A refreshing private-eye thriller in a style now widely identified as neo-noi.
Brick (2006)
Rated: 15
Runtime: 1 hr 50 mins
Theatrical Release: 12-05-2006
Synopsis: A detective story set around a contemporary California high school, BRICK dares to combine the teen and film noir genres. In mixing these two disparate worlds, Director Rian Johnson creates many comically jarring and ironic moments. When loner Brendan Frye (a barely recognizable Joseph... A detective story set around a contemporary California high school, BRICK dares to combine the teen and film noir genres. In mixing these two disparate worlds, Director Rian Johnson creates many comically jarring and ironic moments. When loner Brendan Frye (a barely recognizable Joseph Gordon-Levitt of THIRD ROCK FROM THE SUN) gets a desperate-sounding call from his ex-love Emily (Emilie de Ravin), he feels compelled to help her, plunging himself into the seedy world of teenage crime that pulled her away from him in the first place. Throughout this journey, Brendan plays a hard-boiled type reminiscent of Humphrey Bogart's iconic Sam Spade character. Johnson's script invests heavily in the fiction of Dashiell Hammett and Raymond Chandler, and is filled with other archetypical characters like the femme fatale (Nora Zehetner), the eccentric crime lord (a brilliant Lukas Haas), and the dame in distress (de Ravin). As teens trade in their cell phones for things as old-fashioned as pay phones and 1940s gangster vocabulary, occasional references to detention and first period provide a humorous contrast with the otherwise unbelievable complex, precocious, and largely parentless world that these teens inhabit. With its heavy reliance on references to old noir classics like THE MALTESE FALCON and THE BIG SLEEP, the film may risk alienating viewers not familiar with these older films. Seeing teenagers speaking in coded detective-movie-style lingo is entertaining, but mixed with the often overlapping, fast-paced but muttered dialogue, it also proves to be distracting at points. People eager to see a predictable teen drama may be confused by BRICK, as its goal is to turn the genre on its head, earning inevitable comparisons to films like 2001's surreal teen fantasy DONNIE DARKO. Because of the film's attention to detail and witty yet hard-to-follow dialogue, BRICK may be better appreciated on second viewing. [More]
Genre: Action/Adventure
Starring: Joseph Gordon-Levitt, Lukas Haas, Nora Zehetner, Noah Fleiss, Noah Segan
DVD Info
Release:
Aug 8, 2006
DVD Features:
- Region 1
- Snap Case
- Anamorphic Widescreen - 1.85
Audio:
- Dolby Digital 5.1 Surround - English
- Subtitles - English (SDH), French, Spanish - Optional
Additional Release Material:
- Audio Feature Commentary - Cast & Filmmakers
- Deleted Scenes
- Extended Scenes
- Featurette - Casting The Roles
Reviews
The teens in Rian Johnson's striking debut feature Brick express themselves in jargon that sounds as if lifted straight from the pages of Dashiell Hammett and Raymond Chandler.
The self-consciously mannered rat-a-tat-tat dialogue also mines a neat overlap between teen slang and noir patois, both of which can be indecipherable to non-initiates.
After discovering his girlfriend has been murdered, a high school geek attempts to unravel the mystery in what may be the best teen movie you've ever seen.
This year's Donnie Darko? Brick is in a class of its own, showing neither a hint of pretension nor convolution.
Even with its shortcomings, Brick provides solid thrills for film noir fans.
Bizarre and ingenious neo-noir from US writer-director Rian Johnson.
A smart, original neo-noir that works as an ingenious mindgame as well as a slick Hollywood calling card.
A fascinating experiment that doesn't always work but is definitely worth seeing.
First-time filmmaker Johnson intriguingly combines film noir with the American teen drama to create something truly engaging. Besides being almost pathologically gripping, it also redefines both genres in the process.
Brick is a black-comic ballet through the peculiar terrors of suburban adolescence...
Whatever it is, wherever it is, whenever it is, it's not remotely like anything else out there.
Brick exemplifies the difference between a cinematic talent show and mere karaoke.
the school's cliques, cants and "class" politics are shown to be as amoral and impenetrable as any criminal netherworld dreamt up by Raymond Chandler.
An innovative ride that carries the viewer into a world familiar from genre films and the novels of Dashiell Hammett, yet quite unlike anything we've seen before.
BRICK announces the arrival of a very unique voice in Rian Johnson.
I can’t really recommend it to anyone, unless it’s one of those lazy video nights and you’re in the mood to experiment.
Exercício de estilo corajoso e eficiente, o filme busca (com sucesso) ambientar sua trama noir em um colégio norte-americano, criando um "detetive" adolescente saído diretamente da forma que gerou Philip Marlowe e Sam Spade.
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