McElwee's autobiographical films ... are leisurely jaunts with a gentle humor that never mocks his subjects.
Bright Leaves (2004)
Tomatometer
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Reviews Counted:57
Fresh:49
Rotten:8
Average Rating:7.4/10
Consensus: A rich, eccentric documentary about both filmmaking and the tobacco industry.
Runtime: 1 hr 47 mins
Genre: Education/General Interest
Synopsis: Ross McElwee directs this autobiographical documentary about his family's roots in the tobacco business in North Carolina. Taking a sabbatical from his home in Boston, he offers a culturally... Ross McElwee directs this autobiographical documentary about his family's roots in the tobacco business in North Carolina. Taking a sabbatical from his home in Boston, he offers a culturally interesting history of the South as viewed through the biggest, wealthiest tobacco enterprises. Meanwhile, he examines a Hollywood movie that was based on the same topic, BRIGHT LEAF, the 1950 film set in 1894's tobacco-ruled South, which stars Gary Cooper and Lauren Bacall and was directed by Michael Curtiz (CASABLANCA). Though McElwee doesn't have firm proof, he speculates that the film is actually based on his great grandfather's rise and fall in the tobacco industry, and he splices in segments of that film to illustrate some of his historical points. It goes without saying that BRIGHT LEAVES' dominant purpose, and strongest message, is anti-smoking, and in its grimmer moments the film shows hospitalized victims of smoking-related illnesses, and conducts interviews with those who have lost dear ones to lung cancer. Packaged as an exploratory and educational dabble into McElwee's past, this documentary is enjoyable and enlightening. [More]
Director: Ross McElwee
Director: Ross McElwee
Producer: Ross McElwee
Studio: First Run Features
Reviews for Bright Leaves
Ross McElwee's movies have the rhythms of a person who is writing -- considering this possibility, rejecting that one and ultimately making a decision.
Bright Leaves mixes social conscience with personal journey in an even balance.
The mysteries McElwee sets out to solve aren't very involving, and his meandering style, while charming first and literate, becomes repetitive and yes, even a little dull.
A transcendent documentary that swirls in a temporarily timeless haze of themes: imagined pasts, shadowy legacies, cinematic heirlooms and the bittersweet landscape of memory.
detours never seem self-indulgent, just the flights of fancy of a creative intellect
McElwee is motivated less by political views, personal desires or preachiness than any documentarian I know. He's motivated almost solely by curiosity, and everyone he encounters ... interests him.
Inevitably poignant but also often amusing and always deeply touching, this film is likely to stick in one's memory for all its concerns, not just cigarettes.
It's a gentle rumination on the contradictions, failures and delusions of everyday life. But mainly, it's a quietly satisfying dose of reality.
Who’d have thunk that a freeform meditation on tobacco, family, and filmmaking would be so compelling?
Soft and unhurried as the life in a small Carolina town, the film is likely to find some admirers because of that, if only among the most dedicated art-house set.
McElwee, he of the wonderful Sherman's March, noodles delightfully around the South again, only this time in his native North Carolina.
We're right there with [McElwee] when his search leads him to a cadre of colorful Southern characters with personalities as rich as their drawls; as long as the company is good, who cares that the expedition is getting lost on the side roads?
A weightless film. Worse still, McElwee's languid tone makes his journey lack conviction.
Eventually, we realize that moviemaking has replaced nicotine as McElwee's addiction: Every so often, he has to step outside for a fix.
Opens tediously slow, but grows on you, reels you in, perhaps like smoking itself. "trance-like, seemingly suspending time." Then, like smoking, finds difficulty quitting.
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