The filmmaker's rich, husky-voiced narration manages to shape this collection of half-formed ideas and observations into a tightly packed little roll-up that's worth taking a puff on.
Bright Leaves (2004)
Tomatometer
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Reviews Counted:57
Fresh:49
Rotten:8
Average Rating:7.4/10
Consensus: A rich, eccentric documentary about both filmmaking and the tobacco industry.
Runtime: 1 hr 47 mins
Genre: Education/General Interest
Synopsis: Ross McElwee directs this autobiographical documentary about his family's roots in the tobacco business in North Carolina. Taking a sabbatical from his home in Boston, he offers a culturally... Ross McElwee directs this autobiographical documentary about his family's roots in the tobacco business in North Carolina. Taking a sabbatical from his home in Boston, he offers a culturally interesting history of the South as viewed through the biggest, wealthiest tobacco enterprises. Meanwhile, he examines a Hollywood movie that was based on the same topic, BRIGHT LEAF, the 1950 film set in 1894's tobacco-ruled South, which stars Gary Cooper and Lauren Bacall and was directed by Michael Curtiz (CASABLANCA). Though McElwee doesn't have firm proof, he speculates that the film is actually based on his great grandfather's rise and fall in the tobacco industry, and he splices in segments of that film to illustrate some of his historical points. It goes without saying that BRIGHT LEAVES' dominant purpose, and strongest message, is anti-smoking, and in its grimmer moments the film shows hospitalized victims of smoking-related illnesses, and conducts interviews with those who have lost dear ones to lung cancer. Packaged as an exploratory and educational dabble into McElwee's past, this documentary is enjoyable and enlightening. [More]
Director: Ross McElwee
Director: Ross McElwee
Producer: Ross McElwee
Studio: First Run Features
Reviews for Bright Leaves
McElwee forsakes the muckraking strategies of Michael Moore and Nick Broomfield in favour of a gentler, more ruminative style, resulting in a work that is remarkable for its warmth and wisdom.
Opens tediously slow, but grows on you, reels you in, perhaps like smoking itself. "trance-like, seemingly suspending time." Then, like smoking, finds difficulty quitting.
An utterly mundane miracle, a sampling of gentle insight and poetic retrospection quietly at odds with the exploitative culture around it.
A weightless film. Worse still, McElwee's languid tone makes his journey lack conviction.
Eventually, we realize that moviemaking has replaced nicotine as McElwee's addiction: Every so often, he has to step outside for a fix.
Bright Leaves is a smart, ethically rich, innovative and well-done documentary about the tobacco industry. family legacies and the pleasures of filmmaking.
A meandering riff on the dangerous allure of smoking, and more interestingly a meditation on the way motion pictures can preserve our life experiences-- but only to a point.
Where most documentaries offer us facts to hold on to, [McElwee's] are obsessed with the mystery of things we don't know and never will.
detours never seem self-indulgent, just the flights of fancy of a creative intellect
Bright Leaves mixes social conscience with personal journey in an even balance.
McElwee's autobiographical films ... are leisurely jaunts with a gentle humor that never mocks his subjects.
Ross McElwee ambles through one tobacco-related subject after another... it's too scattered all over the place to be truly informative.
It's a meandering visit by a curious man with a quiet sense of humor.
This rich, complex and surprisingly entertaining film also becomes a meditation on filmmaking and the parallels McElwee finds between cinema and, of all things, smoking.
A transcendent documentary that swirls in a temporarily timeless haze of themes: imagined pasts, shadowy legacies, cinematic heirlooms and the bittersweet landscape of memory.
Ostensibly about an epic betrayal, Bright Leaves spirals beautifully in a hundred different directions.
blends nostalgia, economics, and personal reactions to new information at a perfect pitch that allows for laughter and deeply felt affection
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