Making a parable out of the Holocaust is a dicey proposition, and here the emotional tugs are so forced that it exploits and trivializes the historical tragedy it claims to be trying to illuminate.
The Boy in the Striped Pajamas (2008)
Tomatometer
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Reviews Counted:124
Fresh:80
Rotten:44
Average Rating:6.2/10
Consensus: A touching and haunting family film that deals with the Holocaust in an arresting and unusual manner, and packs a brutal final punch of a twist.
Theatrical Release:12-09-2008
Synopsis: Based on the novel by John Boyne, THE BOY IN THE STRIPED PAJAMAS is a wrenching Holocaust story about a young German boy and his forbidden friendship with a Jewish child. Bruno (Asa Butterfield) is... Based on the novel by John Boyne, THE BOY IN THE STRIPED PAJAMAS is a wrenching Holocaust story about a young German boy and his forbidden friendship with a Jewish child. Bruno (Asa Butterfield) is living a charmed life in Berlin as the son of a high-ranking Nazi soldier, when his father (David Thewlis) is suddenly transferred to a job out in the country. Bruno, as well as his sister Gretel (Amber Beattie) and mother (Vera Farmiga) must all join him at his new post. Bruno is lonely and confused by his new surroundings, and he doesn't understand why he can't wander the grounds or play at a nearby farm. The "farm," of course, is a concentration camp, though Bruno doesn't know this. He soon sneaks away to explore, and meets Shmuel (Jack Scanlon) a prisoner of the camp. Shmuel is eight, the same age as Bruno, and the two form a timid, careful friendship, playing checkers and catch through the barbed wire fence. Bruno knows that his friendship with Shmuel is dangerous, but after witnessing brutal violence perpetrated against some very kind people, he has begun to question the Nazi doctrine of hate. He is no longer sure what to make of his soldier father, whom he once believed to be a hero. When he learns that Shmuel is in trouble, he vows to help him, and together the boys form an outrageous plan that culminates in the film's devastating climax. Farmiga and Thewlis put in excellent performances, while Scanlon and Butterfield, are equally impressive, doing a fine job of carrying the weight of such a heavy film. The BOY IN THE STRIPED PAJAMAS is a deeply moving and--it must be said--disturbing movie. But it is a remarkable story, told with masterly intelligence and grace. [More]
Starring: Vera Farmiga, David Thewlis, Rupert Friend, David Hayman
Starring: Vera Farmiga, David Thewlis, Rupert Friend, David Hayman, Asa Butterfield, Jack Scanlon, Amber Beattie, Attila Egyed, Béla Fesztbaum, Sheila Hancock, Jim Norton
Director: Mark Herman
Director: Mark Herman
Screenwriter: Mark Herman
Producer: David Heyman
Composer: James Horner
Studio: Miramax Films
Reviews for The Boy in the Striped Pajamas
Even in its lighter moments, the picture never downplays the horror of the situation, and the devastating ending is potent enough to affect even those viewers who write it off as nothing more than a sensationalist stunt.
[What] might easily have been turned into a terrible and tasteless Boy's Adventure in the Holocaust movie... is, instead, a film that you won't soon forget.
The Boy in the Striped Pajamas fails to illuminate history. Instead, it raises questions about the project itself. As in, who thought this was a good idea?
The resulting film nicely captures the banality of evil -- at least until overplaying its hand.
Those problems won't concern anyone caught up, perhaps for the first time, in a story that has the potential to rend any hearts that remain open to it.
I found the movie impossibly basic and sanitized as a 'never again' parable of the Final Solution -- and simply wrongheaded as a story about children.
The tropes of the heartwarming indie kids movie get thrown together with the tropes of the low-voltage, war-at-home war drama, and the result is muddled but undeniably affecting
Perhaps the movie might be most profitably viewed as almost a genre tale: A suspense thriller with a moral to its twist ending, like that old Nazi 'Twilight Zone' episode, but without the supernatural element.
A beautifully photographed film that hammers home its point (people are essentially good, Nazis are evil) repeatedly and simplistically.
... a serious and well-made film that does the only moral thing a movie can do when it attempts to confront great evil - it nips off a human-size chunk and doesn't flinch when the horror turns and bares its bloody, brazen maw.
Either you will appreciate The Boy in the Striped Pajamas particular tact, or you will cringe on what it decides to exploit. Like the subject it secures as part of its plotting, there is no middle ground.
Writer-director Mark Herman, working from the novel by John Boyne, has created a smart-looking film, but one in which the only thing we learn about the Holocaust is that children were its victims, too.
This is an assured work, and [director Herman] gets fine performances from his cast.
The tale takes on the resonance of a Greek myth, and even though the story is fiction it finds devastating truths.
This story is already a tear-jerker, but the superb acting makes it even more heartfelt
Unfortunately, the film's compelling ideas get buried in sloppy filmmaking.
Director Mark Herman (working from a novel by John Boyne) avoids condescension and refuses to cop out as the film heads inexorably toward its harrowing conclusion.
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