If you were thinking of seeing the remake over your holiday break, consider the original Black Christmas, directed by Clark, instead. It was recently released on DVD and is considerably less irritating.
Black Christmas (2006)
Tomatometer
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Reviews Counted:54
Fresh:9
Rotten:45
Average Rating:3.4/10
Consensus: A gratuitous remake of the 1974 slasher, Black Christmas pumps out the gore and blood with zero creativity, humor, or visual flair.
Rated: 15 [See Full Rating] for strong horror violence and gore, sexuality, nudity and language.
Runtime: 1 hr 40 mins
Genre: Horror/Suspense
Theatrical Release:15-12-2006
Synopsis: Though it was only a mild success upon its release in 1974, the original BLACK CHRISTMAS (directed by Bob Clark, who would go on to direct A CHRISTMAS STORY in 1984) has become a cult favorite... Though it was only a mild success upon its release in 1974, the original BLACK CHRISTMAS (directed by Bob Clark, who would go on to direct A CHRISTMAS STORY in 1984) has become a cult favorite among horror buffs since the dawn of the home-video era. An early example of the "body count" genre, the film also predates WHEN A STRANGER CALLS (1979) in its use of a killer making threatening phone calls that originate within his potential victims' own house. In this remake, writer/director Glen Morgan takes the basics of Roy Moore's screenplay for the original to create an elaborate and almost comically disturbing back story for Billy, the killer who previously remained a mystery. A handful of sorority girls remain at the house after the school shuts down for Christmas break. An ominous snowstorm blows in, isolating them. At the same time, a killer--who in this version escapes from a mental institution to return to his former family home--breaks into the attic and begins making terrifying phone calls to the girls (led by Kate Cassidy, Michelle Trachtenberg, and Lacey Chabert) before killing them off one by one. SCTV veteran Andrea Martin, who portrayed a victim in the original, returns as Ms. Mac, the house mother. Stylistically, Moore's remake avoids casting the film in the ironic post-SCREAM or streamlined, gore-free Japanese-horror-inspired fright films of the late 1990s and early 2000s. Instead he makes BLACK CHRISTMAS in the style of a wet and red '80s slasher film. The plentiful blood and guts will please fans of that era, as will tributes to the HALLOWEEN films. This, along with a soundtrack that eschews holiday standards in favor of modern pop music, plus a dim lighting scheme that relies heavily on colored Christmas bulbs, combine to create an atmosphere of holiday dread in this fun update of what has become a horror classic. [More]
Starring: Michelle Trachtenberg, Mary Elizabeth Winstead, Katie Cassidy, Oliver Hudson
Starring: Michelle Trachtenberg, Mary Elizabeth Winstead, Katie Cassidy, Oliver Hudson, Andrea Martin, Kristen Cloke
Director: Glen Morgan
Director: Glen Morgan
Screenwriter: Glen Morgan, Roy Moore
Producer: James Wong, Glen Morgan, Marty Adelstein, Victor Solnicki, Steve Hoban
Composer: Shirley Walker
Studio: Weinstein Company
Reviews for Black Christmas
What would Christmas be without the release of a lackluster horror movie?
This movie serves up a bland, interchangeable mix of victims. Because the sitting ducks don't display any personality, it's hard to get worked up about their fate.
Even by the notoriously low standards of sadistic slasher pics, this remake is a thoroughly nasty piece of work, relying heavily on such gruesome spectacles as the baking (and consuming) of Christmas cookies made from chunks of human flesh.
Connoisseurs of trashy moviemaking are left with a bland slasher film, filled with a bad guy who lacks menace, a script that lacks humor and several hot young characters who have the nerve to go throughout the picture without taking their clothes off.
It's one of the least original serial killer flicks of the decade.
Morgan borrows Christmas-specific nastiness from a wide range of fright flicks, but the result is less than the sum of its parts.
Glen Morgan's disastrous remake smothers terror beneath a blanket of unnecessary information, revealing too much and teasing too little.
Where the first film was a seminal forerunner of early stalker classics like Halloween, this version feels as stale as old gingerbread.
The sorority girls are so interchangeable, and so uninteresting, that I got to wishing that Morgan and all those who tred the lucrative horror remake market would take the time to create a bonafide heroine whose survival we could cheer.
Let's be clear: The new Black Christmas isn't in any way scary, realistic or well acted, but Morgan, who cocreated the Final Destination series, knows how to stage an elaborate kill for laughs.
Silly, obvious, clumsy, and just gruesome enough to keep jaded genre fans from angrily throwing popcorn at the screen.
Dank, stupid and--the most unpardonable of sins--extraordinarily tedious.
Morgan's gleeful desire to shock the audience both with the gore and the perverse backstory is delightfully infectious.
For me, this was one of the best horror movies of the year, which sounds glowing until you consider the competition.
The remake neither pays perceptive tribute to the original nor updates it in anything but hackneyed form.
Like an ugly tie or a pair of slipper socks, Black Christmas is destined to be forgotten the instant it's unwrapped, gathering dust until the season rolls around again.
It's desperately punch-yourself-in-the-face awful in every single way. Why oh why couldn't Billy gouge my eyes out?
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