Thompson (and another great veteran, Michael Gambon, who shows up as her estranged husband) and Waugh's wit are reason enough to revisit this Brideshead.
Brideshead Revisited (2008)
Tomatometer
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Reviews Counted:127
Fresh:81
Rotten:46
Average Rating:6.1/10
Consensus: Suspenseful and beautifully mounted, Brideshead Revisited does an able job condensing Evelyn Waugh’s novel.
Theatrical Release:03-10-2008
Synopsis: Though director Julian Jarrold's adaptation of the Evelyn Waugh novel BRIDESHEAD REVISITED spans decades and continents, it's a taut film that never drags and can excite contemporary audiences.... Though director Julian Jarrold's adaptation of the Evelyn Waugh novel BRIDESHEAD REVISITED spans decades and continents, it's a taut film that never drags and can excite contemporary audiences. Matthew Goode (MATCH POINT) stars as lower-class Londoner Charles Ryder, an aspiring artist who is beginning his studies in history at Oxford in the 1920s. A chance encounter with dandyish aristocrat Sebastian Flyte (Ben Whishaw, PERFUME) changes the course of his life. The two embark on a close, intense friendship that is further complicated by the introduction of Sebastian's beautiful sister Julia (Hayley Atwell, CASSANDRA'S DREAM) and his overbearing, extremely religious mother, Lady Marchmain (Emma Thompson). BRIDESHEAD REVISITED follows Charles from the carefree '20s through the beginning of World War II, focusing on his complicated relationship with the upper-class family and their estate, Brideshead. Along with ATONEMENT's Joe Wright, Jarrold (BECOMING JANE) represents a new era of British period filmmaking. Both men bring a modern sensibility to their work that makes their films feel fresh and sexy, though they never lose authenticity. Jarrold employs some handheld camera work and quick-cut editing in BRIDESHEAD REVISITED, two techniques that separate his film from others in the genre. Fans of the book--and the 11-hour 1981 miniseries--may bristle at the film's relatively brief running time, but screenwriters Andrew Davies (the BBC classic PRIDE AND PREJUDICE) and Jeremy Brock (THE LAST KING OF SCOTLAND) have distilled the story into the essentials. BRIDESHEAD REVISITED deftly works with the conflicts of class, religion, and desire and, with its artful costumes and gorgeous settings, is essential viewing for fans of the genre. [More]
Starring: Matthew Goode, Ben Whishaw, Hayley Atwell, Emma Thompson
Starring: Matthew Goode, Ben Whishaw, Hayley Atwell, Emma Thompson, Michael Gambon, Greta Scacchi, Jonathan Cake, Patrick Malahide
Director: Julian Jarrold
Director: Julian Jarrold
Screenwriter: Jeremy Brock, Andrew Davies
Producer: Kevin Loader, Robert Bernstein, Douglas Rae
Composer: Adrian Johnston
Studio: Miramax Films
Reviews for Brideshead Revisited
[Feels] like a lot of other costume dramas. The phrase Brideshead Regurgitated creeps into mind.
Gauzy and unfocused. It suffers from too many rooms and not enough view.
[Director] Jarrold seems too often to consciously be making an in-quotation-marks classy picture, much like last year's Atonement, in which the costumes and setting are just so, but the human drama gets lost amid the pictorial pleasantries.
The movie may not be a masterpiece, but it makes for good theater all the same.
The fine cast includes Emma Thompson as the siblings' gracious but domineering mother, and the location footage of the family's majestic mansion is stunning.
Immaculately costumed, designed and set, the film recreates this cross-section of English high society to perfectioneates this cross-section of English high society to perfection.
No classic, but it does hold interest, in part by dealing honestly with the intriguing religious themes and in part for its fine cast.
Maybe purists who are already up in arms about the alterations will stop and realize that it's a testament to just how incredible Waugh's novel was that, even with so many cuts and alterations, so much quality remains.
...concentrates on the Charles-Sebastian-Julia story to the detriment of many supporting players but without losing the novel's religious themes.
This is a world of dinner jackets and evening gowns, casual jaunts to Venice and Morocco; it's about elegance, style, money and perhaps too heady a mix of drink, religion and intrigue.
The film is plush and passionate and graced with elegant performances. Best is that of Emma Thompson as Brideshead's matriarch, Lady Marchmain, who resembles a cross between Helen Mirren's Queen Elizabeth II and Pope Benedict.
The film has all the appropriate period flourishes in production design, costume, makeup and hair. It is a stately piece of work that hits most of its marks.
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