Evelyn Waugh's greatest novel gets a respectable new film treatment from a team of Britain 's biggest names, although it will inevitably remain in the shadow of the 1981 TV series.
Brideshead Revisited (2008)
Tomatometer
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Reviews Counted:127
Fresh:81
Rotten:46
Average Rating:6.1/10
Consensus: Suspenseful and beautifully mounted, Brideshead Revisited does an able job condensing Evelyn Waugh’s novel.
Theatrical Release:03-10-2008
Synopsis: Though director Julian Jarrold's adaptation of the Evelyn Waugh novel BRIDESHEAD REVISITED spans decades and continents, it's a taut film that never drags and can excite contemporary audiences.... Though director Julian Jarrold's adaptation of the Evelyn Waugh novel BRIDESHEAD REVISITED spans decades and continents, it's a taut film that never drags and can excite contemporary audiences. Matthew Goode (MATCH POINT) stars as lower-class Londoner Charles Ryder, an aspiring artist who is beginning his studies in history at Oxford in the 1920s. A chance encounter with dandyish aristocrat Sebastian Flyte (Ben Whishaw, PERFUME) changes the course of his life. The two embark on a close, intense friendship that is further complicated by the introduction of Sebastian's beautiful sister Julia (Hayley Atwell, CASSANDRA'S DREAM) and his overbearing, extremely religious mother, Lady Marchmain (Emma Thompson). BRIDESHEAD REVISITED follows Charles from the carefree '20s through the beginning of World War II, focusing on his complicated relationship with the upper-class family and their estate, Brideshead. Along with ATONEMENT's Joe Wright, Jarrold (BECOMING JANE) represents a new era of British period filmmaking. Both men bring a modern sensibility to their work that makes their films feel fresh and sexy, though they never lose authenticity. Jarrold employs some handheld camera work and quick-cut editing in BRIDESHEAD REVISITED, two techniques that separate his film from others in the genre. Fans of the book--and the 11-hour 1981 miniseries--may bristle at the film's relatively brief running time, but screenwriters Andrew Davies (the BBC classic PRIDE AND PREJUDICE) and Jeremy Brock (THE LAST KING OF SCOTLAND) have distilled the story into the essentials. BRIDESHEAD REVISITED deftly works with the conflicts of class, religion, and desire and, with its artful costumes and gorgeous settings, is essential viewing for fans of the genre. [More]
Starring: Matthew Goode, Ben Whishaw, Hayley Atwell, Emma Thompson
Starring: Matthew Goode, Ben Whishaw, Hayley Atwell, Emma Thompson, Michael Gambon, Greta Scacchi, Jonathan Cake, Patrick Malahide
Director: Julian Jarrold
Director: Julian Jarrold
Screenwriter: Jeremy Brock, Andrew Davies
Producer: Kevin Loader, Robert Bernstein, Douglas Rae
Composer: Adrian Johnston
Studio: Miramax Films
Reviews for Brideshead Revisited
This new version of the Evelyn Waugh tale of conflicts in class, sexuality and religion is more about the sumptuous imagery than the provocative subtext.
For the most part, this is an enjoyable, well made and superbly acted drama, though it drags towards the end and doesn't quite pull off its emotional climax.
In the end, however, this is a film which though less ambitious than Atonement is very much the equal of The Duchess. Its weakness is the same as that of the latter: it has no guiding hand prepared to take risks and make it distinctive.
It's not much to offer a newcomer, who would be best advised to read Waugh's novel; failing that, to get hold of the TV serial. Either would be preferable to this copy of a copy, and a rather inadequately handled one at that.
Lovely if you have the time. But if you have the time you may, I feel, be living in the wrong time.
The movie is borrowed from Evelyn Waugh’s classic novel but lacks its many layers and subtleties.
Someone once said the only thing worse than nuclear war was Evelyn Waugh. Maybe they’d seen this.
It isn't at all emotionally involving. Charles Ryder remains a cold fish, and Goode endows him with good looks instead of personality.
All isn’t fair in love and Waugh in an adaptation of his best-known work that’s often too tasteful for its good. Handsome and thoughtful, it might’ve had more appeal had first-choice leads Jude Law, Paul Bettany and Jennifer Connelly stayed.
Purists may baulk at Jarrold's liberties with the text but it's a well-constructed story that works on many levels. If you enjoyed the book or the series, revisit Brideshead.
It's a dutiful, good-looking slice of heritage cinema so empty that you expect Keira Knightley to show up at any minute.
Kingsley Amis once said his difficulty with Brideshead Revisted was not that these people were behaving badly, but boringly. On the page, that isn't true, but here on the big screen, it turns out to be an insuperable problem.
The repressed victims are beautifully framed by Jarrold. The acting is faultless. But there is no reason why we should be revisiting Brideshead. The melodrama is so damp and overwrought it’s hard to care about these old ghosts.
A good film that occasionally verges on greatness, but never quite gets there, this is a respectable adaptation of a much-lauded book that will no doubt find an appreciative audience in time.
Performances are good – Thompson and Gambon impress – but the insipid music is dreadful.
Okay for those who dote on ‘classics illustrated’ in the Merchant Ivory line, but not as fluid as all that.
The Roman Catholicism is not diluted. Brideshead itself seems more like a cold cathedral than a home. And Sebastian's homosexuality is not fudged: he kisses Charles on the lips during one boozy summer. Ben Whishaw embraces an aristocratic camp.
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