Too often settles for standard B-movie contrivance, proving to disappointed ticket buyers the truth of this odd little movie's best line: 'Hollywood will f*** you when no one else will'.
The Black Dahlia (2006)
Tomatometer
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Reviews Counted:179
Fresh:61
Rotten:118
Average Rating:4.9/10
Consensus: Though this ambitious noir crime-drama captures the atmosphere of its era, it suffers from subpar performances, a convoluted story, and the inevitable comparisons to other, more successful films of its genre.
Rated: 15 [See Full Rating] for strong violence, some grisly images, sexual content and language.
Runtime: 2 hrs 2 mins
Genre: Dramas
Theatrical Release:15-09-2006
Synopsis: Based on the novel by James Ellroy, Brian De Palma's THE BLACK DAHLIA stars Josh Hartnett and Aaron Eckhart as a pair of LAPD detectives assigned to the most notorious murder in Hollywood history.... Based on the novel by James Ellroy, Brian De Palma's THE BLACK DAHLIA stars Josh Hartnett and Aaron Eckhart as a pair of LAPD detectives assigned to the most notorious murder in Hollywood history. De Palma takes things slow, spending a good 20 minutes establishing the relationship between Buddy Bleichert, Lee Blanchard, and their mutual love Kay (Scarlett Johanssen), before introducing the 1947 murder after which the film is named. In the haunting screen-tests left behind after her mysterious death, aspiring actress Elizabeth Short appears to want fame so badly she'll do anything to get it. Her pornographic film appearances, and a rumored affair with narcissist heiress Madeleine Linscott (Hillary Swank), provide just two clues in a sea of confusion. THE BLACK DAHLIA crams every subplot from Ellroy's novel into two hours, but only connects them towards the end of the movie. The screen-tests featuring a sadly desperate Elizabeth Short (Mia Kirshner) are captivatingly filmed in gritty black-and-white. These scenes succeed in showing the industry ugliness most likely behind Elizabeth's death, while the rest of the film self-consciously strives to be noir through elaborate set design, dramatic camera angles, and narration taken straight from the book. If De Palma's goal was to make us examine our own voyeuristic fascination with murder, particularly the gruesome murder of a beautiful young woman, then he succeeds, because throughout a film invested in so many different storylines, Short's remains the most interesting one. [More]
Starring: Josh Hartnett, Scarlett Johansson, Hilary Swank, Aaron Eckhart
Starring: Josh Hartnett, Scarlett Johansson, Hilary Swank, Aaron Eckhart, Mia Kirshner, Rose McGowan, Fiona Shaw, Jemima Rooper, John Kavenagh, Pepe Serna, Troy Evans, Gregg Henry
Director: Brian De Palma
Director: Brian De Palma
Story: Josh Friedman
Producer: Rudy Cohen, Art Linson, Moshe Diamont
Composer: Mark Isham
Studio: Universal Pictures
Reviews for The Black Dahlia
Unfortunately, rather than being his comeback film, The Black Dahlia is just the latest in a long line of disappointments from De Palma.
Delves into a visceral place, slashing through logic and proceeding from a purely physical, lascivious standpoint.
most fun is the high priestess of British stage, Fiona Shaw, who goes over the top as Madeleine's unbalanced mom. Her dinner scene alone with all of her epileptic-like tics and scowls is the grandest of Grand Guignol
Despite the juicy tabloid material and the filmmaking talent involved, "The Black Dahlia" is a bloated and oddly listless production.
"The Black Dahlia" is so cavalier about its plot and characters, so palpably uninterested in giving the audience a coherent, resonant story, that De Palma's noir exercise becomes an exercise in frustration.
As the character drama bogs down in Hartnett and Johansson's maudlin mumbling, De Palma starts to focus on shoehorning in a punchy setpiece or stylistic outrage.
With such an accomplished cast assembled, Scarlett Johannson, Hilary Swank and Aaron Eckhart, director Brian De Palma should be slapped upside the head for allowing them to overact.
The writing is bad, and the cast overplays their roles to the point of silliness. The director has to take most of the blame.
[A]n 'interesting failure'... In the end, it doesn't quite work, but you probably won't be sorry you saw it...
Ambitiously well-made, sometimes laughably trashy, always interesting, and occasionally so odd you just have to chuckle, shake your head and say, 'Oh, De Palma....'
...sits on the screen, mysteriously inert and uninvolving....despite De Palma's always-reliable technical skills.... It may well be his worst film since the execrable Wise Guys.
De Palma's bliss in depicting the bruise-n-babes era roars at the senses like a 3-D effect, pushing Dahlia to wonderful heights of production detail.
Although the style amps the attractiveness of individual scenes, it undercuts believability across the whole.
The Black Dahlia isn't just bad. It's impressively bad. I didn't think they could make a movie this bad.
Without some serious gravitas, the picture flies apart under the strain of Ellroy and De Palma's complementary psychoses.
He walked into my office like he knew he was trouble. 'Name's Hartnett,' he said. 'I'm looking for my career.'
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