The Boy In The Striped Pyjamas appears to be a little conflicted: it desperately wants the viewer to care about Bruno and Shmuel, yet the fact that this is a story not reality... places it, and the viewer, at arm's length.
The Boy in the Striped Pajamas (2008)
Tomatometer
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Reviews Counted:124
Fresh:80
Rotten:44
Average Rating:6.2/10
Consensus: A touching and haunting family film that deals with the Holocaust in an arresting and unusual manner, and packs a brutal final punch of a twist.
Theatrical Release:12-09-2008
Synopsis: Based on the novel by John Boyne, THE BOY IN THE STRIPED PAJAMAS is a wrenching Holocaust story about a young German boy and his forbidden friendship with a Jewish child. Bruno (Asa Butterfield) is... Based on the novel by John Boyne, THE BOY IN THE STRIPED PAJAMAS is a wrenching Holocaust story about a young German boy and his forbidden friendship with a Jewish child. Bruno (Asa Butterfield) is living a charmed life in Berlin as the son of a high-ranking Nazi soldier, when his father (David Thewlis) is suddenly transferred to a job out in the country. Bruno, as well as his sister Gretel (Amber Beattie) and mother (Vera Farmiga) must all join him at his new post. Bruno is lonely and confused by his new surroundings, and he doesn't understand why he can't wander the grounds or play at a nearby farm. The "farm," of course, is a concentration camp, though Bruno doesn't know this. He soon sneaks away to explore, and meets Shmuel (Jack Scanlon) a prisoner of the camp. Shmuel is eight, the same age as Bruno, and the two form a timid, careful friendship, playing checkers and catch through the barbed wire fence. Bruno knows that his friendship with Shmuel is dangerous, but after witnessing brutal violence perpetrated against some very kind people, he has begun to question the Nazi doctrine of hate. He is no longer sure what to make of his soldier father, whom he once believed to be a hero. When he learns that Shmuel is in trouble, he vows to help him, and together the boys form an outrageous plan that culminates in the film's devastating climax. Farmiga and Thewlis put in excellent performances, while Scanlon and Butterfield, are equally impressive, doing a fine job of carrying the weight of such a heavy film. The BOY IN THE STRIPED PAJAMAS is a deeply moving and--it must be said--disturbing movie. But it is a remarkable story, told with masterly intelligence and grace. [More]
Starring: Vera Farmiga, David Thewlis, Rupert Friend, David Hayman
Starring: Vera Farmiga, David Thewlis, Rupert Friend, David Hayman, Asa Butterfield, Jack Scanlon, Amber Beattie, Attila Egyed, Béla Fesztbaum, Sheila Hancock, Jim Norton
Director: Mark Herman
Director: Mark Herman
Screenwriter: Mark Herman
Producer: David Heyman
Composer: James Horner
Studio: Miramax Films
Reviews for The Boy in the Striped Pajamas
This intriguing wartime tale has an otherworldly quality that draws us into a gentle and increasingly haunting story
In short, The Boy in the Striped Pyjamas is an impressively directed and acted drama that packs a powerful emotional punch. Recommended.
Only in the last 10 minutes does it get to grips with the full horror of the Holocaust, and that saves it from a Disneyish propensity not to shock us too much or impose a feelgood ending.
Writer-director Mark Herman has done a creditable job of negotiating its volatile compound of fable and realism.
The film’s flimsy fabric of historical reimagining – a death camp with no watchtower and an out-of-sight corner for illicit pow-wows and tunnel-digging – makes the notionally harrowing ending seem a smash-and-grab raid on our susceptibilities.
As a Butterfield’s lack of emotional range restricts his portrayal of Bruno but any shortcomings are forgotten when the heart-in-mouth ending left The Sneak rooted to his seat in stunned silence.
Ignore the plummy accents – which isn’t easy – and what we have is a touching tale of a forbidden friendship with a really nice performance from the young Butterfield.
Despite the 12A certificate, I would regard this as most suitable for intelligent children aged ten to 12, who will be more prepared than adults to ignore its major implausibility - that security at concentration camps was ever this inefficient.
There are plausibility issues – no German accents; no guards noticing the kids’ frequent chats – but Herman builds a tightening sense of dread that finds no release in the final, tragic twist. Expect a sleepless night.
It's a noble, sincere undertaking that will see many leave the cinema with fresh insights. You can't really ask for much more than that.
Moreover, the production lacks the personal touch that might allow this story to resonate as parable – it's too conventionally classy and Miramaxed, with its swooping, prestige-picture camerawork and lachrymose score by the dread James Horner.
The acting is heartfelt, but the film carries a heaped cargo of conceits that has it wavering between the stark and the sentimental, the nuanced and the schematic.
Despite moments of improbable whimsy, this is a hugely affecting film. Important, too. It engages with the complexity of the Holocaust in a language that can move children as profoundly as adults.
A brave and haunting family film that will lift the brutality of the Holocaust out of the history books.
Ultimately, though, it’s the kids’ movie; both Butterfield and Scanlon deliver strong, poignant performances. Just prepare to leave the screening feeling somewhat depressed.
Built upon a powerful but gimmicky end, The Boy in the Striped Pajamas would make a fine short. As a full-length feature, though, the pajamas wear thin quickly.
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