Threaded through with ambivalence about class, religion and sexuality, Brideshead Revisited is overnuanced, a world of delicate cruelty, where most of the wounds take place without breaking the skin or even a sweat.
Brideshead Revisited (2008)
Tomatometer
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Reviews Counted:127
Fresh:81
Rotten:46
Average Rating:6.1/10
Consensus: Suspenseful and beautifully mounted, Brideshead Revisited does an able job condensing Evelyn Waugh’s novel.
Theatrical Release:03-10-2008
Synopsis: Though director Julian Jarrold's adaptation of the Evelyn Waugh novel BRIDESHEAD REVISITED spans decades and continents, it's a taut film that never drags and can excite contemporary audiences.... Though director Julian Jarrold's adaptation of the Evelyn Waugh novel BRIDESHEAD REVISITED spans decades and continents, it's a taut film that never drags and can excite contemporary audiences. Matthew Goode (MATCH POINT) stars as lower-class Londoner Charles Ryder, an aspiring artist who is beginning his studies in history at Oxford in the 1920s. A chance encounter with dandyish aristocrat Sebastian Flyte (Ben Whishaw, PERFUME) changes the course of his life. The two embark on a close, intense friendship that is further complicated by the introduction of Sebastian's beautiful sister Julia (Hayley Atwell, CASSANDRA'S DREAM) and his overbearing, extremely religious mother, Lady Marchmain (Emma Thompson). BRIDESHEAD REVISITED follows Charles from the carefree '20s through the beginning of World War II, focusing on his complicated relationship with the upper-class family and their estate, Brideshead. Along with ATONEMENT's Joe Wright, Jarrold (BECOMING JANE) represents a new era of British period filmmaking. Both men bring a modern sensibility to their work that makes their films feel fresh and sexy, though they never lose authenticity. Jarrold employs some handheld camera work and quick-cut editing in BRIDESHEAD REVISITED, two techniques that separate his film from others in the genre. Fans of the book--and the 11-hour 1981 miniseries--may bristle at the film's relatively brief running time, but screenwriters Andrew Davies (the BBC classic PRIDE AND PREJUDICE) and Jeremy Brock (THE LAST KING OF SCOTLAND) have distilled the story into the essentials. BRIDESHEAD REVISITED deftly works with the conflicts of class, religion, and desire and, with its artful costumes and gorgeous settings, is essential viewing for fans of the genre. [More]
Starring: Matthew Goode, Ben Whishaw, Hayley Atwell, Emma Thompson
Starring: Matthew Goode, Ben Whishaw, Hayley Atwell, Emma Thompson, Michael Gambon, Greta Scacchi, Jonathan Cake, Patrick Malahide
Director: Julian Jarrold
Director: Julian Jarrold
Screenwriter: Jeremy Brock, Andrew Davies
Producer: Kevin Loader, Robert Bernstein, Douglas Rae
Composer: Adrian Johnston
Studio: Miramax Films
Reviews for Brideshead Revisited
A good, sound example of the British period drama; mid-range Merchant-Ivory, you could say.
In trying to wrestle the story into a workable running time, the film has taken a greatest hits approach to the material that recreates the best-known moments but which lacks all of the nuance and detail of either the book or the miniseries.
If you go with a group of friends to see Brideshead Revisited, the one who is still awake at the end wins a free dinner from the rest of the group.
It's rare to find a work that explores issues of faith without veering into religious fundamentalism or militant atheism, which is reason enough to revisit Brideshead one more time.
Still hard-hitting and dense, it's a film whose ideal audience consists of younger viewers who haven't seen the TV series and who therefore have nothing to compare it to.
[I]t's rather like its protagonist, Charles Ryder: really quite handsome to look at but so damn tedious and somber that you want to smack some sense into him.
It offers excellent performances by Whishaw, the always-reliable Gambon and especially Thompson as the strong, brittle, stubbornly Catholic dowager figure.
Facing incredible odds against it, this pass at conquering Brideshead is a worthy offering to the period-piece gods, presenting British aristocracy with the perfect edge of contempt.
Thompson, Goode and Atwell make for fine screen company, despite [Emma]Thompson's arguable miscasting.
Actually lives up to its pedigree, rendered lively with gorgeous scenery and a tart, droll script.
[A] lush, bold, intellectual treatment of the Evelyn Waugh novel about Catholicism and nonconformity, which ventures where the fabled '80s miniseries couldn't.
You have to admire the way it refrains from seizing the day for a postmodern lecture on the perils of fundamentalism, and confines itself to the disturbing vision of Evelyn Waugh.
Brideshead Revisited is opulent and watchable, yet except for Thompson's acting, it's missing something -- a grander, more ambivalent vision of the England it depicts dying out.
A sophisticated and well-acted screen version of Evelyn Waugh's 1945 novel about the toxic fallout from a Catholicism of sin, sacrifice, guilt, and otherworldliness.
If you can let go of your memories of the novel and the outstanding 1981 miniseries, this is enjoyable enough as tasteful melodrama.
The film version of Evelyn Waugh’s Brideshead Revisited transforms one of the quintessential novels of the 20th century into one of the grandest, most enriching films of 2008.
I recommend the brilliant pessimism of this film to all my readers, who I hope will appreciate the exquisitely rendered truthfulness of the narrative.
A very handsome period picture....But it's an almost perversely wrongheaded adaptation of the book.
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