jean-Luc Godard’s infamously rapturous tribute in the pages of Cahiers.


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