A slick but empty period noir. De Palma can do better than this.
The Black Dahlia (2006)
Tomatometer
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Reviews Counted:179
Fresh:61
Rotten:118
Average Rating:4.9/10
Consensus: Though this ambitious noir crime-drama captures the atmosphere of its era, it suffers from subpar performances, a convoluted story, and the inevitable comparisons to other, more successful films of its genre.
Rated: 15 [See Full Rating] for strong violence, some grisly images, sexual content and language.
Runtime: 2 hrs 2 mins
Genre: Dramas
Theatrical Release:15-09-2006
Synopsis: Based on the novel by James Ellroy, Brian De Palma's THE BLACK DAHLIA stars Josh Hartnett and Aaron Eckhart as a pair of LAPD detectives assigned to the most notorious murder in Hollywood history.... Based on the novel by James Ellroy, Brian De Palma's THE BLACK DAHLIA stars Josh Hartnett and Aaron Eckhart as a pair of LAPD detectives assigned to the most notorious murder in Hollywood history. De Palma takes things slow, spending a good 20 minutes establishing the relationship between Buddy Bleichert, Lee Blanchard, and their mutual love Kay (Scarlett Johanssen), before introducing the 1947 murder after which the film is named. In the haunting screen-tests left behind after her mysterious death, aspiring actress Elizabeth Short appears to want fame so badly she'll do anything to get it. Her pornographic film appearances, and a rumored affair with narcissist heiress Madeleine Linscott (Hillary Swank), provide just two clues in a sea of confusion. THE BLACK DAHLIA crams every subplot from Ellroy's novel into two hours, but only connects them towards the end of the movie. The screen-tests featuring a sadly desperate Elizabeth Short (Mia Kirshner) are captivatingly filmed in gritty black-and-white. These scenes succeed in showing the industry ugliness most likely behind Elizabeth's death, while the rest of the film self-consciously strives to be noir through elaborate set design, dramatic camera angles, and narration taken straight from the book. If De Palma's goal was to make us examine our own voyeuristic fascination with murder, particularly the gruesome murder of a beautiful young woman, then he succeeds, because throughout a film invested in so many different storylines, Short's remains the most interesting one. [More]
Starring: Josh Hartnett, Scarlett Johansson, Hilary Swank, Aaron Eckhart
Starring: Josh Hartnett, Scarlett Johansson, Hilary Swank, Aaron Eckhart, Mia Kirshner, Rose McGowan, Fiona Shaw, Jemima Rooper, John Kavenagh, Pepe Serna, Troy Evans, Gregg Henry
Director: Brian De Palma
Director: Brian De Palma
Story: Josh Friedman
Producer: Rudy Cohen, Art Linson, Moshe Diamont
Composer: Mark Isham
Studio: Universal Pictures
Reviews for The Black Dahlia
the convoluted story never really takes hold, and eventually it all dissolves into low camp and unintentional self-parody.
The Black Dahlia uses many cinematic contrivances that do not help tell the story of who killed Elizabeth Short.
The Black Dahlia is not a black mark on the talent track record of anyone involved. Yet with such a potentially powerful story, it should have been something very special.
The pairing of Ellroy and De Palma proves a marriage made in hardboiled heaven.
The picture is a kind of fattened goose that’s been stuffed with goose-liver pâté. It’s overrich and fundamentally unsatisfying.
This is far from one of the director's better efforts and should be avoided by all those who are not sworn De Palma boosters.
Reaffirms De Palma's status as American cinema's cruelest social satirist...
This time Mr. De Palma has traveled beyond camp into sloppy sadism, with the audience cast in the role of victim.
The movie jumps overboard during an insane third act that threatens to undercut the accomplished filmmaking that precedes it. It's such an engaging ride beforehand, though, that the freaky climax is forgivable.
doesn't skimp when it comes to dishing up plot twists and complications -- if you take a bathroom break at the wrong time, you will never catch up on who is embroiled in what...
De Palma should have called this sleazy murder mystery The Really Big Sleep.
This movie fails to hook early on, so you resist being taken where it wants to go, no matter how intriguing that destination may be.
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